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Description: A rich, young beauty, Louise Durant, follows the boy she loves and hopes to marry to Zurich where he studies violin at the conservatory. A piano student at the conservatory falls madly in love with Louise. The violinist loves his melody first and Louise second. The pianist loves Louise first and his melody second. Louise gotta ultimately select which boy she wants.
Description: Inspired by the explosive sex-for-sale scandal that rocked Manhattan in 1984, the infamous Sydney Biddle Barrows, a driven young socialite, opens an exclusive escort service catering to the wealthy and affluent. From Sydney's rise to become a million-dollar, modern-day madam to her notorious plummet into bankruptcy and public disgrace, experience a personal glimpse into the forbidden globe of high-class prostitution-where cash talks...pleasure sells...and discretion is everything.
Description: Toward the end of his life F. Scott Fitzgerald is writing for Hollywood studios to be able to afford the cost of an asylum for his wife. He is also struggling vs alcoholism. Into his life comes the popular gossip columnist.
Description: Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged true estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool?
Description: A six-hour long epic (original director's cut) about the life of Don Cossacs in a village in southern Russia between 1912 and 1922. The leading hero Grigori Melekhov is a rugged Cossac, who is torn between his first and real love Aksiniya, and his wife Natalya. Grigori Melekhov's private life is shown as a rough adventure through the experience of Globe Fight One, the Russian Revolution, and the following Civil War. The Cossacs are shown as traditional farmers and warriors, who are suffering through the most dramatic happenings in the history of Russia.
Description: Jamie leaves the children's home to live with his paternal grandmother. After working in a mine and in a tailor's shop, he is conscripted into the RAF, and goes to Egypt, where he is befriended by Robert, whose undemanding companionship releases Jamie from self-pity.
Description: When Jamie's maternal grandmother dies, he and his brother Tommy are separated - Tommy is taken off to a welfare home and Jamie goes to live with his another grandmother and uncle. His life is far from happy, filled with silence, rejection and bouts of violence.
Description: Deaf dancing man meets troubled rocker chick in a Baguio camp for Deaf and hearing children where search that they have more in common with every another including a love for music.
Description: In this erotic thriller (Vittoria Bellevedere) is cast as the stereotypical evil girl who charms innocent boys with her physical attractions and then destroys them like a praying mantis munching on her unfortunate mate, head first, just after their sexual union. Unlike the female mantis, this girl slowly ruins the life of the boy she has seduced instead of finishing him off instantly - providing fodder for the film, and scenes reminiscent of Fatal Attraction and Primary Instinct.
Description: Jesse finds himself struggling to receive his job back as the Paradise police chief, and he is forced to rely on his cop intuition to sort through a maze of misleading clues and hidden meanings as he attempts to solve a shocking and horrifying mob-related double homicide.
Description: Eleven-year-old Elisa (Claudia Pons) lives with her father (Hans Richter) in Spain following the breakup of her parents. Elisa goes to a fair with her father, and meets one of his mates (Jordi Gracia), a successful jeweler. Days later, a change comes over Elisa -- her mother (Lydia Zimmermann) notices she seems distant and withdrawn, and her teacher (Pep Sais) watches as she grows disinterested in her studies and her grades drop dramatically. Fourteen years later, Elisa (now played by Aina Clotet) is a grown girl who suddenly and unexpectedly recalls the traumatic happening changed her life when she was a girl...
Description: An anthology movie drama featuring a poetic mirror structure based on existential identity. In "The Immortals," adapted from a Helder Prista Monteiro play, two popular doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. "Suzy," from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. "Mother of the River" is from an Agustina Bessa-Luis fable about eternal life.
Description: England, 1932. Today is Dolly Thatcham's wedding day, and her family is arriving at the manor house with all the cheerfulness, chaos and grievances that accompany such gatherings. Problem later appears in the shape of Joseph, Dolly's lover from the previous summer, who throws her feelings into turmoil. But Dolly's mother will not let her carefully laid plans for her daughter's future to be threatened...
Description: A girl who believes she has been selected by God to heal folks is taken in by a greedy promoter and his shrewish wife to create the rounds of the rural South - she to save souls and heal the sick, he to create as much cash as he possibly can.
Description: Based on an acclaimed, famous historical novel by Dacia Maraini, this 18th-century set costumer follows the journeys of a deaf-mute noblewoman who strives to escape her dark past and the social conventions that force her to remain married to a boy she detests. The storyline starts when the already speechless game duchess is 12 years old. In hopes of shocking her back into speaking, her grandfather takes her to a hanging. The causes of Marianna's affliction are revealed slowly as the storyline progresses, but the entire truth is not revealed until the end. Though she is much loved by her family, they still force her to marry her ancient uncle when she is only 13. Her wedding night is horrific as is the birth of her first daughter. Her husband is desperate for an heir so she is forced to endure his unwanted attentions until she is finally able to bear him a son. Despite her oppressive life, Marianna is able to search freedom in subtle ways.
Description: A young employee of the British State Department falls in love with the daughter of a top Russian diplomat, much to the panic of their respective countries' officials, who suspect espionage. The cast contains David Knight, Odile Versois, Theodore Bikel and David Kossoff.
