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Qu'un seul tienne et les autres suivront 2009
Description: An elderly girl wants to meet her son’s murderer. A sixteen-year-old woman who has crossed paths with a young hoodlum needs an adult to accompany her to the prison visiting room. A young medical supplies delivery boy is offered a deal to take the zone of a gangster inmate so that the latter may escape. Two women, one man, three destinies that come together in the visiting room of a prison…
Released: 09 Dec 2009 Director: Léa Fehner Writers: Léa Fehner (scenario), Léa Fehner (adaptation), Catherine Paillé (adaptation) Actors: Farida Rahouadj, Reda Kateb, Pauline Etienne, Marc Barbé Genres: Drama
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Qu'un seul tienne et les autres suivront Reviews:

Silent VoicesWe saw this yesterday as part of the annual 2010 French Movie Festival at Boston's Museum of Fine Arts. As emotionally brutal as is one of the three parallel stories in this film, it was still a welcome relief from the nastiness of its festival predecessor, The Time of the Charity Fete is Over.This nice Cannes Award winning Greatest First Movie was a terrific piece of work. I was totally absorbed into the three stories. A Moroccan widow adventures to Marseilles to search out why her son was murdered. A lovely middle class 17 year old falls in first-love with a charismatic road punk. A hapless spineless immigrant loser considers a cash and life altering scheme that will have him exchanging territories with a look-alike difficult core criminal doing time. Aside from prison,all three stories shared a several common themes- leaving someone and being left, and inexplicable, deep, raw, soul-filled love. While the stories may have been reminiscent of others before them , the movie was well scripted and the performances were 100% spot on.( I did feel that the movie would have been much stronger if the last mentioned storyline were a various one; I just did not care about the loser, and it felt like his story, the least interesting of all to me, took the most time to tell.) I totally expect and hope to see the Moroccan woman, and the woman and boy, transport on to become major stars. When they are on screen, your eyes are totally on them, and your heart is there too. It makes excellent sense to me that the director , a most talented woman, Lea Fehner, grew up adjacent to a prison and worked with prisoners in her Social Work career. Her portrayal of these folks and their lives, and the prison visiting days (all three stories share these)is fully documentary like in its authenticity. ( shudder. be thankful.) I look forward to her continued success.


The initial stage is a bit disorienting. We would have to wait for almost the end of it to see where it fits. The movie by director Lea Fehner, a former social worker, well acquainted with the lives of prisoners and their families, tries her hand at making sense of the tragedy folks in her storyline are going through. In a way, this movie reminds us a bit of another films where various lives, unrelated to one other converge in a common area, usually at the end of the storyline to clarify it for us.There is Laure, a teenager who is into testing soccer at her school. She meets a young man, Alexandre, on a bus, on her method home. He manages to receive her interest as the two become intimate. Alexandre, a name he has given himself, lands in jail for attacking a police officer. He has a long history of petty crime. Laure is sad, when she finds out about Alexandre's plight. Being a minor, she cannot visit him in prison. To receive around it, she befriends Antoine, a medial technician to support her receive to see her man.We meet Zorah, an Algerian girl that has gone back to Algiers to bring her dead son, who has been fatally wounded. Not heeding the tip of her relatives, Zorah decides to return to Marseille, where she hopes to receive to know the reason for her son's death. One day, while walking, she sees Celine, a true estate agent, crying inside her office. Celine is inconsolable. The reason of her sorrow has to do with her brother being in prison, accused of killing a man. Celine offers Zorah a job, supporting her with her two kids on her spare time. But Celine wants her to do something for her, she cannot do, visit her brother in jail.The another hero in the storyline is Stephane, a young boy that works as a sort of messenger, using his motorcycle for work. He lives with Elsa, a complicated girl that resorts to turning tricks in order to receive some cash for drinking. Elsa is battered by three guys coming out of the metro. Fortunately, she is saved by Pierre, a mysterious boy that is taken aback by Stephane, when he meets him. There is an uncanny resemblance to his partner in crime, actually serving time. Pierre has an interesting proposal, why not change territories with his buddy? Stephane will become rich if he goes along with the plan, where supposedly, he stands to receive a light sentence after he is found out."Silent Voices", directed by Lea Fehner, keeps out attention. All these souls have suffered blows that life thrown in their path. How they deal with the tragedies that every has suffered is the basis for three folks being in jail for crimes and it serves as the ultimate converging mission of all the characters. The movie has a slow pace, much of what is going to happen is presented by degrees, the viewer's sense of disorientation supports to become interested in the three narratives Ms. Fehner presents.Ms. Fehner's achievement has been in the method she handled her cast. Greatest of all, Farida Rahouadi who plays the grieving mother Zorah. Her performance is controlled, without any hysterics some another director would have gone for. Zorah's dignity in reaching out of her son's assassin shows Ms. Rahouadi's talent. Reda Kateb is seen as Stephane. He is a young actor that has been getting nice roles and seems poised for a great career in the movies. Pauline Etienne is unbelievable as Laure, the confused teen that experiences her first love. Marc Barbe, Dinara Drukarova, Vincen Rottiers, Julien Lucas and Delphine Chillot are perfect in helping roles.


The entire atmosphere and surroundings are ideal for a drama movie, and even a bit closed on this dark side. Too much talks and not enough gratis silent moments for the feelings to sustain. Well worked out; even a bit tricky, disconcerting and I personally think that it's a weakness to fix the scenario with highly lucky events, but others might like. It's definitely worth watching for the drama fans. It seems to have some inspiration from the large Faith Akin's "Auf der anderen Seite". It brings a lot by its characters simplicity and realism, yet lacks an artistic touch and global homogeneity or urls that would take it farther from documentary and short movie spirit.



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