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Description: Anton takes on the job editing a novel for a publishing company. When he discovers the publishing company and the writer of the novel are both not what he believes they once were, he gotta bring himself to do what is right.
Description: Vs the backdrop of a conflict between former friends, and actually a soldier and a prisoner, happenings break out that will create them create a hard choice. This choice changed the history and attitude to real heroism.
Description: Abundant supplies of imported vaccine prove ineffective vs an outbreak of foot-and-mouth illness epidemic in few population centers. Warehouse manager Rashkov has been found dead. Major Zahov has to investigate the case.
Description: Systematically overturning agreed morals, Elagabalus dresses boys as women, and names girls to the Senate, favours sinning servants and humiliates generals. Baroque and carnivalesque, Eliogabalo is not, however, an opera that advocates a return to order. Leonardo García Alarcón, a searcher of baroque gems, and Thomas Jolly are attentive not to transform Eliogabalo into a sublime icon who would abase virtue. On the contrary, the conductor and young director, who are presenting their first production for the Paris Opera, agree the character’s contradictions and ambiguities
Description: Klementia, who has been a nun for few years, is troubled by an apparition of Saint Susanna. The latter, performed by Anna Caterina Antonacci, lifts the veil on a carnal globe she finds disturbing. Encouraged to confide by this awakening, Klementia recounts the passion of a young woman in the convent who many years before had stripped naked and embraced the body of Christ on the Cross. Darkness and light, life and death, body and soul all struggle and dialogue in this short, smouldering work in which the biblical figure of Susanna takes on an unparalleled psychological dimension.
Description: This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and character recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a boy marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.
Description: A tiny village in Sicily, Easter Sunday. A despondent Santuzza searches for Turiddu, the boy she loves. Before leaving for the units he was in love with Lola. But Santuzza, despite being married to Alfio, has won back Turiddu’s heart...Elīna Garanča and then Elena Zhidkova will lend their voices to the role of the heart-breaking Santuzza.
Description: The movie theme is the struggle of a Croatian fight veteran Hunta with his sense of guilt. It has been 25 years since, as a commanding officer, he refused to support save life of a wounded comrade-in-arms Džoker. Only Dinko left to support Džoker. Neither of them returned. Hunta is constantly guilt ridden. Although he knows Dinko is dead, he keeps seeing him in the city, rides with him in a car, talks to him...
Description: Year 1915. Helene Schjerfbeck lives as a forgotten artist with her elderly mother in the countryside. It has been years since the last exhibit, and Helene continues to paint only because of her passion. Everything changes when art dealer finds Helen and her 159 unbelievable paintings - and wants to organize a large personal exhibit. However, Helen's turning mission comes only when she is introduced to Einar Reuter. Young Einar is a forester, art enthusiast, and a passionate admirer of Helene's work. He becomes Helen's trusted and lover.
Description: In order to fulfil the oracle’s prediction, Iphigénie gotta slay any stranger landing on the shores of Tauride. Alas, it is Oreste, Iphigénie’s own brother, who appears, having murdered their mother Clytemnestra in order to avenge the death of their father Agamemnon: such is the accursed lineage of the Atrides, condemned for generations to inflict death after death… Will this chain of hereditary bloodletting be perpetuated by Iphigénie? In Krzysztof Warlikowski’s stunning first production for the Paris Opera, the characters in the twilight of their existence are still haunted by their past.
Description: An impressive masked figure, Trompe‑la‑mort reveals his real hero through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.
Description: Snegurochka was born in times of old in Tsar Berendey’s mythical kingdom, the fruit of the union between Spring the Beauty and Grandfather Frost. Protected by her parents from the jealousy of the Sun god Yarilo who has vowed to warm her heart when she gets older and falls in love, Snegurochka the snow maiden is entrusted to the wood sprite…Aida Garifullina sings the role of Snegurochka whilst the production and musical direction have been left in the capable hands of two another Russian artists: the young conductor Mikhail Tatarnikov and director Dmitri Tcherniakov.
Description: Inspired by Pushkin's masterpiece of Russian literature, Tchaikovsky’s opera provides a sublime portrait – both ironic and sympathetic – of a hero embittered by society life, rejecting love out of vanity, killing his mate the poet Lenski out of pride and spending the rest of his days in abject despair. A repertoire classic, Willy Decker’s streamlined production makes the Paris Opera echo once more to the strains of Russian romantic music. Edward Gardner conducts an exceptional cast including Peter Mattei in the game role and Anna Netrebko as Tatiana.
Description: Mae Driver, once driven and full of aspirations, actually lives day to day needling away her time until she can escape into sleep. With the aid of a dated VHS tape, she falls into a dream globe where she can distract herself from the fear of stagnation with her very own Hollywood fantasy.
