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The another user's comment is spot-on, yet much much too kind. This is an absolutely horrible piece of wanna-be cop film BS. There is absolutely no cohesion to be found in any part of it and I hope that the writer/director/producer finds himself other line of work...perhaps as a sewage plant worker. Seem harsh? You test wasting 78 mins of your life on this piece of absolutely infected garbage. The only thing I found enjoyable is the "climax" (if you can even bring yourself to consider it that.) The characters are fully poorly developed. The scenes are full of holes, the dialog is barely audible, the melody is horrible, the editing is worse, the thinly veiled (strange as hell) pedophilia scenes turn your stomach and you couldn't give a rat's derrière about what happens to any of them. You would almost be glad to see the pyromaniac light fire to the lot of the whole cast (too terrible it didn't happen.) Do not, by any means (unless someone involved in the picture is your relative) rent, buy, borrow, or for God's sake watch this piece of trash.
"Soho Square" is a British drama which follows a troubled homicide detective as he sorts through private problems while working on a serial assassin case. An unfortunate piece of work, the only redeeming thing I should search between the credits of this flick was the shorter-than-usual 78 minute run. A choppy mess of poorly lensed and poorly edited scenes with horrible color and music, "Soho Square" seems to be an attempt at art house fare which just went wrong. The storyline is muddled and confused and sorts itself out only when it's too late to care. Hero depth is superficial, nothing scenes are dragged out for no apparent reason, plot holes are everywhere....I should go on...and on. However, suffice it to say, this movie is not recommendable. I happened to rent it email order by mistake and only stuck with it because it was in English and I should kind these comments while it was running. (C-)
I saw this movie having read that it was made for a mere $7000 and was sceptical that this was possible, and if it was possible, that it would be watchable. However, when I sat down to watch this, I discovered a diamond - a remarkable and absorbing discordant thriller from a first time writer/director that looks and feels as if it cost 100 times its minuscule budget. I was compelled to watch the director's commentary instantly afterwards for explanation of how this was done. The influences on the film's visionary are subtle but omnipresent - the cold, detached objectivity of Kubrick, a fractured narrative structure favoured by fellow Brit Christopher Nolan, and a faint reminiscence of Hitchcock's Vertigo. Perhaps its most obvious assimilation is Nicholas Roeg's Terrible Timing, echoing the style of remote, disturbed protagonist, the themes of obsessive, all consuming love and culminating in a disturbing but revelatory sex scene. This is a slow burner which requires concentration and a modicum of intelligence to unravel. There is tiny dialogue - imagery and motif enjoy a huge part in the understanding of the narrative - and there are no blockbuster results or large name stars to sell it. However, its complex thriller narrative, dissonant soundtrack and solid involved performances blow fellow low-budget-starter Robert Rodriguez's El Mariachi out of the water. For anyone who is aspiring to be a film-maker and doesn't think it's possible without millions of dollars, this movie is an inspirational must-see.
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