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Spinout 1966
Description: Band singer/race driver Mike McCoy gotta select between marrying a pretty rich woman and driving her father's vehicle in a prestigious race.
Released: 14 Dec 1966 Director: Norman Taurog Writers: Theodore J. Flicker, George Kirgo Actors: Elvis Presley, Shelley Fabares, Diane McBain, Dodie Marshall Genres: Comedy, Musical, Romance
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Spinout Reviews:

Elvis Presley spent most of the 1960s making fluffy lightweight romantic comedies with music, all constructed on a studio assembly line during the waning days of the old Hollywood studio system. These movies tended to sap Elvis of the energy he should have devoted to better movies and better roles, all of which he was capable of. Having told that, some of these movies were more tolerable than others.SPINOUT, made at MGM, is one of the most entertaining thanks to its teaming of Elvis with three colourful and delicious leading ladies, all of whom more than keep their own with their charismatic leading man. Deborah Walley plays the tomboyish redhead drummer in Elvis' band and has a secret crush on him; Diane McBain plays a sexually voracious best-selling creator on the hunt for the excellent American male; and Shelley Fabares plays the heiress of an auto fortune who thinks she's entitled to whatever she wants and whose father wants Elvis to race a vehicle for him. In the course of it, Elvis encounters rivals for every of the girl's affections, leading to a set of romantic entanglements that are ultimately resolved in an inspired and original ending. The plot is packed with lots of intelligent twists, thanks to a script co-written by Theodore J. Flicker who would write and direct the cult hit, THE PRESIDENT'S ANALYST, the following year. Fortunately, the film's racing angle is downplayed in favor of comic cases and a set of enjoyable songs.The helping users deserve singling out, including Jack Mullaney as Elvis' comical bandmate; Carl Betz as Shelley's father (a role he played with Shelley on "The Donna Reed Show" as well); Warren Berlinger as Betz's loyal assistant; TV cowboy Will Hutchins as a highway cop with a penchant for gourmet cooking; and Hollywood veterans Cecil Kellaway and Una Merkel as an elderly rich couple who let Elvis and his band to take over their house when they go on vacation. (This latter touch is representative of the film's Hollywood fantasyland approach to life, but it's all so well played by such skilled hands that it's hard not to receive sucked into the fun of it all.)


A bevy of minigame females, sharing chemistry with The King, give this potentially ordinary movie a boost. Presley plays the lead singer of a band that contains Hawkins, Mullaney and woman drummer Walley. When millionaire Betz decides he wishes Presley to not only sing for his daughter Fabares' birthday, but also to drive his vehicle in an upcoming race, a war of wills starts which effects in Presley living next door to Betz and testing cat and mouse with him and his daughter. Meanwhile, Walley nurses a crush on Presley and seductive researcher and authoress McBain decides that, she, too, gotta have Presley as a mate! In between Presley's juggling of the ladies, he sings his usual retinue of songs, though in this situation they tend to be livelier and more engaging than in some of his lesser screen efforts. At this scene in his career, Presley was on a cinematic treadmill, churning out film after movie, many times with middling results. Here, he is fortunate to be working with charismatic folks instead of unseasoned starlets as he was sometimes paired with. Fabares does a nice job as the spoiled, but caring, socialite. Walley hams it up and overacts as the tomboyish drummer, but at least has pizazz and energy. McBain is sultry and lovely, portraying her rather voracious hero with a wink and a sparkle. Betz (who had played Fabares father in a far various method for years on "The Donna Reed Show") isn't particularly challenged in his role, but lends solid support. Former kid actor Hawkins and Mullaney's comedic contributions are a matter of taste. Also in the cast are Berlinger, as a weak-kneed associate of Betz's, and Hutchins, as a policeman who spends his spare time cooking gourmet food. Appearing briefly as a couple who leave their home in Presley's care are movie veterans Kellaway and Merkel. It's almost never believable, but that isn't the point. It's just frothy, colorful, tuneful fluff that's stacked with entertainingly mod hairdos and clothes with hip-swinging "teens" flailing away at any opportunity. One peculiar set piece contains a campsite and food preparation that predates "The Young Women of Rochefort" and has Presley & Co. moving in choreographed synchronization to the melody as they set up the tents, table and food. Former Warner Brothers contractees Hutchins and McBain (who had starred together in "Claudelle Inglish") don't really share any scenes here. Fabares made three Elvis movies in all.


This film was released in a year that wasn't a particularly nice one for Elvis Presley but it's still, in my opinion, an perfect film. I like it because I think it has some very funny moments and an nice film sound track. Very much enjoyed from begin to finish.



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