See Requiem for Detroit? 2010 Trai.
See (PROMO) Documental: Requiem fo.
See (PROMO) Documental: Requiem fo.
See Requiem pro Detroit.
See Detroit on Fire. The document.
See Barry Sanders Top 50 Most Ridi.
See Good Friday 2010 @ St. John.
See Requiem For A Dreadful General.
See Requiem Season 1 Episode 1 FuL.
See Good Friday 2010 @ St. John.
Description: In 1944, two prisoners miraculously escaped from Auschwitz. They said the globe of the horror of the Holocaust and raised one of the best moral questions of the 20th century.
Description: The filmmaker's mother relays her experience of getting her tubes tied after giving birth in Los Angeles in the '90s. An intergenerational storyline around birth control unfolds.
Description: 2012 French documentary where the interviewer gets 6 seemingly random girls to empty their handbags and then asks probing questions to receive to their "soul". Simone 33, a model. Ilhem 36, a sports coach. Caroline 33, a curator. Anne-Sophie 29, a press attache. Catherine 43, a teacher. Valentina 23, a student. French with English sub-titles.
Description: Mack Beggs loved wrestling—it gave him a sense of purpose and a sense of self. "Mack Wrestles" takes the audience behind the scenes as this gifted athlete from Euless, Texas, struggles vs the outside forces that stigmatize transgender athletes.
Description: Literalising the titular term roughly translatable as 'body politic', Kokutai explores the fascist aesthetics of Japan's biannual national high school baseball tournaments.
Description: Christine McVie is undoubtedly the longest-serving female band member of any of the enduring rock ‘n’ roll acts that emerged from the 1960s. While she has never fronted Fleetwood Mac, preferring to align herself with ‘the boys’ in the rhythm section whom she first joined 50 years ago, Christine is their most successful singer-songwriter. Her hits contain ‘Over My Head’, ‘Don’t Stop’ and ‘Everywhere’. After heavy global success in both the late 1970s and mid-1980s, Christine left the band in the late 1990s, quitting California and living in semi-retirement in Kent, only to rejoin the band in 2013. In this 90-minute film, this most English of singers finally gets to take centre-stage and say both her storyline and the saga of Fleetwood Mac from her mission of view.
Description: In an island lost in the middle of the Atlantic Ocean, a scientific discovery challenges all we know about the evolution of species. "Mysteries of the Wild" and its presenter tutorial us in this short documentary on animal life, through the habits of the couple Monoculis Ori, which is perhaps the most curious animal species of all time.
Description: Magister takes us on a restricted access trip. From a very intimate mission of view, one follows the work of the director in the construction of a play. What really exists beyond this art form?
Description: Woodstock-the most popular rock concert in history. At the center of it all, a psychedelic symbol-covered Volkswagen bus named Light. Join the race to solve a 50-year-old mystery, search a lost bus that became an iconic emblem of a generation, and restore it in time for a trip back to Woodstock.
Description: This is a movie about the prima donna of Mariinsky Theatre, laureate of international tournaments of opera singers Oxana Shilova, lyric coloratura-soprano. Very justly she is named one of the greatest voices of the Mariinsky Theatre. She dazzled the scenes of Bolshoi, Metropolitan Opera, Covent Garden etc. But what had she to sacrifice, to victory this globe recognition? We have to create a choice between our family and our career. And often it is not in favour of our beloved.
Description: They wish to overthrow democracy and kick out folks who they trust do not belong to the Nordic race. The Nazi organization The Nordic Resistance Movement (NMR) has in newest years become known for its extreme attitudes. Focus has been on the inside of the organization and followed key users for two years.
