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Reifezeugnis 1982
Description: A student's (Nastassja Kinski) affair with her teacher leaves her launch to blackmail, with only one method out.
Released: 27 Mar 1977 Director: Wolfgang Petersen Writers: Herbert Lichtenfeld (by), Wolfgang Petersen (by), Herbert Lichtenfeld (screenplay) Actors: Judy Winter, Markus Boysen, Rüdiger Kirschstein, Petra Verena Milchert Genres: Crime, Drama
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Reifezeugnis Reviews:

I would like to disagree with Carl S. Lau, writer of the first review, to the mission that 'Reifezeugnis' was merely a filler film for Kinski. Her first two movies, 'Falsche Bewegung' and 'Die Braut des Satans', were widely unknown in Germany, and she had merely helping roles in them. 'Reifezeugnis' was part of the 'Tatort' series, probably the most famous prime time present on German TV then and actually (currently acquiring cult status). It was her first leading role and her first exposure to huge parts of her country's audience. Everybody was anxious to see whether the daughter of Klaus Kinski, popular from the famous German productions of Edgar Wallace thrillers in the 1960s, was any nice or just other actor's daughter. And everybody was raving about her! Therefore I feel 'Reifezeugnis' was an necessary step in her career.


The teenager Sina Wolf (Nastassja Kinski) is having a love affair with her teacher Fichte (Christian Quadflieg), who is fifteen years older than she. One day, her former boyfriend Michael witnesses Sina making love with Fichte in the woods by the lake and he blackmails her. Sina meets him in the woods and Michael tries to rape her; however she hits him on the head with a large stone and kills Michael. She calls the police and says to the Inspector Finke (Klaus Schwarzkopf) and his assistant that a stranger wearing green jacket tried to rape her but Michael defended her and the stranger killed him. The smart detective does not purchase the storyline but pretends that he believes in it.However Michael said to his mate Ingrid "Inge" that Fichte and Sina are lovers and Inge says the secret to her mate Katrin. Then she blackmails Fichte to receive nice grades; otherwise she is going to flunk the use and repeat the year. When Mrs. Fichte (Judy Winter), who is the mathematic teacher, finds Michael's notebooks on his chair, she reads his comments about her husband and Sina and she learns that she has been betrayed. Inspector Finke takes Sina to Kiel to identify the corpse of the possible aggressor and she confirms that he is the boy that attacked Michael and her. However this is a trap of the inspector and his assistant to check if Sina is saying the truth. They stakeout her house and explore that Fichte is her lover. Actually the teacher becomes the prime suspect of the police inspector."For Your Love Only" is an unknown tiny gem directed by Wolfgang Petersen for the German television. The storyline is realistic and very well acted, and second detail of Nastassja Kinski. The "lolita" Nastassja Kinski with fifteen (or seventeen) years old is very natural to undress and is excellent to explain why her teacher did not resist to her. My vote is eight.Title (Brazil): "Somente por Seu Amor" ("For Your Love Only")


Is it because the US ver of this film is so terrible or why else seem most of the reviewers not to have understood it? Especially semiotechlab-658-95444 when he tells that the storyline of the hunters-man is a fairy tale. In fact Sina uses him in her cover-up storyline because that boy is sought by police through newspaper articles, but he has committed his crimes in a region 60 miles away from Sina's hometown. Also one has to take into acc that this was in Germany in the late 70's. In that time almost each policeman, attorney or judge would see the guilt on the part of the girl or woman when she was raped, in fact in most situations it would not be considered rape. You also have to hold in mind that although Kinski was only 16 when the film was made she plays an 18 year old girl, so she wasn't a minor. So it's perfectly understandable that she does not confess with the hope that it will be treated as self-defense but instead tries to cover-up. Concerning the impact of the film I can only tell that without her role in it the name Nastassja Kinski would be fully unknown in Germany but so at least the older generations know her. Also in my opinion it is one of Petersen's greatest films and was a large boost for his career.



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