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Ovunque sei 2004
Description: A doctor's (Stefano Accorsi) life takes a mysterious turn when his ambulance plunges into a river.
Released: 22 Oct 2004 Director: Michele Placido Writers: Umberto Contarello (story & screenplay), Francesco Piccolo (story & screenplay), Michele Placido (story & screenplay), Domenico Starnone (story & screenplay) Actors: Stefano Accorsi, Barbora Bobulova, Violante Placido, Stefano Dionisi Genres: Drama
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Ovunque sei Reviews:

Spoiler Alert I was unlucky enough to see this terrible film at its presentation in Venice Festival last week. Experts may be place off by different technical aspects of the movie, how the actors played, photography, etc. I took offence at the wonderful screenplay. Two examples of what I consider an absolutely outrageous method to treat audiences' intelligence:1. Emma (Barbora Bobulova) is a surgeon. She is reviewing some photos of an operation just complete in the middle of the night (do you know of any planned surgery to take zone in the night?) during which she had to take over and finish what the lead surgeon, Leonardo (Stefano Dionisi), having had a nervous breakdown episode in the operating room, should not. Leonardo appears in the dim lit room and forces himself onto her, in a clear attempt of a rape. She wars back, hits him where it hurts most (HURRAY!). He falls on the ground, semi-unconscious (double hurray!). She freezes. Without even re-arranging her dress and underwear, leans towards him and utters: "I am sorry, did I harm you?" Unfortunately, she means it, literally, and falls into his arms for a passionate encounter. WHAT?!? For a slightly more credible outcome of a case like this one, I would have expected anything between a call for support or a stabbing of the bastard, Tosca-style. Not this pitifully wonderful comedy.2. Matteo (Stefano Accorsi) is a specialist in emergencies. He works on ambulances (I may be wrong, but, at least in Italy, there normally are no doctors on ambulances.... but allow us not digress...) On the same night of the stage above, Elena (Violante Placido), a volunteer trainee, is on his ambulance. The long night is over. They drop off the driver (?!?!?). Accorsi takes the wheel. Here comes the twist of the movie: a feat flying in the face of all possible possibilities of destiny. While they are driving on one of Rome's numerous bridges, they come across a driver coming from the opposite side who is, obviously, losing control of his car. Accorsi steers straight into the side of the bridge and off the bridge and into the Tevere (which, in this sequence seems as deep as the giant reef fault...). Incredible? Wait and hear who was the another driver... The same Leonardo who was not following his lane because he was receiving a call back from Emma after their idyllic encounter, none less. How is anyone possibly expected to search this even remotely admissible? Probably a question for Messers Contarello and Piccolo who authored this masterpiece of Screenplay.My final thought goes to the performance of Stefano Accorsi, an actor whom I have come to greatly appreciate in all his previous works. In this movie one needs to wait until the last stage in which he appears in a full frontal nude to realize his attributes. Unfortunately, not the artistic ones.


I really don't understand the harsh reasons to bash day by day this Placido's film. The method it's narrated it's articulated and elegant, far light years from the amateurishness of which is often charged the Italian cinema after the death of the "masters" Fellini, De Sica. Michele Placido, who directed the newest acclaimed "Romanzo Criminale", in "Ovunque Sei" re-writes the Town of Angels script with a brave key of supernatural meanings. Thought it seems a tiny bit difficult to follow in the early scenes (the method it's been edited requests an effort from the audience) but it's impossible not to be dragged by the emotions and the effusions spread between the two lovers, the mourning drama lived inside (it's a film not the reality!!) and the idea of an angel standing-by.Rather, it needs so much participation, share, by the public that folks who doesn't know the true sorrow because, lucky them, they never had to manage it, didn't involved at all inside this movie.All the four actors Accorsi-Bobulova-Placido-Dionisi are skilled and they prove to represent at its greatest the fresh Italian recitative class.


Will a departed husband hold on caring for his wife and child, long after he is gone? That seems to be the question asked by this Italian movie which we saw recently. Directed by Michele Placido, himself an actor, we are presented with a drama that takes a sort of magical twist that serves as perhaps a disorienting factor for viewers. The movie has been compared with "City of Angels" the 1998 American film with a theme that deals with a related subject. Matteo, a doctor at a huge Rome hospital, volunteers his time in his off duty hours to support the paramedics that ride the town roads to support folks facing life threatening situations. He is supposedly happily married to Emma, a neurosurgeon, who works in the same hospital. They play a nice living; they are obviously leading a satisfied life. But are they really? We have indications the relationship between Matteo and Emma has seen better times. Emma, after a hard operation, is visited by her colleague, Leonardo, whose intervention during the procedure almost crashed what the squad was trying to do. Leonardo clearly shows he is in love with Emma. He forces himself into having sex with her, despite her protests, making her feel poor for what she has done.Matteo, who also instructs students about emergency procedures, is clearly taken with Elena, the young girl that volunteers to go with him during one of his night tour at the ambulance. As they reply a call, going over one of the bridges over the Tiber, the car almost collide with a car, which is driven by Leonardo. In order to avoid the impact, the ambulance plunges into the waters where Elena tries to save them.The rest of the storyline shows how Matteo and Elena receive out from the water, staying away from contacting their families. The tragedy weighs heavily on Emma, who feels guilty about the sex she had with Leonardo, probably at the same time he was going under. The find for their bodies fail to locate the bodies, but Matteo's presence is felt in his apartment as he tries to search closure with his loved ones, especially tiny Ada, his beloved child, while at the same time, being constantly with Elena has other unexpected meaning.Michele Placido contributed to the screenplay with Umberto Contarello, Francesco Piccolo and Domenico Stamone. The film, shot mostly at night, takes an eerie feeling as it shows a Rome where most of us do not see. The cinematography by Luca Bigazi works well with the narrative as it gives an aura of nostalgia as well as darkness. Mr. Placido, an actor himself, gets nice all around performances from his cast. Stefano Accorsi is splendid as Matteo, showing his state of mind as he examines his life. Barbora Bobulova does justice to Emma, a girl in turmoil with the developments ahead. Violante Placido, daughter of the director is fine with her Elena, bringing her beauty and freshness to her role. Finally Stefano Dionisi plays Leonardo with assurance.



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