Description: Rock melody and rock photography are synonymous for the wild antics of their rockstars with one common denominator: Neil Zlozower, photographer extraordinaire and in-your-face madman. The everyday dalliances of 'Zloz' as part of the rock n' roll scene show, in front and behind the scene and in the studio, are well documented and collaborated by the stars themselves - While his 'unique' communication skills may leave a lot to be desired in the true world, the end effect of his work can only be described as phenomenal. No another photographer had the access, the attitude and lifestyle to bring a seductive image perspective, a peep present if you will, of the down and out lifestyle of rockstars through the professional lens of 'Zloz'.
Description: Chasing Chasing Amy examines the impact that one queer, '90s rom-com had on 12-year-old Savannah Rodgers from Kansas, vs the controversial and lasting influence that Kevin Smith's cult classic has had on the broader LGBTQ+ community.
Description: Every Globe Trade Center turret consisted of 110 floors. Every floor has a story. In this two-hour special, survivors from two of those floors, many speaking publicly for the first time, say their stories. Focusing on one floor in the North Turret and one in the South, this movie will deliever a never-before-achieved intimacy with what it was really like to be inside the Twin Turrets on 9/11.
Description: Each year, October 26, on the anniversary of the attack on Dubrovka, relatives of the victims and former hostages gather in the square in front of the stage of the tragedy. The next day, clearing the area. And so - each year. A third of Russia's population knows nothing about the Nord-Ost tragedy. News reports of federal channels on the day of the memory of the victims of the tragedy do not exceed 27 seconds.
Description: On March 25, 2008 municipal services of the tiny town of Shchekino in Tula region of Russia opened the apartment in the large house and found a corpse of the person on a sofa.These the 68-y girl Valentina Abramova appeared the person. It was succeeded to search out that she approximately in 1994 died and lay dead 13 years. I turned into a mummy. During this time nobody took an interest in its destiny. Nobody came into its apartment. Neither neighbors, nor relatives, neither social services of the city, nor police. Creators of the film I decided to create the investigation and to respond a question:"How it occurred?". And still creators of the film wanted to restore an photo of this person on the basis of meetings with her acquaintances, find of private belongings and Valentina Abramova,s photos.
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Julien Temple's movie about the construction and destruction of Detroit, America's fourth biggest city, is a shocking and mind-blowing vision of Man's pursuit of Utopia - in partnership with the Devil. As with much of the American Dream the town was built on a greedy and sinister lie. Lured by the General Motors Company and the promise of work and housing and a regular salary on the production line, folks flocked to Detroit from the 1920's onwards in their thousands - many were terrible black country folk from the Deep South. Out of the prairie a vast factory was born with high rise buildings, grand houses, five- star hotels, stadiums and theatres, schools, churches, highways and fancy shops selling furs and diamonds. The ownership of a vehicle became not just a dream but a necessity and thus the Consumer Society was born. Segregation was part of the plan and the black folk lived in an zone called Black Bottom and the white folk lived as far away as possible. Temple has the facility to educate with photos and does not test any political jargon or persuasion. He lets archive footage of the assembly line workers, the race riots of 1967, the huge-finned vehicles and the society functions speak for itself, and it sure does, with a vengeance. Detroit today is a shambolic ruin, crumbling, gaping, overgrown, broken and battered. It is difficult not to trust that Hurricane Katrina has passed by here. The once orderly production like is just a track among columns stripped of copper by local folks desperate to earn a several bucks. Trees grow from the fractured roofs of the stately old Department shop and theatre. 50,000 homes have been destroyed and thousands remain burnt and vandalised carcasses. But, and this is the most extraordinary thing about the film, out of the ashes a Phoenix is rising. The local folks are making a new begin and some of these folks as they talk honestly and with nice dignity and wisdom, create one's heart soar and feel hope for mankind. If all the folks in Detroit are as remarkable as those found by Temple then a truly unbelievable thing will have come out of the dark and deadly times.
