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Description: "From The Vault" is a fresh series of live concerts from The Rolling Stones archive which are getting their first official release. "Hampton Coliseum –Live In 1981" is the first game in this series. The Rolling Stones American Tour in 1981 was the most successful tour of that year taking a then record $50 million dollars in ticket sales. The tour was in help of the critically and commercially successful "Tattoo You" album. There were fifty dates on the tour which ran from Philadelphia at the end of September through to Hampton,Virginia on the 18th and 19th of December. The present on December 18th, which was also Keith Richards' birthday, was the first ever melody concert to be broadcast on tv as a pay-per-view event. Tonk Women, Brown, Sugar, Begin Me Up, Jumping Jack Flash, (I Can't Receive No) Satisfaction
Description: DVD1 (81:47) Intro; Not Fade Away; Tumbling Dice; You Got Me Rocking; Rocks Off;Sparks Will Fly; Live With Me (W/ Sheryl Crow); Satisfaction; Beast Of Burden; Angie; Dead Flowers; Sweet Virginia (W/ Woopie Goldberg); Do Do Do Heartbreaker; It’s All Over Now; Stop Breaking Down Blues (W/ Robert Cray); Who Do You Love (W/ Bo Diddley); I Go Wild DVD2 (99:00): Miss You; Band Intros; Honky Tonk Women; Before They Create Me Run; The Worst; Sympathy For The Devil; Monkey Man; Road Fighting Man; Begin Me Up; Brown Sugar; Jumpin Jack Flash (W/ Woopie Goldberg); Bonus: Mick Taylor Live 1996 Can’t You Hear Me Knockin
Description: 24 August 2003 at Twickenham Stadium, London, England "Brown Sugar" "You Got Me Rocking" "Rocks Off" "Wild Horses" "You Can't Everytime Receive What You Want" "Paint It Black" "Tumbling Dice" "Slipping Away" "Sympathy for the Devil" "Star Star" (B-stage) "I Just Wish to Create Love to You" (B-stage) "Street Fighting Man" (B-stage) "Gimme Shelter" "Honky Tonk Women" "(I Can't Receive No) Satisfaction" "Jumpin' Jack Flash" Extras Band Commentaries "Gimme Shelter" "(I Can't Receive No) Satisfaction" "Sympathy for the Devil" AC/DC and the Stones Jumbotron Animation Custom Setlist Backstage Pass (Concert only)
Description: 11 July 2003 at Olympia Theater, Paris, France "Start Me Up" "Live with Me" "Neighbours" "Hand of Fate" "No Expectations" "Worried About You" "Doo Doo Doo Doo Doo (Heartbreaker)" "Stray Cat Blues" "Dance (Pt. 1)" "Everybody Needs Somebody to Love" "That's How Powerful My Love Is" "Going to a Go Go" "The Nearness of You" "Before They Create Me Run" "Love Train" "Respectable" "Honky Tonk Women" "Brown Sugar" "Jumpin' Jack Flash" Extras Band Commentaries "Start Me Up" "Honky Tonk Women" "Jumpin' Jack Flash" Solomon Burke and the Stones Testing the Olympia Custom Setlist Backstage Pass (Concert only) Select-a-Stone: "Angie" (Multi-angle)
Description: Traffic left behind precious several concert videos in any form, so this show, from the Santa Monica Civic Auditorium, is an intrinsically valuable document of the band, even though it does detail a soon lineup: Steve Winwood, Jim Capaldi, Chris Wood, Rebop Kwakubaah, Roger Hawkins, and David Hood. Chronologically, the present comes roughly a year soon than the Welcome to the Canteen album. There are some many unbelievable shots of the band members from varied angles and all kinds of various lighting, even within the same song, courtesy of video producer Taylor Hackford (White Nights, Vs All Odds) but, in fact, this wasn't the ideal ver of the group to capture on stage: Winwood had suffered a serious disease the year before, the group was everytime in a state of flux as far as its line-up was concerned, and they were entering the period of decline that would coincide with the recording of Shootout at the Fantasy Factory.
