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People Are Funny 1946
Description: A comedy based on NBC's "People Are Funny" radio (and soon television) tool with Art Linkletter with a fictional storyline of how the tool came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the tool while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, everytime able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."
Released: 11 Jan 1946 Director: Sam White Writers: Maxwell Shane (screenplay), David Lang (screenplay), Dorcas Cochran (additional dialogue), David Lang (original story), John Guedel (based on John Guedel's 'People Are Funny" radio program) Actors: Jack Haley, Helen Walker, Rudy Vallee, Ozzie Nelson Genres: Musical
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People Are Funny Reviews:

Sit back and play this one. A storyline of two producers that have been feuding for years. Both end up with half the rights to a radio tool "People Are Funny." Along the method to getting the tool on the radio you receive to hear some very nice musical numbers by a tons of performers. The longer you watch the more you realize that you really like what you are seeing and hearing.


This is the excellent film to watch on a rainy day. Unless you work in the broadcasting biz, it'll have nothing to do with anything. So it's a nice getaway.The storyline centers around a group of characters who work in radio. There are two rival producers, a female writer who is coveted by both (for both her talent and her bod), and then there's Pinky the clueless chump who's just along for the ride--yet he's the glue that holds it all together.There are some cute interesting themes going on, a lot of backstabbing & questionable loyalties that'll hold you guessing who's the nice guy & who's the terrible guy. It's basically each boy for himself, each girl for herself, and then there's Pinky who is fully neutral due to his naïveté. He plays the host of a tons present that exposes the ridiculousness of people. See the intelligent metaphor? The musical numbers are thoroughly enjoyable. There's a Spanish number, a mellow Bing Crosby-type song, some nice Dixieland piano, and then there's a minstrel routine which is cute funny because it details a bluegrass band done up in blackface & singing an Italian lovesong (I have no concept if that could be offensive to African-Americans, Italians, Kentuckians or all of the above, but it's cute crazy).As you're watching this, you realize you're taking a behind-the-scenes historical peek at a form of entertainment (live radio) that is actually fully extinct. That alone could be worth the price of admission. The music, gags, storyline and lame jokes are icing on the cake.


This movie is supposedly about the radio present "People Are Funny". It's sort of the REAL "People Are Funny" radio present (with Art Linkletter) and sort of not...as the tool was originally hosted (in this film) by Jack Haley (of "The Sorcerer of Oz" fame). Later, you now see Linkletter hosting the present that Haley's hero supposedly created.The present is a local hit and some people decide to steal the concept and sell it. Whatever. What follows are variety of musical numbers...one after another. Most aren't very nice and one might cause a several coronaries. Why? Because the quartet are all in black-face! Uggh! Overall, this seems like a talent present featueing second and third-rate acts. Not particularly good.By the way, if you do watch this, note all the acts on the radio who dressed up or performed stunts. How should the people at home see ANY of this??



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