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Description: The film is inspired by writer-director Márta Mészáros' own childhood. The movie is a grim reminder of horrible days under Stalinist period when few innocent folks were persecuted for no fault.A nice movie which let folks to know how folks in Europe were tortured before second globe fight by dictators and authoritarian regimes.
Description: District Attorney Holden and his unique investigator Betty Higgins are trying to convict brothers Joe and Lou Manson, silk-racket hoods, after they are indicted for murder.
Description: Azerbaijan. Yagub lives with his adult son Musa in a tiny house in a desolate place. They lead a solitary life. Musa, mentally disabled and limited in his motor skills, assists his father with his work. Yagub is a carpenter and earns his cash especially with coffins, which he carpenters for Georgians and Russians. Whenever being confronted with the clumsiness of his son he often reacts indignantly – with beating. When Musa is diagnosed with a deadly illness, the emotional numbing of the father slowly dissolves as he tries to create the last days of his son as enjoyable as possible – until Sabir delivers a surprising message.
Description: Dan Matthews (Richard Arlen), a young parson, is in love with Hope Powerful (Charlotte Wynters), the daughter of James B. Powerful ('FRederick Burton'), a boy who controls the city with his true estate and business interests. Powerful is an upstanding citizen who has fallen into the hands of a intelligent racketeer, Jeff Hardy (Douglass Dumbrille), who acts as Strong's manager of some innocent-appearing amusement territories that are really secret dens of vice.
Description: Stella Davis is a widow who saves her ranch by working with convicts to rehabilitate a herd of wild horses that wandered on to her property. Stella gotta war prejudice, greed, bureaucracy and vanity (including her own) to finally understand that there is no better remedy to misfortune than supporting other living creature.
Description: Michael Morda, a young sculptor living in San Francisco, is madly in love with Elinor Hunter, and they plan to be married. When Elinor becomes jealous of Julie Stressman, an old mate of Michael's and one of his models, Michael reluctantly asks Julie not to visit him at his studio. They accept to meet only at the construction website where he is working on a sculpture for which Julie is modeling. When Elinor also shows up at the site, Julie leaves so as to avoid a confrontation, but she is killed by some falling materials. Julie's dying request is that Michael adopt her daughter Mitzi, whose father died years earlier. In order to prevent Mitzi from being taken to an orphanage, Michael lies and tells he is her father. Elinor hears this, and without asking questions, leaves him and marries other boy the same night.
Description: In November 1918, a several days before the Armistice, when Lt. Pradelle orders a senseless attack, he causes a useless disaster, but his outrageous act also binds the lives of two troops who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
Description: A young woman struggles after a traumatic horse riding accident causes her to lose her eyesight. CHARLES, the head trainer of Southeastern Tutorial Dogs, trains Apple, a miniature horse, to be her companion and surrogate eyes.
Description: Keith, a small-time drug dealer is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back vs his surrounding limitations as he tries to search a method out of his own internal prison.
Description: Havana, a day in September 2000. Olympic Minigames are being held in Sydney and Mauricio's sixtieth birthday is here: a boy alone and devastated by the unexpected death of his wife. The storyline is said through a review of passages that gave form to the last twelve years of his life, combining flashbacks with newest happenings encompassing the key moments that marked the path to that day. Individual dimensions combine with the social context in the last decade in the 20th century in Cuba, a decade marked by deep political, economic and social changes that stirred the ethic and human bases of these generations, the first to enter in the fresh millennium.
Description: A dramatic presentation of how innocent folks become ensnared by the Watchtower Society. An inside look at how the Jehovah's Witnesses recruit, brainwash, and train fresh members.The Witness at Your Door is a compelling, fast-moving drama which presents an inside look at how the Jehovah's Witnesses recruit, train and exercise mind-control over their members. Based on true-life experiences, this strong and humorous DVD follows one man's storyline from beginning to end. Joe Simpson becomes a convert to the "Watchtower Society" at a vulnerable time in his life. But he is eventually freed from the organization after the true Jesus of the Bible is presented to him by a caring Christian. When you watch this DVD, we know you will wish to see the exciting sequel, The Witness Goes Out.
Description: Dramatic sequel to The Witness At Your Door. A lifelong Jehovah's Witness finds freedom from the bondage of the Watchtower Society and in the process discovers the truth behind their stand on blood transfusions and their history of false prophecies. Leo Stern was first featured as the militant elder in the video The Witness at Your Door, a dramatic presentation of how innocent folks become involved with the Watchtower Society. In this exciting sequel, Elder Leo gotta face the painful truth of a life shipwreck on the rocks of misguided religious zeal and false teaching. Can a life-long Jehovah's Witness, hardened by heretical doctrines and beliefs, search freedom from the bondage of the Watchtower Society? Is it possible for someone like Leo Stern to launch his heart to the Gospel and acknowledge Jesus Christ as King and Savior?
Description: German businessman Carsten Neuer travels to Norway to finish the impossible translation of some Norwegian poems by Tarjei Vesaas into Chinese, a project of his late wife. He hires Niko, a down-on-his-luck tour guide, to drive him to the poet's home and territories of inspiration to stimulate his own translation. On the road, the ghost of Carsten's wife appears to him, while Niko struggles with the sudden consequences of his girlfriend's pregnancy. On this journey, two very various boys come to realize the transforming power of love, the limits of language, and the human need for friendship.
Description: 16 year old Bret lives with his indifferent father and a stepmother who abhors him. After yet other war he leaves home. He meets two guys and a woman who are drifting around. He feels attracted to Roxanne and they decide to continue together to LA. Unfortunately Roxanne gets busted by the police, so Bret is on his own again. In LA he meets some great guys who offer him lodging. However they are involved with (male) prostitution...
