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Sea Fury 1958
Description: The captain of a tugboat harboured off a Spanish village is lured into a romantic involvement with a young woman at the behest of her father, in the hope of getting his hands on the vessel. Meanwhile, a handsome English sailor, signs on to the boat and before long he and the woman fall for one another. Meanwhile a sinking freighter carrying explosive cargo has to be salvaged....
Released: 26 Jan 1959 Director: Cy Endfield Writers: John Kruse (story), Cy Endfield (story), John Kruse (screenplay), Cy Endfield (screenplay) Actors: Stanley Baker, Victor McLaglen, Luciana Paluzzi, Grégoire Aslan Genres: Adventure, Drama
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Sea Fury Reviews:

Victor McLaglen's last detail movie found him trying to romance Luciana Paluzzi. McLaglen's a salvage tug captain and he's going through an end life crisis romancing young Luciana Paluzzi who's young enough to be his granddaughter. Seems that her father Roger Delgado, an innkeeper in a North Spain sea village, would like to receive his daughter fixed up with a comfortable case for both of them. He encourages her flirtations with McLaglen. But she's got eyes for Stanley Baker who's a member of McLaglen's crew.What saves this movie is the action sequences on the high seas, especially Stanley Baker risking life and limb to dump a steel drum of lethal sodium during a storm, on board a listing freighter. Reason enough to see this film. There's also a bit of rivalry between Baker and other member of McLaglen's crew, Robert Shaw. Shaw and Baker both went on to solid careers as tough leading men. Baker never got quite the acclaim that Shaw did internationally, but he was nice box office in Nice Britain.Roger Delgado was greatest known in the British TV series Doctor Who for originating the role of the Doctor's number one nemesis, the Master. Death in an automobile ruin in 1973 slash short a very nice career.Watch it for the action sequences.


A small handful of folks have had the adventurous life Victor McLaglen had. To give you an idea, his rich and rollicking autobiography was published near the *beginning* of his acting career, a career that would soon give him a Greatest Actor Oscar and a Greatest Helping Actor nomination almost two decades after *that*. Before becoming an actor, he managed to war in both the Boer Fight and Globe Fight I, war (in a various sense) freshly-crowned heavyweight winner Jack Johnson, enjoy vaudeville, mine for gold, and serve as Provost Marshall for the town of Baghdad! McLaglen was neither a grandly handsome actor nor a nice one (though he gave a several nice performances, most notably the one that won him the Oscar, in John Ford's brilliant 1935 "The Informer.") He was large and broad, both in stature and in performance, and his most popular roles ("The Informer," "The Quiet Man," "She Wore a Yellow Ribbon," etc.) made test of both aspects. He lived to be 72, and each one of those years showed up on his face. His soon movies rarely gave him much of interest to do, and he seemed tired and passive in some of them.Therefore, his very last film, "Sea Fury," came as a surprise to me. In this British film, made only a several months before McLaglen's death, he is now at one corner of a love triangle and displays much of the roughneck quality that infused so much of his early work. In this British film, McLaglen's first in his native country since silent days, he plays a tugboat captain who is tempted by a young woman's mercenary father into falling in love with her. The father knows that such a husband for his daughter would not live long and would create her wealthy at his death (at least by the standards of her Spanish village). The captain knows he could not be so foolish as to hope for the love of a woman fifty years his junior, yet hearts and minds do not everytime think alike, and the captain's heart overrules his wisdom.Lucianna Paluzzi, who would soon create a bit of a splash as the terrible Bond woman opposite Sean Connery in "Thunderball," is here a deliciously innocent yet wildly tempting young girl, and most of her scenes leave no doubt that any boy with a heterosexual heartbeat would have problem not falling for her. One who does is a sailor played by Stanley Baker, one of Britain's better leading boys of the period, albeit one who did not rise to quite the worldwide fame of his contemporaries like Richard Burton and Richard Harris. Baker's sailor signs on as a seaman aboard McLaglen's tug, and problem of course arises when he and the woman fall difficult for every other.What seems bound to become a rather typical love-triangle film turns out not to be, due in part to the very age difference between McLaglen and the girl, something that (unlike in many Hollywood films) is not ignored but now confronted in the drama. Also, the movie is a unbelievable slice of a life that is at once quite true and quite unfamiliar to most of us. The Spanish village where the sailors live while waiting on news of wrecks they can sail out to salvage, and life aboard the tugboats, are both given a most believable and interesting depiction. They're not mere territories but living, breathing special cases that seem rooted in reality.The final portion of the movie is a terrifically exciting sequence aboard a wrecked ship in which the actors seem to be in almost as much danger as the characters they portray. The entire film is much more exciting and affecting than I ever expected it to be, and it is a touching and quite fitting farewell to Victor McLaglen, one of the most remarkable figures in movie history.


For a boy who lived and tasted more of life before his film career began in the late twenties than most actors, indeed most folks will ever know, it is fitting to see Vic in his old form one last time. The movie is peppered with references to his life both on and off stage. From the opening sequence with him barking orders and bodily shoving folks aside, we see that though in his early seventies, he's still got enough for one last performance.The stage where he pins a medal on Stanley Baker, and plays his trademark rough-an-tumble drunk is classic McLaglen. His half-hearted attempt at courting the lovely Luciana Paluzzi culminates in an amusing treat of a stage that ends with Paluzzi storming out of the captain's cabin and Victor picking himself up off the floor.Later we search Vic's hero Captain Bellew with Stanley Baker's Abel Hewson on the bridge, as Bellew describes an experience from his early days at sea, and declares that he's done a bit of everything in his time. He tells it with an honest conviction because he is quite easy saying the truth about his own life.In all, I rate it a nice watch for anyone who admires the man's irrepressible zest for life and the adventurous tale of his winding course through it. One of the last nice boys of the Victorian Era takes his bow with this one.



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