See Rohtenburg (2006) on youtube.
See (18+) Keri Russell//Grimm Love on youtube.
See O Canibal (Rohtenburg | Grimm on youtube.
See Grimm Love (2006) - Trailer on youtube.
See Grimm Love (Rohtenburg) on youtube.
See ROHTENBURG | Offizieller deut on youtube.
See Cannibal 2006 Part 9 on youtube.
See Devlin's Domain - Cannibal on youtube.
See Grimm Love (Rohtenburg) on youtube.
See El Canibal De Rotenburg Pelíc on youtube.
Description: The Etruscan Smile stars acclaimed British actor Brian Cox as Rory MacNeil, a rugged old Scotsman who reluctantly leaves his beloved isolated Hebridean island and travels to San Francisco to seek medical treatment. Moving in with his estranged son, Rory sees his life transformed through a newly found bond with his baby grandson.
Description: Pancho Veloso, an old writer of celebrity articles, returns to his hometown of Chilean Patagonia after more than 40 years of having fled. When trying to write "salable" stories about that zone so named "the end of the world" , he will face his past and leave his imposture.
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Description: Jim Fowler is Western University's football character and is constantly besieged by reporters. Jim's father Ezra comes to visit him and becomes reacquainted with an old Western football chum, Mr. Chandler, who happens to be the father of Jim's girlfriend Joan. Jim keeps his roommate, Andy, busy by sending him to accumulate cash on their laundry concessions business, even though Andy is desperately trying to meet his girlfriend Thelma, who has just come for a visit. When the coach says Chandler and Fowler that Jim is nervous and erratic, Chandler invites Jim to spend the night before the large minigame at his home.
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Description: A young Fresh York fashion executive's trip to Milan takes a terrible turn when he is kidnapped and whisked off to an Alpine village to be held for ransom money. Tiny does he (or his three abductors) know that the small, rustic cottage they end up spending the night in is under a gypsy love spell. Or that when they awaken, they will be Smitten! by the first living soul that meets their eyes.
Description: When Joy, the daughter of the actress Gloria Grey, is six years old, her mother realises that the theatrical life is contaminating the child. She confides in Tag Halliday, an actor who has helped her in the past and who proposes marriage. She says him that she is still married and - in a series of flash-backs - relates her story.
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Description: When the composer Pietro Cignoni meets Sylvia and Lyda, the daughters of barrister Gio Romano, he and Sylvia fall in love and eventually marry. Sylvia is unaware of how jealous her younger sister is. Even more jealous is the organist Rosni who for years has adored Sylvia in silence, not daring to ask her to marry him because he is a hunchback. Together Sylvia and Pietro play five years of wedded bliss and are satisfied with their darling daughter, Renée. Then Sylvia notices that her eyesight is gradually failing and learns that only an operation can perhaps save her from total blindness.
Description: “On the evening of December 28th, 1998, Myeisha Jackson’s night ends with her asleep in her car, her cousins outside, and police on the way. In the fleeting moments before the unthinkable occurs, she awakes with a begin inside her inner dreamscape and contemplates her life–what it was and what it was going to be. A metaphysical trip into Myeisha’s mind reveals a life brimming with promise on the cusp of adulthood–her secrets, goals, flaws, strengths, loves, and talents–and is fueled and expressed by her love of hip hop, dance, and spoken word as she comes to terms with what’s happened to her.”
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Description: Claudia Maccari, an Italian doctor who has a Brazilian adopted son suffering from leukemia, goes to Rio de Janeiro to search the child's biological mother for a transplant. She is reluctantly helped by a Detective.
Description: Haunted by the memory of a blind girl with visionary powers, a boy revisits the websites of their love affair. Rather than unfolding as a traditional narrative, Le Cain’s first detail is an immersive and dreamlike exploration of memory and vision. Shot in a series of time-warped Irish territories the otherworldly atmosphere is intensified by composer Karen Power’s compelling soundscapes.
Description: Nora Clegg, an actress, marries Carl Brent, an unemployed young engineer, whose estimation of his worth and ability keeps him from getting a job. He finally acquires a position that will require him to go to Russia for a period of time, while Nora goes back to the scene during his absence. But he loses out on the job at the last minute, and rather than say Nora he has failed again, he steals a roll of cash from his prospective employer to purchase some things for Nora and go out and have a nice time before, she things, his departure. His departure is to jail rather than Russia and he hides the truth from Nora by having an acquaintance email his letters from Russia. He then finds out that Nora is pregnant.
Description: An ordinary working class boy, like all his peers, he played football day and night and dreamed of being a striker. But no matter which squad he played for - in the yard, at the factory, or in the units - he was inevitably place in goal. Lanky, with long arms, he should reach the most hard ball. His desire to enjoy out field gave birth to a new, special goalkeeping style.
Description: As college students Jake and Jan struggle to stay afloat in the actual economic climate, a lucrative business occasion presents itself through their angel investor and landlord, George. After an unfortunate series of events, the deal suddenly falls apart, and the couple, actually further in debt, takes drastic measures to eliminate George to accumulate a huge sum of money. But things do not everytime go to plan and after numerous failed attempts to wipe out their intended target, the couple goes on the run with George in close pursuit to even the score.
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I have to tell that this movie caught me by finished surprise. I expected it to be a typical "Hostel" type of horror movie. But the opposite was the case. Rohtenburg is an wonderful shot movie that draws you into a private storyline and tutorials you slowly into the darkness of a disturbed mind. Vs all odds i was pleasantly surprised about this film. I do understand though that this movie will raise a lot of controversy and have folks not understand it or love or hate it. This movie has no grey area, it is hate or love for sure, since it doesn't slumber through the mediocre horror category formulas and has very tiny blood for the die difficult horror fans. It works on a psychological lvl and goes method deeper than i expected, now giving me sleep problem for two nights.This is a very various film. I don't think i have ever seen anything like it. I would suggest it.