Description: Separated and fragmented, the scenes combine in a series of tableaux to say the storyline of Wozzeck, an ordinary soldier whose only solace is the love of his companion Marie. However, the latter’s fidelity is not unfailing and Wozzeck is haunted by torment. His officers and comrades in arms do tiny to improve the situation. The omnipresent tension in this profoundly romantic work unifies the fifteen scenes with their complex tonalities alternating between Verist notes and the force of ritualised actions. Christoph Marthaler’s production provides an atmosphere of contemporaneity strongly accentuated by the choice of a single set, where the men’s despair is submerged in Berg’s dearly sought-after sobriety.
Description: There are elements of Macbeth in this political fable, in which the ghost of the kid that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the true protagonist is the Russian folks with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.
Description: When Jephthah, a biblical parable adapted from the Ebook of Judges, begins, the folks of Israel are under the yoke of neighbouring nations which pillage and oppress them. Jephthah, destined to become their saviour, has grown up in the desert until becoming a strong military leader. On leaving for battle, he swears to the god Jehovah that he will sacrifice the first person he meets on his method home. Alas, as he returns victorious, it is Iphis, his only daughter, who comes to meet him… Claus Guth directs this oratorio in which grief‑stricken voices interweave as they confront an apocalyptic situation.
Description: Six months after the death of her mother, Alex is a young girl on the run. Travelling with her guardian, Will, she hides a risky secret — a unique power inside her that certain groups will do anything to receive their hands on.
Description: Les Huguenots is a monumental fresco featuring different impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg territories these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.
Description: Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any easy operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost dematerialised setting bared of all earthly contingencies whilst Bill Viola presents the lovers’ initiatory quest for nirvana in videos detached from the stage, suspended like altarpieces.
Description: Titus and Berenice love every other; under the watchful eye of Antiochus, the hopeless lover, they test yet refuse to understand every other. Taking up the “majestic sadness” of these alexandrines, among the best verses in the French language, Michael Jarrell amplifies the power of words, making them a car for territories and identities that, from Rome to Jerusalem, are unceasingly questioned.
Description: Condensing the life stories – memories of prison in Silesia – similar by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly private monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.
Description: The popular storyline of Hamlet and Ophelia is played out between the opposite poles of true and feigned madness, love and avenge. After the murder of his father, Hamlet opposes the marriage of his mother and his uncle, at the expense of his beloved and himself. After their unanimously acclaimed Les Huguenots in 2011, Marc Minkowski and Olivier Py are continuing their highly private exploration of the 19th-century French Grand Opéra repertoire.
Description: A tale of depressed Novi Sad cab driver and his continuous obsession with the long lost love, the stewardess who left for America and his passion for the American pop-culture. As his depression reaches the peak a serial assassin with a sexual deviation begins killing Novi Sad cab drivers.
Description: Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther could travel – but not forget her. Benoît Jacquot’s production of Massenet’s tragic opera explores the conflict between duty and our most passionate desires.
Description: Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first fresh Met production of the finished cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of happenings that will change the globe and end the rule of the gods. Met Melody Director James Levine conducts a cast of some of the best Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.
Description: "Together with Jean-Pierre we've produced 'Fatwa', from Mahmoud Ben Mahmoud, a Tunesian living in Belgium. The movie says the storyline of a father who returns to Tunesia to bury his son who died from an apparent suicide. The scenario had repeatedly been rejected by some French producers because the movie supposedly stated that the murderers are among us. Mahmoud, who knows a lot about Muslim culture and knew the Muslim recruiters who are at the origin of Sharia4Belgium, told to me: "That's crazy, they don't understand what's happening." And that was in 2008." (Luc Dardenne)
Description: Patrick is the handyman on his father's naturist campsite. The remaining time he dedicates to his hobby, designing and creating furniture. When Patrick loses his campsite hammer, his quest to retrieve it takes him to the farthest corners of the camping grounds. Sure enough, when Patrick's father passes away, Patrick's quest turns existential. Patrick's security bubble pops and everything he took for granted, changes. Is he mourning because of his father? Or is he thinking mostly about his lost hammer? In the meantime, the resident campers are beginning to question Patrick's leadership abilities, fearing for the survival of their beloved sanctuary.
Description: A young man called Dallas, who goes on a find for his pool-hustling father after he abandons their family. Dallas is determined to bring his father home when he meets Joe Haley, a drifter wrestling with a past he'd rather forget, who feels responsible for Dallas' security and reluctantly takes him in.
Description: With a devilish sway of the hips and a tip of Andalusian flair, Carmen, the pretty cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we slay the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to create it the world’s most performed opera.
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