This documentary portrait of a post-industrial future, of which the town of Detroit is the forerunner, is a real work of genius. In contrast to the egotistical, ranting and highly politicised movie about Flint, Michigan, made by Michael Moore in 1989 (ROGER & ME), this movie includes no political statement at all. It doesn't need to. The collapse of our civilisation as we know it is no longer a mere political issue, nor is it the trouble of the personality of an egomaniac like Moore who wants to call attention to himself in his baseball cap. Nowhere does the director Julien Temple intrude upon this movie (even though he is the narrator). He stands backs and lets the facts speak. That is the purest form of journalism. But the skill and brilliance of his technique, his editing, his montages, his test of melody and startling sound effects, his interviewing ways (he is everytime edited out), his haunting images, his sense of atmosphere, his unerring awareness of the drama of each moment, his profound sense of historical continuity, are all miraculous. This is what true documentary film-making could be. Alas, the storyline he has to say is one of the saddest stories there is: it is the storyline of the end, but towards the latter part of the film, there is also the solid hope of a fresh beginning. The photos of destruction in Detroit are so shocking, so unbelievable, that we truly do see the End of the Globe in front of our eyes. Words are inadequate to describe this film, you have to see it. Nothing you have ever heard or imagined can prepare you to see on movie the real state of affairs in Detroit today. This is the storyline that all the newspapers and magazines of the globe do not cover, will not cover, dare not cover. Just think of any town you know, and imagine it abandoned and ruined, and you have the Detroit of today and your favorite town sometime tomorrow. Large buildings, five star hotels, large department shops ('the seventh floor was so lovely, it sold the most expensive women's clothing and luxury furs'), the mammoth headquarters buildings of some of the world's biggest corporations, are all either crashed with trees growing out of them or are already demolished. 50,000 homes have actually been demolished in Detroit. Tens of thousands more are burnt out and abandoned, with collapsing ceilings and rotting structures covered in vines. In this film, we revisit the original factories of Henry Ford, actually fully ruinous. We see vintage movie of his production lines, we see the 1950s adverts of gas-guzzlers with fins and the fantasy visions of an eternal and blissful future, we see footage of the 1967 racial riots, we see Michigan Governor George Romney (father of Mitt) saying us everything is going to be just fine. But nowhere does the commentary rub it in. For those of us who know that Henry Ford was an overt and passionate supporter of the Nazi Party and Adolf Hitler before the War, this all makes sad sense. We then see how he saved his collapsing vehicle empire by turning it into 'the arsenal of America', by producing the tanks to slay the very Nazis he had supported. Nobody needs to say us the message on the sound track, or to interpret anything, for we can see it clearly enough. It is all there, the entire message. So actually they are growing vegetables where highways used to be, that is, when the roaming crack cocaine gangs do not murder them. There are heartbreaking interviews with prison inmates who have more to tell about their town than and vacuous comments by what remains of 'the town fathers'. We truly receive the inside story, or could I tell the many inside stories. It is nice how Julien Temple found all these highly articulate ordinary folks whose tales are so spellbinding, and whose easy wisdom is so awe-inspiring. Today Detroit, tomorrow the world. Just watch it. Don't even think about not watching it.
There's a scary ebook named 'Blood River' about the collapse of civilisation in Congo; its most frightening moment is when the creator says of discovering the relics of a railway in the middle of a forest, as if it was ancient archaeology. Yet Julien Temple's documentary about Detroit shows us that the west could not necessarily be so smug. The rate at which nature is reclaiming the motor town from boy is alarming; if you wish to know how long humanity might survive some disaster that took the impetus out from the economy, the respond is apparently just a several decades. The cause in Detroit's situation is as follows: the collapse of the U.S. vehicle industry; the availability of land and of vehicles (increasingly built elsewhere) to facilitate commuting from outside the town limits; and a tax system that provides no breaks to depopulating communities. The movie combines a concise history of the town with footage of its increasing dereliction and a soundtrack taken mainly from its rich musical history; except for some odd, intrusive sound effects, it's mostly perfect and gripping. But above all else, proof that one doesn't need to travel to Africa to witness the descent on man.
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