See Takida - Never Alone Always Al on youtube.
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Description: Legendary rock bands Chicago and REO Speedwagon’s summer tour proved to be a heavy hit all across the country including this phenomenal present at Red Rocks Amphitheatre in Colorado. The bands had the time of their lives, testing a truly “raucous” encore – a two band, hit-fuelled, epic jam. The reviews have been phenomenal, with media raving about the encore: “Chicago and REO Speedwagon’s combined supergroup encore was the items of classic-rock legend.” Viewers will be sure to sing along with “Riding The Storm Out,” “Free,” “Roll With The Changes,” “Does Anybody Really Know What Time It Is,” “Keep on Loving You,” and “25 or 6 to 4.”
Description: Willie Nelson appeared at the US Festival on June 4, 1983. It was billed as Country Day, with Willie performing alongside such artists as Waylon Jennings, Alabama, Hank Williams, Jr., and Emmylou Harris. The US Festival was held over two weekends in 1982 and 1983. Steve Wozniak, cofounder of Apple Computer, funded the concerts and accompanying technology exposition, as well as the construction of a brand-new outdoor venue in Glen Helen Regional Park in San Bernadino, CA. Nearly each musical category was represented by bands as diverse as U2, Fleetwood Mac, David Bowie, Ozzy Osbourne, Van Halen, The Police and The Clash. Over the combined seven days of the festival, more than one million folks passed through the entrance gates.
Description: Waylon Jennings appeared at the US Festival on June 4, 1983. It was billed as Country Day, with Waylon performing alongside such artists as Willie Nelson, Alabama, Hank Williams, Jr., and Emmylou Harris. Waylon's performance was one of the day's many highlights, and he is joined onstage by wife Jessi Colter for a particularly memorable rendition of 'Storms Never Last.' The US Festival was held over two weekends in 1982 and 1983. Steve Wozniak, cofounder of Apple Computer, funded the concerts and accompanying technology exposition, as well as the construction of a brand-new outdoor venue in Glen Helen Regional Park in San Bernadino, CA. Nearly each musical category was represented by bands as diverse as U2, Fleetwood Mac, David Bowie, Ozzy Osbourne, Willie Nelson, Van Halen, The Police and The Clash. Over the combined seven days of the festival, more than one million folks passed through the entrance gates.
Description: Legendary director Hans Neuenfels once again proves his nice skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly fresh view of one of the most frequently played operas worldwide. Unique highlight: Neuenfels territories an actor at each singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and another characters of the piece. In newest decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with new interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and clever way.
Description: Directed by Yanie Dupont-Hébert, this present witnesses an happening reuniting the Orchestre symphonique de Montréal (OSM) and pop-punk band Easy Plan together on the same stage, aiming at raising funds in aid of Easy Plan Foundation and the OSM’s educational activities.
Description: A woman group testing beautifully written pop at the end of the seventies, Dolly Mixture were almost ignored when the Slits' more angular approach was in vogue, yet became an inspiration to the Riot Grrl stage of the nineties.
Description: If necessity is the mother of invention, then Tijuana is where she gave birth and raised her kid. A town that rejects entropy, Tijuana constructs its own rules. Its denizens negotiate the chaos with fierce independence, ingenuity and a gift for improvisation. Frontier Life is a feature-length documentary that explores beyond Tijuana's Sin Town heritage, beyond the aura of menace cultivated by the mainstream media, and searches for the heart and identity of a town that is much more than a cantina-strewn throwback to the Old West. This movie does not set out to valorize or condemn what it finds. It approaches Tijuana on its own terms, looking at the town not so much in relationship to the U.S., the border, or even another regions in Mexico, but rather from the inside, within its own context.
Description: This 1991 production by the Lyon National Opera presents a welcome occasion to revel in a uniquely Gallic confection rarely seen outside France. It's also a possibility to play one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the greatest tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's support to receive them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly nice voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the helping cast. It's a long piece, but hugely enjoyable.
Description: Renée Fleming is Countess Madeleine, the beautiful, enigmatic girl at the center of Strauss’s sophisticated “Conversation Piece for Music.” She is being courted by two men: Joseph Kaiser sings the composer, Flamand, and Russell Braun is Olivier, the poet. The stellar cast also contains Peter Rose as the theater director La Roche, Sarah Connolly as the actress Clairon, and Morten Frank Larsen as the Countess’s brother. John Cox’s elegant production territories the action in the 1920s. Andrew Davis conducts.
Description: The final video component is “Bruce Springsteen & The E Road Band: The River Tour, Tempe 1980,” a fresh movie produced from footage professionally filmed in 1980 using four cameras and recorded in multitrack audio. The movie details 24 songs — 2 hours, 40 mins — on 2 DVDs from Springsteen’s November 5, 1980 concert at Arizona State University in Tempe, AZ. Widely regarded as one of Springsteen’s finest performances, this intense present details early live versions of over half of ‘The River’ songs.
Description: The documentary focuses on the creation of The River, a thrilling double album that featured Bruce Springsteen concert 1981Springsteen first top 10 hit “Hungry Heart” along with such classics as “Cadillac Ranch,” “Point Blank,” “Out In The Street” and the haunting, cautionary game track. It also will contain previously unreleased archival footage from the River Tour, which raised the singer-songwriter’s profile worldwide, and more than 100 recently unearthed images of Springsteen and the E Road Band during the recording sessions. Also featured are previously unheard demos and outtakes from the 14-month recording process, including such songs as “Stray Bullet,” “Chain Lightning,” “The Time That Never Was,” “Cindy” and “Take ‘Em as They Come.”
Description: In the summer of 2004, Dutch singer Marco Borsato performed at the Sportpaleis in Antwerp. 1. Intro 2. Laat Me Gaan 3. Zij 4. Als De Wereld Van Ons Is 5. Je Zit Of Rozen 6. Vrij Zijn 7. Dromer 8. Voorbij 9. Ik Kan Het Niet Alleen 10. Margherita 11. Medley Waarom Nou Jij De Bestemming Oud En Afgedankt 12. De Waarheid 13. Lentesneeuw 14. Wat Zou Je Down 15. Speeltuin 16. Je Hoeft Niet Naar Huis Vannacht 17. Dromen Zijn Bedrog 18. Laat Maar Los 19. Jij Alleen 20. Ik Leef Niet Meer Voor Jou 21. De Wens 22. Zonder Jou 23. Vlinder 24. Afscheid Nemen Bestaat Niet 25. Binnen 26. Als Alle Lichten Zijn Gedoofd
Description: The Ritchie Blackmore Storyline traces the long and winding street of the guitar legend — from his early days as a session user (with legendary producer Joe Meek) and his early ’60s combo the Outlaws up through his years guiding one of difficult rock’s finest bands, Deep Purple, and into his newest work with Blackmore’s Night.
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