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Ολα Είναι Δρόμος 1998
Description: Three stories dealing with three boys and their stance towards life, given their private background. All stories are held in Northern Greece (Macedonia and Thrace), covering all the spectrum from urban to rural settings.
Released: 13 May 1999 Director: Pantelis Voulgaris Writers: Giorgios Skabardonis, Pantelis Voulgaris Actors: Thanasis Vengos, Giorgos Armenis, Dimitris Katalifos, Kostas Kazanas Genres: Drama
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Ολα Είναι Δρόμος Reviews:

"Ola einai dromos" is a movie i enjoyed very much.Although the language and the cases it refers are Hellenic I think that the message of the film(three various boys and the method they view life) is international. The three main actors were nice (I especially enjoyed Vegos and Armenis ) and the script one of the greatest Hellenic scripts of newest times.I strongly encourage anyone who can see this film(I dont know if it has been translated)to watch it just for the joy of watching the actors.


Three stories taking zone in North Greece. So, OK, the first two are admittedly a bit weak, but they are strongly helped by powerful performances by two truly nice actors; in the first one, Dimitris Katalifos makes you feel the deep sorrow of the father who has lost his only son, and the stage at the village cafe is truly powerful; and in the second one, Thanasis Vegos (perhaps the all-time best Greek comedian, who in his old age has also shown a nice capacity in dramatic roles), delivers other fine performance, emphasized by the shocking ending.And then comes the third story...Giorgos Armenis is abandoned by his wife, who takes their kids with her. Overcome in the deepest degree with pain and sorrow, he goes to the cheap nightclub-brothel where he was a regular customer and there he goes to the extremes... Rarely has a Greek filmaker expressed such strong emotions as Pantelis Voulgaris in this one. And rarely has a Greek actor given such an wonderful performance as G. Armenis. Each look of his face, each word that comes out of his mouth makes the heart grieve and the eyes fill with tears. This one is a nice experience not to be missed.


This is one of the greatest Greek films I have seen in the last years. Three stories dealing with three boys and their stance towards life, given their private background. All stories are held in Northern Greece (Macedonia and Thrace), covering all the spectrum from urban to rural settings. Very solid scenario, unbelievable photography (especially the Delta of river Evros) and nice performances by all three protagonists. On the flip side, some minor problems are that a lot of cases appear artificial, without the atmosphere leading naturally to them and that the quality of the helping cast is generally sub-par (notable exception is the third story, more on that later).The first storyline is generally considered the weakest. I had the same opinion myself when I first saw this film when it came out, but seeing it again and from a various perspective I can actually tell it is equally pretty (whoever has served his military duty would really appreciate this one!).The second storyline is somewhat neutral until Veggos comes to the foreground. He takes this storyline on his shoulders and delivers a memorable performance. This storyline is mostly based on Veggos acting and Evros' Delta aquatic life, but I have to give a credit to the ending, which is unexpected and exceptional. And then we arrive at the third story, almost everyone's favourite and already elevated to "essential classic" status among Greek cinema lovers. It has the greatest ever representation of what in Greece we call "dog" clubs and are actually a cult phenomenon. The singers were true "dog" singers (remember Spyros Dimitriou - "Makis, you and I will never die", how cool was that!) and the songs true "dog" songs (which unfortunately weren't included in the film soundtrack). Unique credit to the authentic dog club feel, which is worked out to the very last head gesture. As the storyline progresses, it reaches lvls of supreme cult coolness. The very last stage rightfully makes it to the top-10 scenes of Greek cinema. And I don't think any another actor should enjoy the lead role with such a quality Armenis did. He was magnificent. In general, a film with depth and class. Far beyond classic no brainers, but still has some minor identity problems. I would recommend it to anyone lucky enough to search it.



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