Description: The storyline of the steel melter Martin Hoff, whose factory delegates him to a drama school, corresponds to the true life of the actor Manfred Krug. Like his (film) hero, Krug works as a steel melter, does artwork, sings and acts, and is sent to drama school. Like his hero, who behaves anarchically and conspicuously, Krug is later expelled from school.
Description: A generation of pre-schoolers can actually proudly tell ‘I Like to Sing’ and know all the ‘Songs To Create You Smile’, so receive ready to discover the ‘Great Large World’ of more melody and wonder from Justine Clarke. Following on from the success of her previous releases comes Justine’s third DVD of fun, available and sweetly humorous songs for all the family to enjoy. There is so much to see and do in our Nice Large Globe so let's go!
Description: Zaporozhets za Dunayem (Ukrainian: Запорожець за Дунаєм, translated as A Zaporozhian (Cossack) Beyond the Danube, also referred to as Cossacks in Exile) is a Ukrainian comic opera with spoken dialogue in three acts with melody and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
Description: Contemporary Christian Grammy winners Casting Crowns perform eight live numbers, including their chart-topping hits "East to West" and "Every Man," in this documentary, which also details a video for their single "Slow Fade." Lead singer and youth pastor Tag Hall also contributes few teaching videos for test in church services or Bible studies. Another songs contain "Praise You with the Dance," "The Word Is Alive" and "All Because of Jesus."
Description: Until the Entire Globe Hears... Live was recorded live at the Greensboro Coliseum in North Carolina, and released in August 31, 2010 by Reunion Records. The album was nominated for a Dove Award for Long Form Melody Video of the Year at the 42nd GMA Dove Awards. In an unprecedented six-year span with nearly 4.5 million career album sales, a GRAMMY Award, an American Melody Award, 23 Dove Awards and 8 chart-topping radio singles, Casting Crowns remains focused on discipleship through music. With lead singer and songwriter Tag Hall's 18 years in youth ministry, the band's message remains rooted in the student services he has led on a weekly basis since 2001, at Eagles Landing Baptist church near Atlanta.
Description: Bix the Bug is a DJ who comes into possession of a Teslascope -- Nikola Tesla's legendary invention, which he claims was capable of receiving signals from Additional Terrestrial worlds.
Description: This movie is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to receive married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to hold Natalka in the manner he thought that she could be kept. Petro goes off to earn the needed fortune.
Description: Ghost at Cidade do Rock, Rio de Janeiro, Brazil on September 19, 2013. Setlist: 01. Infestissumam / 02. Per Aspera advertisement Inferi / 03. Con Clavi Con Dio / 04. Prime Mover / 05. Secular Haze / 06. Stand by Him / 07. Genesis / 08. Year Zero / 09. Ritual / 10. Ghuleh/Zombie Queen / 11. Monstrance Clock
Description: German director Werner Schroeter invited his favorite opera singers to a 13th century abbey near Paris. LOVES DEBRIS didnt have, and couldn't have had, any pre-planned action. There was no script, no continuity. On the another hand, there were precise constraints that provided the guidelines of the game: the setting, the Abbey of Royaumont, and the selected participants. Every singer came accompanied by a person of his or her choice, and worked on an aria selected by the director. And there was ELISABETH COOPER, a "one-woman orchestra", who transposed and played the scores on the piano and organ.
Description: Live in Salt Lake City: The Essential Collection by Peter Cetera was released Dec 14, 2004 on the Brilliant label. On paper, the meeting between Chicago frontman Peter Cetera and a symphony orchestra would raise eyebrows. Live in Salt Lake City: The Essential Collection In reality, it scored large time. Live in Salt Lake City: The Essential Collection On this 2004 live set, Cetera nails some of his and Chicago's best hits, including "If You Leave Me Now," "You're The Inspiration," "Hard To Tell I'm Sorry," "25 Or 6 To 4," and 17 more. To tell this is "The Essential Collection" -- the definitive and most thorough overview of Cetera's brilliant career as a soft rock craftsman of the highest order -- is a highly misleading suggestion, especially as this disc was recorded live in Salt Lake City. Live in Salt Lake City: The Essential Collection includes a single disc with 21 songs.
