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Swallows and Amazons Forever!: Coot Club 1984
Description: Coot Club and its companion story, The Large Six, are based on the celebrated Swallows & Amazons series of childrens' ebooks written by Arthur Ransome. For anyone who loves sailing and adventure, the Arthur Ransome classics stand alone. Set in the '30s, both stories take zone on the lakes and waterways of England, and detail the same cast of lively characters, led by six children, who become firm friends, sharing a love of wildlife and all things nautical.
Released: 19 Mar 1984 Director: Andrew Morgan Writers: Arthur Ransome (book), Michael Robson Actors: Rosemary Leach, John Woodvine, Colin Baker, Andrew Burt Genres: Adventure, Comedy, Family
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Swallows and Amazons Forever!: Coot Club Reviews:

I went into this and its sequel, The Large Six, with nice trepidation. While the Death and Glory team feel about right, Tom's too pudgy for an active child and never quite as brave or as frightened as circumstances call for. Port and Starboard come across too tiny, or too trivial. There's no true sense of loss when they can't come along, as there is in the novel where they seem Tom's equals. An additional shot or two showing them sailing with their father might have remedied, but really they required to be bigger. The prose Coot Club's mission of view characters are Dick and Dorothea Callum. Dick's a nascent Stephen Maturin, obsessed with nearly anything observable or calculable, even sailing which he conquers by thinking out each move, sometimes too slowly for the quirks of the breeze. His sister protects, worships, and dotes on him to an extent that might seem unnatural were they the least bit older. Here, she's the tallest kid and seems so much older and more sedate than the rest that the obsessive sibling relationship hardly registers. Dick, same size as Port and Starboard, is deus ex machina, humorless Sherlock Jr., and tiny more.To an American who's never crossed an ocean, the shots of the narrow rivers and wide waters, the tidal play, bridges, and shallows, the boats and barges, create up for a nice deal. But there's tiny sense of travel, of space. In the books, it's fascinating how quickly a kid on a bike can shortcut a winding river journey: Time flows differently on water, on shore. Bicycles, land routes, like sci-fi wormholes, hack time.While I waited for the DVD to arrive, I did my greatest to imagine how I'd have filmed Ransome, whether the two Coot stories and Nice Northern?, which belongs with them thematically, or the Lakeland books. First of all, as with the books, every movie would need a map, not just bracketing the action, but ever-present. The camera zooms in and out, pc tech allowing the near zooms to morph into live action and zoom-outs to morph back to the map, so that we everytime know where we are. "Live" coloring shows the tide creeping up and down the map. I fear some readers may deem such things obtrusive or anachronistic, but tech could also give credible ambient sound, mostly lacking in the existing TV serial: boats' creaking, water lapping, birds' calls and chatter day and night, the breeze, the sails' flap, rainfall, the audio differences between day and night, etc., etc., and more that I can't imagine because, though I've read, I've never been. I'd url sounds to the map, so we hear territories before the zoom in or even when the focus simply passes an zone without zooming.Besides working on the casting flaws noted above, I'd shoot any and all adults from, at most, the eye lvl of the tallest child. Maybe I'd go so far as to shoot the tallest children, when appropriate from the eye lvl of the shortest children.And tacking: I don't think there's a bit of sailing lore more significant for Ransome than this against-the-wind technique that, to a novice, seems an almost magical accomplishment of the impossible. The very first novel, Swallows and Amazons, starts with seven-year-old Roger running "in wide zigzags, to and fro, across the steep field that sloped up from the lake to Holly Howe…The wind was vs him, and he was tacking up vs it to the farm" (p. 13). Movie offers a special occasion to show, not just talk about, tacking, all the more so, since in Coot Club, Dick and his sister are relative novices.Note finally that Roger isn't pretending to tack; he "was tacking." It was just a hill. He was on land. He had no sails. But still he was tacking. Perhaps more so the Lakeland group than these Coots, but Ransome's minigame was everytime to blend children's make-believe so seamlessly with reality that there is no line. In any single moment, the two coexist. Any movie worthy of Ransome would have to achieve the same. The camera can never present anything but reality, while the imaginary rivals it in the actors words, faces, and body language.Too terrible Miyazaki never caught on to these. Other British children's novel, B.B.'s Brendon Chase, really cries for Miyazaki's special ability to blend reality, imagination, and Nature.



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