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Terminal Justice 1996
Description: In 2008 cybersex can only be surpassed by one thing: Cloned women, especially created for their clients. This puts Pamela Travis, a popular and much sought-after cybersex star in nice danger - Dr. Vivyan, scientist and genius in the field of biotechnology wants her DNA to clone her for his many customers. Sergeant Bobby Chase is assigned to protect her, but can't prevent her from being kidnapped. In order to gratis Pamela, Chase has to risk his life in a deadly virtual reality minigame named "Hellraiser"
Released: 05 Apr 1996 Director: Rick King Writers: Frederick Bailey (screenplay), Wynne McLaughlin (screenplay) Actors: Lorenzo Lamas, Chris Sarandon, Peter Coyote, Kari Wuhrer Genres: Action, Sci-Fi, Thriller
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Terminal Justice Reviews:

As a rule, direct-to-video movies aren't particularly good. Other reliable rule is that films with the prefix "cyber" in them aren't likely to be any nice (this movie is also known as "Cybertech P.D."). Well, somehow, this movie manages to beat the odds and be worthwhile, and that is an nice achievement for this kind of film. It's nothing particularly special, but it has a nice sense of humour and a reasonably well-known cast that supports hold the film buoyant. Sure, you'll forget about it as later as the credits begin to roll, but if you're looking for a decent time-filler that is somewhat off-the-beaten-path, then I recommend that you give this film a chance.


Nothing makes a crappy film watchable like Kari Wuhrer's stalker-inspiring body. She ain't shy about showing what she's got and DAMN! Despite Lorenzo Lamas' occasional on-screen intrusions, I was able to sit through the entire film. No concept what it was about, but I think it had something to do with Everybody wants to see Kari naked. Duh.


Sgt. Bobby Chase (Lamas) is an ex-Special Forces veteran of the 2002 Russia Cartel Wars. In that conflict which took zone in the future which is actually the past, his evil captors destroyed his eyes, and now, in the present/past of 2008, working as a cop, he has cybernetic vision. He's assigned to protect film star Pamela Travis (Wuhrer), who is constantly under assault from the goons of scientists who wish to clone her. Yes. Scientist goons. The nefarious super-genius-evil-cloner is Deacon Vivyan (Coyote) who is working with fellow baddie Reginald Matthews. You know he's evil because his name is Reginald. And because he wears high-collared shirts. Naturally, Chase and Travis end up becoming romantic, and in order to receive to the baddies once and for all, Chase has to reluctantly squad up with ponytailed techie Takamura (the awesomely-named Tod Thawley). Living in the future with all this newfangled technology can be a blessing and a curse, as Chase is about to search out the difficult way. Will he ever receive TERMINAL JUSTICE? Things got really terminal in the 90's, what with a spate of "Terminal" films such as Terminal Velocity (1994), Terminal Impact (1995), Terminal Virus (1995), Terminal Rush (1996) and, of course, the film on offer today, Terminal Justice (though it's also known as Cybertech P.D.). And because it was the 90's, we have other outing that involves VR and Cyber-matters. That truly was the obsession of the day, and Terminal Justice borrows from Demolition Boy (1993), Johnny Mnemonic (1995), Virtuosity (1995) and even Hologram Boy (1995). But yet, it also has some interesting concepts of its own. The entire "virtual reality crime scene" was a fascinating concept, and there are a several another gems in there as well. So it's type of a mixture of forward thinking sci-fi ideas mixed with The Slay Reflex (1989)-style murderous toy helicopters.Lamas is especially meatheady in this one, almost to Evan Lurie levels. But we've yet to see Lurie display the kind of emotion Lamas does here, he even cries, showing that he has a sensitive side and isn't all long hair and comically over-sized bathrobes. His fresh partner, played by Thawley, is sort of a hybrid Keanu Reeves/Don The Dragon/Jerkface, who begins off as arrogant and unlikable, but you sort of come around. Kudos to Thawley for bringing us along on his character's arc. Connecticut's own Kari Wuhrer has never looked better, and though fanatics know her as Kari Wuhrer, for this film she took her actual husband's surname and is credited as Kari Salin. Who did she think she was fooling? Regardless, it remains one of Salin's greatest roles to date. She even has a talking house (in this situation called Ludmilla), much like Ed Marinaro did in The Protector (1999). It could only be a matter of time until we all receive our own talking houses.Director Rick King, who brought us Prayer for the Rollerboys (1990), as well as arguably the greatest Kickboxer movie, Kickboxer 3: The Art of Fight (1992) - which singlehandedly saved that series from going into the doldrums - here delivers an unfortunately junky-looking final product. That it's other "shot in Canada but we're going to pretend it's somewhere else" production is one thing, but the constant close-ups don't really do the film any favors either. But there is some energy and ideas, which is good, but the fact that it was released as a Platinum disc doesn't bode well for potential viewers. At least he started the film on an exciting note, with Lamas shooting a machine gun and screaming - and soon got into talking about things going "online" with illegal VR minigames and such.Despite some of the typical DTV pitfalls, Terminal Justice isn't that bad. It can proudly stand with all the another Terminal films of the 90's.For more action insanity, drop by: www.comeuppancereviews.com



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