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Description: 1 - Carpet Of The Sun 2 - Mother Russia 3 - Can You Hear Me 4 - Ocean Gypsy 5 - Running Difficult 6 - Touching Once 7 - Prologue - Annie Haslam / lead & backing vocals, percussion - Jon Camp / bass, Moog bass pedals, acoustic guitar, co-lead & backing vocals - Michael Dunford / 6- & 12-string acoustic guitars, backing vocals - John Tout / grand piano, synths, Hohner clavinet, percussion, backing vocals - Terence Sullivan / drums, percussion, tubular bells & timpani, backing vocals
Description: Renaissance's Turn of the Cards and Scheherazade and Another Stories recorded live on September 23, 2011 before a wildly enthusiastic sellout audience at Keswick Theater, Glenside, Philadelphia. Acoustic Guitar, Vocals - Michael Dunford, Bass Guitar, Vocals – David J. Keyes Drums, Percussion, Vocals – Frank Pagano, Keyboards – Rave Tesar, Keyboards, Vocals – Jason Hart Lead Vocals – Annie Haslam
Description: Amour, the messenger of the gods, says Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, place to the use by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural territories traveled by Orpheus and beyond. Marianne Crebassa plays a fresh breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the game role in Alcione).
Description: Giuseppe Verdi's one prologue, three act opera featuring libretto by Francesco Maria Piave and Arrigo Boito is performed before a live audience at Florence's Teatro Comunale in this release featuring the melody of the Orchestra and Chorus of the Maggio Musicale Fiorentino under conductor Claudio Abbado, and starring Carlo Guelfi, Julian Konstantinov, and Karita Mattila.
Description: Puccini's masterpiece La Bohème is by far the most represented opera in the world. At the popular Puccini Festival in Torre del Lago (2014), where Puccini composed his main operas, La Bohème is directed by one of Italy’s best movie directors: Ettore Scola, the author of a high number of award-winning seminal films. As he explains in the programme notes, as later as he was approached to scene La Bohème he had to war difficult to resist the temptation to give life to his “revolutionary” ideas; in the end, he decided for a traditional looking, rich, grandiose and detailed Bohème. Together with the exceptional cast of Daniela Dessì, Fabio Armiliato, Alessandro Luongo, Marco Spotti and Alida Berti, this production makes for an incomparable nice performance.
Description: Fleetwood Mac hit a weak mission in 1993. Earlier that year the Rumours lineup reformed to enjoy Bill Clinton's inaugural bash, but old tensions remained and they didn't bring the present on the road. Instead, Mick Fleetwood and John McVie brought in 25-year-old Bekka Bramlett, daughter of Delaney and Bonnie. Her job was to essentially enjoy Stevie Nicks, and guitarist Billy Burnette played the Lindsey Buckingham role. It looked like a tribute band featuring two original members, and they found themselves in the cute humiliating position of opening up for REO Speedwagon. By this point, the Eagles were making a huge fortune on the reunion circuit, so in 1996 the whole classic lineup came back, meaning it was curtains for Bekka and Billy.
Description: Grand Funk Railroad Live At The Forum, Los Angeles U.S.A 06-01-1974 01.Footstompin' Melody 02.Rock & Roll Soul 03.Heartbreaker 04.Shinin' On 05.The Loco-Motion 06.We're An American Band 07.T.N.U.C. (With Drum Solo) 08.Inside Looking Out
Description: A tragic tale in which love and filial sentiment war in a political intrigue around the fascinating hero of Simon, a privateer become doge : Simon Boccanegra is one of Verdi’s best operas, over which floats the shadow of his admiration for Shakespeare. For this captivating and moving score, the Dijon Bourgogne Orchestra has named upon one of the nice Verdi specialists, Roberto Rizzi Brignoli, whose Traviata in 2011 demonstrated his intimate and precise knowledge of the Italian master’s style, and the German scene director Philipp Himmelmann, a regular at Unter den Liden in Berlin and the nice European stages.
Description: A video memoir in which artist John Sanborn explores the seismic artistic upheaval wrought by three nice artists: John Cage, Marcel Duchamp, and Nam June Paik, celebrating the methods every artist challenged assumptions about what defines an artist, art, and the relationship of author to audience.
Description: At the recommendation of her girlfriend, a young singer decides to test and create her name in London. Catching the overnight '6.5 Special' bound for the BBC tv show, the two search the train full of 1950's British pop stars only too ready to explode into song. As the presenters of the present are also on board, our heroine is assured of a spot on the following Saturday's 'Six Five Special'.
Description: Rockpile plays for a Danish Tv audience in 1979. Tracks: 1.DOWN,DOWN,DOWN 2.I KNEW THE BRIDE 3.DEBORAH 4.LET IT ROCK 5.HERE COMES THE WEEKEND 6.LOVE SO FINE 7.PROMISED LAND 8.THEY CALLED IT ROCK 9.JU JU MAN 10.HEART OF THE CITY
Description: Hamilton: An American Musical is a sung- and rapped-through musical about the life of American Founding Father Alexander Hamilton, with music, lyrics, and a ebook by Lin-Manuel Miranda, inspired by the 2004 biography Alexander Hamilton by historian Ron Chernow.
Description: 1977 saw The Grateful Dead at the height of their powers. The fresh songs were solid, the band was testing better than ever and the bootleg recordings from that year prove it. This video captures the second and third nights of a three-night stand at Passaic, Fresh Jersey's Capitol Theater. Highlights include: "Estimated Prophet", "Eyes Of The World", "Sugar Magnolia", "Promised Land", "Loser" and many more.
Description: Dave Edmunds --"The Welsh Wizard" - leads his crack band through rocking selections from throughout his storied career. Recorded live at the Capitol Theater in Passaic, Fresh Jersey. Tracks include: "Crawling From The Wreckage", "Fine, Fine, Fine", "I Hear You Knocking" and more.
Description: A live acoustic concert featuring Justin Sullivan, Dean White, and Michael Dean, recorded on May 4th 2003 at the Centralstation, Darmstadt, Germany during the Justin Sullivan & Mates European tour of that year.
Description: A celebration of the 15th anniversary of “Wicked” on Broadway. This televised concert details songs from the blockbuster musical hit and showcase a cavalcade of unique guest stars to support celebrate the melody and the magic of the present that says the storyline of what happened in Oz before Dorothy dropped in.
Description: Abbado wholly vindicates Verdi’s intentions through his feeling for the shape of a entire scene, for the inherent subtleties of Verdi’s scoring and for certain rhythmic effects.
Description: Francesca, Morgana, Edo and Antonio. Four of today’s youngsters. Four inadvertent representatives of today’s generation of 20-year-olds who “do whatever I want”.By possibility they search that they’re spending a week in Catania together, the Baroque town perched on the slopes of a volcano, the continual rumbling of which seems to reflect their restlessness…
Description: First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a several short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Everyday Telegraph of London as being ‘as close to the excellent dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the entire theatre is under a wonderful spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’
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