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Rodin 2017
Description: Auguste Rodin (1840-1917), boy of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young girl desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.
Released: 24 May 2017 Director: Jacques Doillon Writers: Jacques Doillon Actors: Vincent Lindon, Izïa Higelin, Séverine Caneele, Bernard Verley Genres: Biography, Drama, Romance
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See AUGUSTE RODIN | Trailer & on youtube.

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See RODIN - Jacques Doillon - Clip on youtube.

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Rodin Reviews:

With Rodin, Jacques Doillon gives us a very strange movie. While the actors are great, the light is OK and the cinematography is flawless, what crash the movie is the storyline and how it is told.Rather than going through the happenings of the life of the sculptor, Rodin is only showing glimpses of it like Quotes, moments of works or moments of love. The trouble with it is, though the chronological order is preserved, that the spectator is fully lost with untold names or missing happenings and you everytime need to think about what happened before in the film to finally understand what took zone an hour ago, which is fully annihilating the empathy for the characters because you can't feel the same as them because you have no concept what just happened.In addition to that, the scenario have no true purpose, the film is starting nowhere, and is ending nowhere. Moreover, there are fully useless nude scenes, which is sometimes embarrassing because its going nowhere and is never justified. I'm OK with that, but there gotta be at least 20 mins of these, and because the film is often boring and overall too long, it's annoying.


"Rodin" presents moments in the sculptor's life as he struggles to finished his statue of Balzac, which was panned at the time but is actually considered by some to represent the dawn of modern sculpture. Rodin's role in changing the art of sculpture is reflected by the impressionists with whom he socialises, including Cezanne and Monet, who were likewise challenging the conventions of painting. In the background, literally and figuratively, is the popular "Gates of Hell" sculptural group that the master is slowly assembling. In the foreground is his tempestuous relationship with student Camille Claudel, one of the many students/models he beds over the course of the film. Like his "Balzac" the movie was panned on release (but likely not to be considered a game-changing masterpiece in the future) and although I seemed to have liked it more than most critics, it is undeniably slow-moving and disjointed. Unlike movies such as "Lust for "Life" (1956), it does not follow the artist from beginning to end, so anyone without some knowledge of the sculptor will search themselves dropped into the storyline midpoint with insufficient 'exposition' to immerse themselves in the characters or situations. While a known womaniser, the emphasis on Rodin's flings with his frequently nude (and sometimes not very convincing) models gets in the method of what is interesting: the sculpting. On the plus side, the movie is beautifully photographed and I thought that Vincent Lindon (Rodin) and Izïa Higelin (Camille) were very nice (an opinion not shared by all).


The director chose to say about the life of the sculptor August Rodin from a various perspective. The movie starts in the middle of the sculptor's life. After a hard period, he acquired a positive reputation around his work, and the French government invites work inspired by Dante. director successfully reconstructs the complex relationship with his colleague, lover, and confidante - Camille Claudel. The movie has all the ingredients for success - passion, love, and tension, so I do not accept with the weak grade received by the film. In conclusion: I think the movie met expectations, was real to the original, focused on the processes surrounding the artist's life.



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