Description: Canadian massive metal band Anvil filmed live for Rockpalast at the Luxor in Köln, Germany on 10th July 2011. Setlist: 1. March Of The Crabs 2. 666 3. School Love 4. Juggernaut Of Justice 5. Winged Assassins 6. On Fire 7. This Is Thirteen 8. Mothra 9. Thumb Hang 10. White Rhino 11. Fuken Eh! 12. Fresh Orleans Voodoo 13. Metal On Metal 14. Forged in Fire 15. Jackhammer 16. Running
Description: David Essex OBE (born David Albert Cook, 23 July 1947) is an English musician, singer-songwriter and actor. Since the 1970s, Essex has attained nineteen Top 40 singles in the UK (including two number ones), and sixteen Top 40 albums. He has also had an extensive career as an actor performing on scene and screen. 1 Here It Comes Again - 2 The Whisper - 3 Down Again - 4 Me & My Woman (Night-Clubbing) - 5 Oh What A Circus - 6 Verity - 7 You're So Fierce - 8 Rock On - 9 Tahiti - 10 Lamplight - 11 Fishing For The Moon - 12 Second Hand Love - 13 Moonlight Dancing - 14 You Don't Know Like I Know - 15 Twist And Scream - 16 A Winter's Tale - 17 Silver Dream Machine - 18 On My Bicycle - 19 Medley
Description: Tiny America (2001) a DVD of Alphaville's 17 July 1999 concert in Salt Lake City, Utah, USA. The concerts performed July 15-17 1999 in Salt lake City, Utah marked Alphaville's first ever live performances in North America. Due to the groundbreaking nature of this event, the concert on 17 July 1999 was recorded in its entirety to distribute as a worldwide release. The resultant tracks are a brilliant melding of different Alphaville styles into a well-polished opus, yet rough enough around the edges to let the viewer the feeling of now attending the concert.
Description: Widely regarded as the singer who fused the traditions of the French chanson with the energy and verve of American jazz, Claude Nougaro was born in Toulouse on September 9, 1929. The son of an opera singer and a piano teacher, he was raised largely by his grandparents, devouring not only classical melody but also the homegrown pop of Charles Trenet and Edith Piaf, and the American swing of Louis Armstrong and Glenn Miller broadcast via Radio-Toulouse. Despite his love of the arts, Nougaro never learned...
Description: Radiohead:The Devil's Method (London 25 May 2003 & NY 19 Dec. 1997),VERY RARE! Extremely Ltd trouble 19-trk live video DVD on Apocalypse Sound label , full digipack p/s(Apocalypse Sound AS 04)
Description: The Gangster Macheath secretly marries the daughter of beggar lord Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.
Description: Soundstage: Robert Plant and the Strange Sensation is the first live DVD by Robert Plant and the Strange Sensation, featuring a performance filmed for the Soundstage tv series in Chicago on September 16, 2005, in addition to premium details from prior to the founding of the Strange Sensation 1. "No Quarter" - 2. "Shine It All Around" - 3. "Black Dog" - 4. "Freedom Fries" 5. "Four Sticks" - 6. "Tin Pan Valley" - 7. "Gallow's Pole" - 8. "The Enchanter" - 9. "Whole Lotta Love"
Description: Greatest of Michael Bolton Live film was released Jan 31, 2006 by the Genius Productions studio. His first concert movie on DVD details the international melody star in top form, performing a wide range of timeless hits and selections from his most newest album, Vintage. The concert was shot live in high-definition and mixed in 5.1 surround sound. 1 Love Is a Unbelievable Thing - 2 Soul Provider - 3 Said I Loved You... But I Lied - 4 To Love Somebody - 5 Sittin' on the Dock of the Bay - 6 Hold on, I'm Coming - 7 You Don't Know Me - 8 Summertime - 9 Georgia on My Mind - 10 Go the Distance - 11 Nessun Dorma - 12 When a Boy Loves a Girl - 13 Reach out I'll Be There - 14 How Can We Be Lovers - 15 Steel Bars - 16 Time, Love and Tenderness - 17 That's What Love Is All About - 18 How Am I Supposed to Live Without You
Description: The first digital DVD offering of driving melodic Goth rock / electro from Escape With Romeo, "Document" contains their live hits and fanatic favourites alongside original videos, backstage scenes, interviews and more. The DVD reflects 15 years of bandhistory, it's based around a gig, the band played in front of an enthousiastic audience in Cologne in December 2003. The set details classics songs like "Somebody" and "White Room" as well as fresh songs like "It's loneliness" and "Prince In The Shell". Also included are early videos, lots of exclusive backstage footage and a full interview all in 5.1 surround sound to create it all complete. "Document" is like a adventure through the songs and atmospheres of the globe of Escape with Romeo who are nowadays a truly original of the so named "wave scene".