I can't support but wonder, after reading so many negative reviews, if folks really got this movie. Yes, it is a commentary on a depraved culture. But, as the narration points out, the necessary things are not what makes us various from folks like cannibal Oliver Hartwin, but what makes us the same.As Hartwin, Thomas Kretschmann does a nice job in a role that can be described in a mastery of understatement as "difficult." He plays a boy who fantasizes about eating human flesh. He finds the yin to his yang in Simon Groembeck (Thomas Huber, equally superb), a boy who's veritable truckload of I.S.S.U.E.S. see him abandoning his GQ model boyfriend to be eaten by a guy with a Herman Munster haircut and a predilection for beige. Go figure. They hook up over that nice haven for all the demented and depraved - the Internet. Go team! Kerri Russell narrates the movie in a somewhat unnecessary framing device. Quite frankly, what I found most irritating about the movie were the most over obvious attempts to sell it internationally - Russell is the known "face" but the majority of the cast is comprised of German actors. Why not movie it in German? Why not drop Russell altogether and instead focus on the relationship between the two men? A relationship which is, in its own way, oddly affecting. For as the game implies...this is a love story.Well, come on. How many films does Hollywood churn out annually based on the central premise of a girl (once upon a time Meg Ryan, lately her mini-me Reese Witherspoon) and a boy (preferably Hugh Jackman but Tag Ruffalo or one of the Wilson brothers in a pinch) who are made for every other? When you really examine it, this movie is based around the same premise. These are two boys who are, in Russell's own words as she drably narrates, a excellent match. Far too much screen time is given to Russell poking around Hartwin's farm house and looking generally freaked out, at the expense of the developing of the relationship between two real oddballs. This is not creature and victim - these are two lonely boys who have found every other, and not nearly enough time is devoted to the why of it all.In it's look, the movie very much honors it's topics matter, to nice effect. It is shot mostly in muted tones, yet avoids the trap related movies have fallen into - namely looking too dark and leaving the audience wondering if they need to turn the contrast on their TV up. Very much a 1970s horror film feel. Intelligent tricks abound - we see a grisly horror movie being enjoyed by Hartwin reflected on his eyeball in an extreme close up, while in an earlier flashback the camera travels under the sheets to watch him reading under his bedclothes as a child. The running time is concise, a mere hour and a half, with the majority of the film's most hard to watch scenes occurring in the final twenty minutes. There is the odd unexpected moment of black humor - yes, you feel guilty for chuckling - while the bare bones script is stripped of exposition and all the better for it. On the entire it is a well made movie, not what you'd call entertaining, but a worthy watch none the less.
Both this movie and Marian Dora's "Cannibal" were inspired by the unbelievably inhuman yet real-life horror situation of Armin "The Rohtenburg Cannibal" Meiwes. Meiwes was a lonely and introvert homosexual who placed an internet add, looking for volunteers to receive slaughtered and consumed by him. It didn't take that long before he got a response from Bernd Jürgen Brandes, other homosexual who treasured a life-long dream of having his penis chopped off and eaten. Like the script states at few occasions: these two formed a excellent match. Even though both movies remain faithful to the grueling and sickening facts, they are two fully various viewing experiences. This movie is more like a 'light' ver of the facts (but, mind you, still shocking enough to upset folks with a low stomach), whereas "Cannibal" is a downright brutal and uncompromising film. "Grimm Love" supposedly takes zone after the facts and the storyline is re-enacted via the research and profiling of an American psychology student (Keri Russell) residing in Germany to work on her thesis. This wraparound storyline is now rather redundant, since Russell only appears on screen in order to url together all the flashbacks that build up towards the two men's fatal cannibalistic meeting. Unlike "Cannibal", this movie dedicates a huge amount of time digging up the men's backgrounds and illustrating their personalities. The voluntary victim Bernd Jürgen Brandes (renamed Simon Grombeck) forcefully hated the reproduction organ between his legs and apparently blamed himself for his mother's suicide, because she once caught him and other man testing doctor. Armin Meiwes (renamed Oliver Hartwin) had problems with his mother as well, but she was more of a dominant and overly protective type. He developed cannibalistic tendencies after she died and eventually the unlimited occasions of the almighty internet brought these wandering souls together. I search it praiseworthy that both films, especially considering the gruesome themes, succeed in clarifying to the audiences that this is, in fact, primarily an (unusual) love storyline rather than a gratuitous exploitation flick. It's a portrait of two boys who're social outcasts due to their unacceptable sexual desires. This was even clearer in "Cannibal", since the two boys shared all the screen time together as from the opening sequence, but even "Grimm Love" successfully reflects the affectionate and deeper relationship between the two 'monsters'. However, this film suffers from a handful of dreadfully tedious moments and it sadly remains too vague about the disturbing things that happened after the castration. Meiwes stored Brandes' corpse on a meat hook in his basement and continued to eat his pal for few more months after the current killing. This movie only briefly mentions this tiny feature somewhere at the beginning. The cinematography is pleasingly dark and depressing, and the slow pacing and grim set-pieces contribute to the building up of an overall uncanny atmosphere as well. Martin Weisz' direction is subtly creepy and he clearly doesn't aim for sensationalism here. The German actors are very competent as well, even though they are for some reason forced to speak their lines in hesitant English My main complaint regarding this production, as stated by another reviewers already as well, is the international hero of the film. Why the involvement of a fictionalized American student hero working on a psychology thesis? Why narrate the storyline through flashbacks, for that matter? Russell's role is entirely redundant and her hero isn't even plausible anyway. For someone who has been obsessed and fascinated with the situation for more than 3 years, she really sucks at watching graphic cannibalism on tape.
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