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I first saw Sytten in Denmark when I was about 19. Being the right age and in the right place, I LOVED it. It captured the Denmark I had come to love better than any another Danish film. Back in the States at age 23, the movie turned up in my college-town theater, so I took my fiancé in order to "share some of my Danish experience." What I thought was a fun, boyish romp, was for her, the dirtiest thing she had ever seen. Actually that my own sons are past that age, I'd love to see it again to see how it plays in my memory. I particularly remember the funniest stage with the lad struggling with masturbation and the local priest trying to, literally, support him out with it, "So we can repent together later." Then, after his own awkward experience with one of the farm girls, entering the farm house and seeing the maid on her knees scrubbing the floor. She had been coming on to him even though she was old enough to be his mother, but actually with some experience under his belt, he quietly sneaked up behind her and gave her the thrill of her life. The older woman/young man is a recurring theme in the Danish coming of age novels I've read, and this supposed autobiographical portrait of the writer fit right in.
I saw this movie approximately 35 years ago and I have fond memories of its light hearted and liberal plot concerning adolescent sexuality.Much of the criticisms made of it are accurate enough but to concentrate on the positive aspects of this movie I would maintain that its joyful celebration of sexually confident girls attempting to seduce a young guy is each adolescents fantasy and accurately portrayed in this film.various scenes are recalled in memory..the maid viewing him as potential lover..a girl on the train eating an apple seductively...to repeat the wholesale celebration of sexuality in a liberal fearless context.That does it for me.
The movie is set in the Danish provincial city of Nybro, though it opens and closes in Copenhagen. It is 1913 and the Danes smell fight in the air - though they are uncertain whether it will involve them or not.The movie falls very oddly between being a not-very-interesting sex-comedy (all the girls seem anxious to receive laid, but we see very tiny except copious lingerie from any of them) and a much more intriguing montage of village life reacting to imminent fight with a mixture of confusion and indifference.One should certainly watch the movie without any attention to the erotic element. Sytten includes one of the several accurate loss-of-virginity scenes before Catherine Breillat, but all the rest of the porn is so anodyne as to be tedious. The photography of Nybro is lovingly careful to feature though, and the attempt to capture belle epoque class certainty and political confusion if genuinely thought provoking.I thought this was a very nice film, though I can see why it will disappoint almost everyone who watches it. The erotic content is either silly or annoyingly accurate (the folks who watch erotic movies seldom have any interest in true sex) but it certainly gets in the method of the rather unusual gentle nostalgia which could have been the film's forte.The another movies I've seen from Anneliese Meineche were all just as confused.
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