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Just for the record, I love opera, I love Wagner, and Siegfried is my private favorite of the Ring Cycle(just edging out Die Walkure). So it's not as if I have some negative bias towards the opera. But I really disliked this production, it's almost as terrible as Katharina Wagner's Die Meistersinger Von Nurnberg when it comes to productions of any of Wagner's operas.It isn't all terrible though. The melody is superb helped by the mostly clear sound quality, and there are two performances that are cute good, Heinz Gohrig as a nasty and somewhat sympathetic Mime(though the masturbating, I blame the scene director rather than Gohrig) was too much) and Bjorn Waag's creepy(if perhaps too attractive) Alberich.Wolfgang Schone vocally is the greatest of the three Stuttgart Wotans(in Siegfried in the guise of Wanderer, Wolfgang Probst was strong but uncontrolled and Jan Hendrik Rootering was too weak-pushed-up-bass in quality. Schone here does have a powerful voice, even with some strain and he struggles in his stage with Erda in Act 3, with the most authoritative diction of the three Wotans. Unfortunately I would rate him higher, if he didn't look so embarrassed. Lisa Gasteen as Brunnhilde is also the greatest of the three Brunnhildes, Behle was shrill and DeVol would have been better if she had done the role 10 yeas earlier, as she is quite perfect vocally. Sadly her costume is unflattering and the production in her large stage between her and Siegfried create her too promiscuous.The Woodbird has vocal clarity but looks like a blind man with spiked-up hair. This is an approach that may work well in an Eminem melody video but not in a Wagner production, it's just too bizarre. Attila Jun projects his voice much more than he did as Hunding in Die Walkure. The trouble of his Fafner was not his singing, but the fact that visually and dramatically he is nowhere near sinister enough, the stage between him and Siegfried doesn't have the impact the melody here promises.Jon Frederic West's Siegfried is a vast improvement over his Tristan under Mehta. The sound is strong, and far less strained and blustery than before. Dramatically he is not as promising, very stolid and unheroic most of the time and he is not helped by his costuming which now create him larger than he now is or the inept staging. Erda is not warning enough, looking and sounding old instead.Musically it is decent enough, but is never outstanding. The orchestra do enjoy with a lush sound, but are underpowered and not alert enough. The conducting is also not bad, more involved than the previous two instalments but still has a tendency to be too bombastic in the climaxes.Visually, this Siegfried is absolutely awful. I have seen some bad-looking productions, but this one tops it. The costumes either unflatter the singers(especially West) or undermine the tension that the scenes could do(Jun's Fafner). The sets are gaudy in colour and even look filthy, Brunnhilde's boudoir is terrible enough but the worst offender was the the Act 3 stage between Wotan/Wanderer and Erda.The staging is inept, often irritating and comes across as more overly-silly approach than wacky and witty, the latter two I imagine was the objective. Those looking for anvil strokes will see Mime hitting a bowl with a potato peeler instead, the Woodbird acting like the Ghost of Christmas Future and the entire stage between Siegfried and Brunnhilde is an embarrassment, operatic soap-opera at its worst.All in all, has one or two nice performances and the melody is wonderful, but visually, staging-wise and mostly characterisation-wise, it is disgusting. 3/10 Bethany Cox