Description: Ubi Sunt. Porto. Cartography of an imaginary zone attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.
Description: Follows the serendipitous meeting of two young women on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on unexpected and lifelong friendship. CC is an aspiring singer trying to create it in Los Angeles. Hillary is the daughter of a prominent civil rights lawyer who struggles to search her own destiny. Their friendship—even with its ups and downs—sustains them for decades.
Description: A movie about the right to divorce for girls in Iran. The Upside-down Triangle is the first detail movie by Iranian independent filmmaker Hossein Rajabian. The black-and-white movie has been shot and directed by Rajabian – who has been involved in photography for years – using digital cinema technology. The shooting of the movie kicked off in mid-February 2013 and came to an end in early May 2013. Snowfall in Central Alborz in northern Iran and [problems associated with] local arrangements are to blame for the prolongation of the shooting
Description: This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and character recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a boy marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.
Description: The storyline of a couple during the stay in the apartment of one of them. During that time, both their emotional states will constantly change due to a love that has consumed them, the promises that have not yet been fulfilled, and the time that has passed and will not return.
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This is an perfect Latvian Soviet social drama by Latvian screen-legend Leonisds Leimanis set in the Nice Depression-era Riga. Though a thoroughly Communist movie (the historical context of the movie seems to have gone fully unnoticed for the previous reviewer) in a semi-dated realist style, the film's skillful execution and nice actors create it a highly enjoyable humanist, though still anti- democratic, tragicomedy. The scenario of the movie stands out from your standard Socialist Realist text for the fact that the novel on which it is based was penned by Latvian writer Andrejs Upīts in 1937, three years before the Sovietization of independent Latvia. This was the time when Latvian leftists, like their contemporaries in the West, were writing imaginative social novels that became the fore-bearers of postwar Neo-Realism, something quite various from the Soviet boilerplate odes on Stalin and the kolkhozes. The movie is also an interesting historical document on the methods the interwar democratic republic was allowed and encouraged to be represented in the late 1960s USSR. The movie mocks multiparty state and the parliamentary system, makes all Latvian students look fascist and Latvian police their software - a horrible pseudo-historical disinformation. The party's are rarely mentioned by name, only identified by numbers to delegitimize them and their promises and probably in order not to remind the audience the benefits of pluralistic representative democracy. Clearly, there is one unmentioned party the folks could be voting for.. Ironically, at the time of its setting and the writing of the novel, the USSR was the most violent state on earth, starving to death 6 million Ukrainian peasants, deporting hundreds of thousands of "kulaks", and beginning its carnival of present trials and deadly purges vs the "enemies of the people" from high party bosses and military leaders to urban prostitutes and vagrants. The movie seems semi-dated, because it reminds one movies of the era of its base-novel. A comparison with Ford's Grapes of Wrath should be in order. Yet, the movie has also elements of both Neo-Realism and Fresh Wave and it ends with a shot straight out of Truffaut. This is a highly suggested Soviet Latvian drama film, not only for its crafty execution, but also for what it reveals about Communist propaganda and its critique of an launch society at the dawn of stagnation.
I recently came upon some thoughts I had contributed to the Classic Movie Board's weekly thread regarding this necessary and externally under-remembered Latvian film. In light of the impending demise of the IMDb message boards on the 20th of February of this year, it strikes me as being appropriate to add these comments to this film's entry so that there might at least be one review to tantalize and intrigue, to some extent, those who might be prospective viewers.Leonids Leimanis is a director whose work greatly fascinates me. 2015 allowed me to explore two of his most brilliant movies in 'Mech i roza' (1959) and this one from ten years later. I subsequently, in 2016, got the possibility to view few of his another brilliant and influential films. His are beautifully humane movies that portray with considerable deftness and acuity the layers and interconnections of Latvian society. I saw this one without subtitles (something that I don't really mind all that much) but the insight and artistry of Leimanis's film-making still proved utterly captivating and involving.Thinking about 'Pie bagatas kundzes' makes me smile in satisfied recollection. A Capra-esque comedy-drama, it has to be one of the most revelatory delights I saw throughout all of 2015. Shining a light, as it did, upon a national cinema that I was hugely unfamiliar with, my initial intrigue turned to fascinated engagement as the creativeness and elegance of the piece drew me in from the very outset. The extraordinarily fluid and observant opening scenes of road flavour among the poorer classes in Riga possess a memorable vitality and pictorial artistry and offer an element of social realism that grounds ensuing flights of fancy firmly in the aspirations and struggles of the hard-working and under-pressure every-man and every-woman. I found the movie to be both funny and probing. The deft sarcasm which is brought to bear on the politically tumultuous case in the Latvia of the 1920s and 30s is other aspect that recommends this Baltic example of biting satire and touching humanism. Imagine a socially-aware Hollywood romantic comedy of the 1930s mixed up in a cocktail with the joie de vivre and sparkling spontaneity of avant-garde cinema of the 1960s and you might receive some concept of the movie and its remarkable qualities.The legendary Eduards Pavuls and the lovely Liga Liepina create for charming and interesting leads and, based upon this, I can't wait to discover further the cinema of their pretty country. Few joyous scenes from the movie will live long in my memory; Liepina as the compulsive thief, Emma, skipping through city and asking to see jewellery in a shop. And then in her fresh dress daintily and adventurously balancing on a board overlooking the pier. Oh, the memories! They live on and dance in my heart! There is an ebullience and a vitality to so much of this movie and these scenes in particular possess an exuberance that is charmingly infectious and quite magical. With this film, Leimanis has bequeathed a creation that manages to balance moods to considerable result and reveals itself to be a touchingly humorous, insightful, and artistically compelling accomplishment worthy of much wider recognition and acclaim.
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