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Órfãos do Eldorado 2015
Description: A boy returns to his hometown and resumes a risky old affair...
Released: 12 Nov 2015 Director: Guilherme Coelho Writers: João Emanuel Carneiro (collaborating writer), Guilherme Coelho, Marcelo Gomes (collaborating writer), Milton Hatoum (novel), Hilton Lacerda, Aline Portugal, Letícia Simões Actors: Milton Aires, Adriano Barroso, Henrique da Paz, Daniel de Oliveira Genres: Drama, Mystery, Romance
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Órfãos do Eldorado Reviews:

'ORPHANS OF ELDORADO': Four Stars (Out of Five)A Brazilian detail drama film, directed and co-written by Guilherme Coelho (who's previously only helmed documentaries, before this). The film says the storyline of a boy who's losing his mind; while also dealing with the struggles of love, and family drama. It was adapted from the novel, of the same name, by Milton Hatoum. The movie stars Daniel de Oliveira, Dira Paes and Mariana Rios. I saw the detail at the 2016 Portland Movie Festival. I loved it's visuals, but I wasn't too impressed with the film's characters or story.The storyline takes zone on the Amazon, during the rubber boom, and it revolves around a boy called Arminto (Oliveira). Arminto returns home to his estranged father (Henrique da Paz); after some time away, and just before his passing. He's then expected to take over his family's business; while also dealing with the forbidden love of his life (Paes), and visions of other stunningly pretty girl (Rios). The entire time Arminto gotta also deal with severe mental illness, and harsh inner turmoil. The film is everytime breathtakingly pretty to look at; with grand sweeping shots of the superb river (and many another stunning visuals). The actors are cute as well (especially the women), but I couldn't really relate to any of the characters (especially Arminto). I like deep psychological studies, but I couldn't follow this one (at all). Maybe it's partially because I couldn't hold up with the film's subtitles. Still, the film is everytime great to look at; and well acted.Watch our film review present 'MOVIE TALK' at: https://www.youtube.com/watch?v=hIFMQ3xbt9g


This Brazilian film says the storyline of Arminto, the only son of a wealthy family who, after living years away, comes back to his hometown in the North when he receives news that his father was ill. Upon arriving, he is confronted with ghosts and secrets from the past, which take shape mainly in the figure of Florita, a housemaid who served as a lover to his father and second mother to himself. From the very beginning, director Guilherme Coelho opts for a slow narrative which, rather than being contemplative, almost paralyzes the movie by the lack of ease with which the characters interact with every other. The dialogues, extracted directly from the ebook on which the film was based, don't ring real on the screen and the moments of silence that follow in the middle of conversations turn into a succession of long pauses that not only break the rhythm but also dilute the impact and emotion of the scenes. This happens mostly in the first half of the movie. But even with clear flaws like these, the film is still able to grab our interest. There are a several reasons for that, but let's begin with the cast.Actor Daniel Oliveira is totally committed in the lead role and can create us suffer with the adventure of obsession and madness that Arminto goes through, even if the reasons for the drastic actions that the hero takes in the second half of the movie never become quite clear. However, it is actress Dira Paes who commands the screen with her presence.With physical traits and attitude typical from a native of the Amazon region, the actress (featured in the American movie The Emerald Forest, 1985) is simply mesmerizing from the first moment she comes into play. Incorporating a type of indigenous femme fatale, Florita exudes a nice seductive power not only because of her sexuality, but especially because of her powerful belief in the legends and myths of the Amazon, which she has instilled in the subconscious of Arminto since he was a child. When at one mission we see the actress in the dark, squatting and leaning vs the wall, the photo that instantly comes to mind was that of a jaguar, silent and sneaky, but whose wild look in her eyes makes it clear that she's just waiting for the right moment to attack. The incandescent relationship between Florita and Arminto is the emotional engine that keeps our interest until literally the last minute of the film.And if on one hand the director lacked the ability to decrease the literary language of the script, on the another there is no denying his immense talent to make breathtaking images. Since the enigmatic sequence that opens the movie to the harrowing final stage that requires the viewer to connect the dots for himself, the director proves to be extremely skilled at building an atmosphere that evokes the mysticism and mysteries of the forest but at the same time never fails to express the harsh reality of the method of life of the tiny communities along the river. Yes, the forest photos are beautiful, but they are surrounded by a constant atmosphere of decay and a growing sense of paranoia and madness. We are in a land of dreams, but at any moment the dreams can turn into a nightmare, and the director turns this threat into something tangible.The movie therefore left me deeply divided. I can not ignore its flaws, but I also can not deny the intoxicating result its photos and atmosphere had on me. This is one of those films that deserve a second visit, where the balance between its faults and its qualities can finally lean to one side. For now, I just remember an old telling that goes "...the unsuccessful attempt of some may be more spectacular than the win of others". At the very least, Orfãos do Eldorado is one of those failed attempts which nonetheless are quite spectacular.



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