Before I tell anything rude about this ver of Siegfried, I could just tell that it really is very well sung. It is probably the greatest individual production in the cut-price Ring Cycle from Stuttgart. Perhaps it lends itself to being done on the cheap because there are just eight soloists, no Rheinmaidens, no Valkyries, no Norns and no chorus. The satellite Performance Channel is rather cheekily broadcasting this Ring in tournament with the multi-million pounds of wasted taxpayers' cash ver from Covent Garden that currently being broadcast by the BBC.This Stuttgart Ring does have its embarrassments, notably in its soap opera ver of Die Walküre but Siegfreid works rather well given a related soap opera treatment. Mime's cave is a dilapidated council flat that just happens to have a furnace in the corner for forging broken swords back together. Mime, engagingly sung by Heinz Göhrig, is a seedy bachelor who we first see peeling potatoes for Siegfried's dinner. Siegfried is sung by Jon Frederic West who has a pleasing heldentenor voice but whom I would back any day vs Luciano Pavarotti in a pie eating contest. West seems to be a Tristan specialist and I imagine he should be quite successful in that role, wearing a long, loose robe. However Siegfried's jeans and tee shirt are not the most becoming apparel for a boy his size. It is probably a mistake to have Sieg printed on one man-breast and Fried on the another so that he looks like an advert for Colonel Wagner's Sieg Fried Chicken.Wolfgang Shöne has a sonorous voice and sinister presence as Wotan in a leather jacket and baseball cap. He just strolls into Mime's flat but Mime, on seeing him sings: "Who has found me here in the wild wood?" I enjoyed the three riddles stage between Mime and Wotan. This is really just back storyline for anyone who has not seen the first two instalments of the Ring but I liked the method they chalk their scores up on the wall as they respond every others' riddles correctly, as if they are having a minigame of darts.There are effective cameos from Björn Waag as Alberich and Attila Jun as the dragon, Fafner. Fafner's cave is conjured up effectively with just a bit of wire fencing. Of course this production does not run to the expense of a dragon costume. Fafner just wears a tee shirt and jeans like Siegfried's except that his reads dierF gieS across the chest. Maybe this suggests that he is a mirror photo of Siegfried, his own mental demon. Also in this stage we see the Woodbird, everytime my favorite hero even though she only has one tune. Gabriela Herrera sings her one tune very prettily and, for some reason I cannot explain, is a blind woodbird.The stage between Wotan and Erda seems to take zone in a maternity ward, maybe suggesting Erda's function of producing daughters for Wotan to serve as Valkyries. Helene Ranada is alternately moving and bloodcurdling in this role.Finally Siegfried bursts into Brünnhilde's bedroom, no nonsense about magic fire here. He finds none another than Lisa Gasteen who was also Brünnhilde in Covent Garden's disastrous production. Gasteen is more successful here, the smaller venue and Lothar Zagrosek's quieter orchestral accompaniment are better suited to her voice. She wears a silk negligée, slit to the waist and displays ample décolletage. Despite this, the sexually naïve Siegfried first mistakes her for a man. His: "this is no man", exclamation finally comes when he slides his hand between her thighs. The opera ends with 40 mins of the most sensuous melody ever written and in this production the sensuality gets totally emphasised. Brünnhilde gets an additional silk pillow from the wardrobe and puts it beside hers before patting the bed to indicate that Siegfried could join her. They sing their extended lovemaking duet on the bed together. How various it is from the Covent Garden production where Brünnhilde and Siegfried stand at either side of the scene as though Brünnhilde has a terrible situation of halitosis after her twenty year sleep. Here, Brünnhilde thoughtfully brushes her teeth before climbing into bed.Lothar Zagrosek conducts what, to me, sounds like an underpowered orchestra. This is something I noticed in the another parts of this Ring. When the orchestra is accompanying the singers the balance is fine but when the sound could well up during the orchestral interludes it just fails to well. This one quibble aside, congratulations could go to the scene directors Sergio Morabito and Jossi Wieler for this witty, Wagner production that is a nice treat, both musically and visually. Witty and Wagner, actually there are two words that you do not often hear in the same sentence.
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