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Description: This documentary says two stories simultaneously: it's a profile of Bernard Tapie, a wealthy boy who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent problem with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.
Description: A documentary that captures fragments of the lives of the Egyptian Jewish community in the first half of the twentieth century until their second grand exodus after the tripartite attack of 1956. An attempt to understand the change in the identity of the Egyptian society that turned from a society full of tolerance and acceptance of one other to a rejection of the minorities. How did the Jews of Egypt turn in the eyes of Egyptians from partners in the same country to enemies?
Description: Forty years before WikiLeaks and the NSA scandal, there was Media, Pennsylvania. In 1971, eight activists plotted an intricate break-in to the local FBI offices to leak stolen documents and expose the illegal surveillance of ordinary Americans in an era of anti-war activism. In this riveting heist story, the perpetrators reveal themselves for the first time, reflecting on their actions and raising broader questions surrounding safety leaks in activism today.
Description: When Khosrow Vaziri became the Globe Wrestling Federations Iron Sheik and camel-clutched his method to fame in the 1980s, he achieved the American Dream by personifying a foreign villain. Losing his globe championship belt to Hulk Hogan became a defining moment in professional wrestling. These days, the Sheiks smackdowns are on Twitter, where hes gained a fresh following. Once an Olympic hopeful, bodyguard to Irans Shah and pop culture icon, we witness Vaziri struggling with addiction and despair as a family man. But with the support of Torontos Magen brothers, the Sheik starts a street to redemption and renewed status as a public figure. Showcasing his strong past and at times painful present, this is an insightful look at one of wrestlings largest stars, but also a strong storyline of private sacrifice that, in the Sheiks own words, will create you humble.
Description: They experienced perhaps the best crimes vs humanity the globe has ever seen. Yet what do we know about the Holocaust survivors who made Britain their home? Britain's Holocaust Survivors takes a special approach to recording the experiences of the last generation to have living memories of the Holocaust. The movie takes viewers into the homes of a tiny group of extraordinary survivors, saying their stories with sensitivity, humour and compassion. A compelling cast of characters are revealed as they gradually reveal the horror of their past and how those experiences have shaped their lives.
Description: Shot while he was preparing Un Flic, Melville carefully leads Labarthe through the trajectory of his career, from his daring debut The Silence of the Sea to his nice successes of the 1960s, Le Samourai and Le cercle rouge. Labarthe also features the development of the Melville “myth: the dark glasses, the trenchcoats, the Ford Mustang, and his general tough-guy demeanor. This documentary first appeared as an episode on the French tv series "Cinéastes de notres temps".
Description: Made for "Cinéma, de notre temps" series. Interview with Georges Franju (1912-1987), a figure of immense importance in the history of French cinema, not primarily for his movies (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinémathèque Française in 1936, France's most popular and necessary movie archive.
Description: Second attempt to make a detail movie out of the 200,000-plus feet of movie which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist creator Upton Sinclair, his wife and a tiny company of investors. The projected film, to be named "Que Viva Mexico", was never finished due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to create a better cutting according to Eisenstein's skeletal outline for the proposed film. This movie has apparently been lost.
Description: Made for "Cinéma, de notre temps" series. In a peaceful residence near the Loire River, Chabrol raised his favourite characters : monsters. In this documentary, we can see him actively working on the adaptation of Simenon's novel "Betty", and answering the questions posed by Jean Douchet (his former colleagues at the magazine "Cahiers du Cinéma"). Excerpts from The Butcher (Le Boucher), Violette Nozière, The Hatter's Ghost (Les Fantômes du chapelier) and Masks (Masques) will punctuate their meaningful and witty conversation.
Description: Once again in this documentary Franju depicts a distressing scenario, other of those corners of society hidden from daily eyes: the tale of an abandoned dog finally taken to the pound, where a sad fate awaits it.
Description: This Government-commissioned documentary was intended to reflect the modernisation of French industry. However, in Franju’s hands it became an ode to fire and a fascinating portrayal of industrial architecture.
