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Description: Flanked by two backup dancers & a live band, the rapper proved her real musicianship during a 45-minute afternoon set. Hip-hop needs Azealia Banks. With a tiny support from a megaphone, the Harlem rapper made the festival scene her own with an electric run through her Broke With Expensive Taste bangers, from "Idle Delilah" to "212," and is clearly generally stoked to be back at the festival after a brief hiatus. Banks surely has her issues, but she reaches full potential when she lets them go.
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In my opinion this movie is a fantastical, haunting tale set in a house where nature fuses with the lives of a family. The Roes' Room marries opera with painting-like photos in an intricate and enthralling homage to the wonder of youth. Majewski uses both the fine arts and the vitality of the natural globe to induce a sense of the richness of his life as a kid and the miracle of the life of the constructive imagination. Photos say us about the invisible but vibrant life force that filled the filmmaker's childhood. I'm sure that the combination of the visuals and the music, will be appreciated by almost anyone who appreciates art. Shortly - it's a modern visual arts masterpiece!!!!
This review is primarily a rebuttal to the comment that this movie looks to much like 'TV' and lacks plot. First of all, if you know anything about Majewski you know he has a love for Dutch Renaissance paintings and he has developed special cinematography reminiscent of their style. Additionally, anyone making references to plot and realism, is fully missing the boat. This movie is not a 'movie' in the traditional meaning, therefore you cannot create comparisons to any film category characteristics. The lack of dialogue except for singing could not be surprising from a movie subtitled "An Autobiographical Opera" and in which he names himself as the "librettist" instead of director in the opening credits.If you liked this "painterly" movie as other review referred to this film, you will love Majewski's most well known movie THE MILL AND THE CROSS Mill. He now recreates the Dutch Renaissance painting THE PROCESSION TO CALVARY with wonderful accuracy as a live action movie using true actors and unique effects.For a more available detail movie that follows most of the guidelines of the traditional drama film genre, THE GARDEN OF EARTHLY DELIGHTS says a storyline of two lovers existential adventure of Venice and exploration of the eponymous triptych by Bosch other Dutch painter.
"Majewski's normal multi-tasking takes on even greater dimensions in his absolutely singular 'autobiographical movie opera'. Writing (libretto and music), directing and designing this often limpidly pretty 'cycle of life' parable, he conjures some remarkable photos out of an extremely contained spatial and thematic environment One of a kind." Gareth Evans, Time Out London"A fantastical, haunting tale set in a house where nature fuses with - and eventually consumes - the lives of a family." Laurence Kardish, Senior Curator, Fresh York Museum of Modern Art"A modern visual arts masterpiece!" Ruben Guzman, Curator, Buenos Aires Museum of Fine Arts"Fascinating film. Extraordinary imagination." Pierre-Henri Deleau, Biarritz International Festival of Audiovisual Media"A visionary and musical poem. A profound, subtle and very original movie." Claude Chamberlan, Montreal International Movie Festival"There is a strange, entrancing beauty to the photos and melody in 'The Roe's Room'. Majewski creates striking visual tableaux that possess a memorable, haunting quality." Brendan Kelly, Variety"Henri Langlois Association presents two equally special movie masterpieces at Cinema Accatone in Paris: the somber 'Film' by Samuel Beckett, and hypnotic 'Roe's Room' by Lech Majewski." Allan Riou, Le nouvelle Observateur"Disturbing and visionary." Carlo Montanaro, La Nuova di Venezia
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