Description: A flickering dance of intriguing imagery brings to light the chances of ordinary movements from the daily which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short storyline 'The Walk' by Robert Walser. Juxtapositions, various speeds and split frame techniques convey the walker's state of mind as he encounters a globe of hilarity, despair and ceaseless variety.
Description: Some folks consider them the greatest part of the film going experience - the Film Trailer. Take a look at the evolution of the "coming attractions" from easy silent movie splices, through the template style of the Golden Age of Hollywood, through Auteurs and finally into the Blockbuster era.
Description: In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established a museum as a celebration of the imperial origins of Fascism, but the museum and ships were destroyed by fleeing Nazis in 1944. The movie commemorates these events. - MoMA
Description: The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no support is coming and the inhabitants gotta simply wait for the disaster.
Description: Made for Cinéastes de notre temps series. In 1964, few French Fresh Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.
Description: This black-and-white movie is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The movie uses historical photos which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
Description: Documentary movie that takes a visual and anthropological adventure through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a town that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.
Description: 'Coffea arábiga' was sponsored as a propaganda documentary to present how to sow coffee around Havana. In fact, Guillén Landrián made a movie critical of Castro, exhibited but banned as later as the coffee plan collapsed.
Description: Working from archives of personal movie footage from a trip to India by the upper class of the late 1920s, a period of powerful anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the photos and analyze the attitude and behavior of Westerners in the East.
Description: Inspired by their beloved Dolomite zone in Northeast Italy, a war theater in Globe Fights I and II, Gianikian and Ricci Lucchi continue to discover problems of fight and peace in their most newest production. The movie uses shots of ordinary toys found in the area, many missing limbs and another pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the postwar era.
Description: Using photos shot in Russia and Armenia from Globe Fight I to the 1930s and retrieved from a Soviet movie archive, Gianikian and Ricci Lucchi constructed a meditative movie about the status of Armenians as a folks without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during Globe Fight I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies different parts of the image, so that the movement of bodies across the frame starts to carry the weight of exile, mourning, dispossession.
Description: Found footage anti-war movie comprising movie documents of the Austro-Hungarian and Italian units on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
Description: Comprised of photos shot by amateur photographers and German troops in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.
Description: Biographical documentary of Lee Miller (aka Elizabeth Miller, 1907-1977), her early years in USA under her father's influence, soon became a model turned artist and celebrated photographer, including her photojournalism during WWII, and her second marriage to British surrealism painter Roland Penrose postwar. Movie is said through interviews with Miller's son, Antony Penrose.
Description: In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to war among themselves.
Description: Some people squirm at mention of a woman’s period…not Arunachalam Muruganantham. Considered a madman and pervert by his community, he ignores his detractors and makes his dream—low-cost sanitary pads made by and for rural Indian women—a reality. Using manually operated machines, Muruganantham’s microbusiness model is focused on something more necessary than profits: providing sustainable employment, hygiene and emancipation to girls who would otherwise go without. He’s a boy with a million-dollar idea—except cash has nothing to do with it. His target is to create a livelihood, not to collect wealth; to operate at a human scale, not a multinational one. Menstrual Boy is the inspiring storyline of a character who rises above poverty and a lack of education to become a superstar social entrepreneur in the business of breaking cultural taboos and re-inventing the economic pyramid. Muruganantham is leading a movement, not a company. And it’s spreading.
Description: Professor József Öveges was a popular Hungarian physicist and tv personality, who starred in a very successful educational programme, teaching nature sciences for kids in Hungarian Tv in the 1960s. This film includes his favourite experiments.
Description: The continuing demand for high standards is what sets Rouseau's work apart. What makes this movie distinctive is the method Rousseau explicitly returns to the source of his constructive inspiration. So here he is at home reciting «Bérénice» to himself, whilst going about his household chores. It verges on the comical: There are repeated shots of him obstinately trying to turn off a dripping tap, or the jubilant close up of bare feet carried away in performing a dance step or two. Combining art with life in such a way, that nothing is compartmentalised, nothing lost - that is the goal.
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