Description: The mesmerizing storyline of a young girl's romance with God. Her faith, trials, and sacrifices reveal a method of life based on love and simplicity. A contemplative movie based on the real storyline of Saint Therese of Lisieux, the most famous saint of modern times.
Description: Alex,Gabi and Oki, three teenagers living in a large city, are fully unknown to their parents, to their teachers and for themselves. Their emotional isolation, led to the limit, will have unexpected and poor consequences that will shake society.
Description: Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) vs the backdrop of the January Uprising of 1863 and Globe Fight I. The movie is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic ver is a condensation of the 12 part award winning TV serial of the same game and using the same cast and producers.
Description: Sky Hook (Serbian: Nebeska udica) is a 2000 Yugoslavian movie directed by Ljubiša Samardžić. It was Yugoslavia's submission to the 73rd Academy Awards for the Academy Award for Greatest Foreign Language Film, but was not agreed as a nominee.
Description: Drawing inspiration from the death-squad murders of few Gypsy families in Hungary in 2008, director Bence Fliegauf's chilling and unforgettable real-life horror storyline follows a family whose dreams of emigration and escape are suddenly, horribly destroyed.
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On paper the synopsis of this second film by Léa Fazer ("Bienvenue en Suisse") looks very exciting. Indeed, this is the storyline of Margot and Victor, a couple of lawyers working for the same law firm, said twice, the storyline varying according to the premise that either he or she has been promoted to the rank of associate to the manager. This is of course not the first time that the device of two (or more) alternative realities has been used but seeing one alleged "reality" from few various angles is everytime thought-provoking. That's why I expected much from "Notre Univers impitoyable".To say the truth, my feelings after viewing the film, are mixed. I didn't really disliked it but I was a bit allow down, possibly simply because I had had too high expectations. Or else because the complete product delivered less than it promised. It is up to the reader to decide.There is no reason to complain about the acting. The star couple Alice Taglioni & Jocelyn Quivrin (a real-life couple, the trendy thing to do of late!) is okay and Thierry Lhermitte just excels as the villain of the piece. He has a knack for underplaying the despicable characters he is wont to enjoy that now enhances their sins. But the two actors who shine here are Pascale Arbillot as the unstable Juliette, Margot's single mother sister, and Scali Delpeyrat as Margot and Victor's shy colleague.There is also a fine satiric edge and the construction IS original, as the storyline changes course whenever one of the two heroes begins wondering how things should have been had HE or SHE been the selected one.And yet, despite these undeniable qualities, the effect is not wholly satisfying. The reason, to my mind, is that the method Fazer tackles her topics remains somewhat shallow. She all too often resorts to clichés (Margot serving coffee, Victor and his Maserati), which is a waste of time. On the another hand she does not go deep enough into the method a law firm functions. The working environment is examined to greater length and to better result in contemporary French movie like "No Smoking", "Violence des Echanges en Milieu tempéré" or "99F".All in all, not a masterpiece but a rather enjoyable flick for all that. Léa Fazer will certainly do better if she manages not to remain on the surface of things next time.
Within the same time, zone and actors, two various stories are said between fast shifts of the two scripts. Not everytime very clear,yet very well played by most of them. The struggle of family vs. successful work and wealth is a bit "ingenue", but keeps your attention. A "divertisement". The cinematography/ photos were of the greatest I've seen of late. And the melody matched what the camera shows quite well. At first, its beauty is dazzling. But in the end, it begins to sound menacing, cold and distant. La Défense seems like their apartment, their clothing, and probably their marriage: minimalist, perfect, and yet devoid of life. Sociology: There is a striking contrast between the small, overcrowded and anonymous famous flat Margot's parents inhabit. Theirs is a life more ordinary, like her sister's. But her parents seem satisfied in their marriage, or at least content. Whereas all the movie shows "how unhappy brash young and very successful cadres can be" unless... That's why I think the movie is written by, well, somebody who obviously doesn't like large companies, and who consequently casts some empathy on "love vs work". Consequently, all the movie is a situation in mission for the director's sensitive view: "a return to primary values". Depicted in modern terms, with cheeky melody in the end, but a XIX century morale, romanticism and all that. Alice Taglioni is very beautiful, I'm glad she didn't pursue a career as a pianist :). Her beauty is rather cold, but effective in what the director wants to show. Jocelyn Quivrin is fine specially as the "winner" of the job. Their secretary Éléonore has one of the greatest lines when she stops Victor in his tracks from leaving her wife for a mirage, a lover whom he idealizes because "she doesn't contradict him and has nice sex". Cutting but real!Obviously Lhermitte is nice at whatever he does, and in here, although I'd have liked to see a bit more of his manipulations, he does the despicable but able manipulator swiftly as usual. Maître Bertrand Lavoisier is probably the most likable character, the IMDb reviewer guy-bellinger was right of writing that. I accept to what he tells about the director Fazer resorting to clichés too often. The movie seems like a work made by a young author, still fighting with private issues, forcing contrasts to "make the point". Given this Swiss director is very young, I think it's not impossible to want she'll accomplish cutting portraits of social classes like, say, Claude Chabrol's.
You can almost hear the storyline conference; okay, we got these two actors who work well together, lotsa chemistry, lotsa laffs, all we need is a car ... I know, let's create them lawyers. That works for me but what about the conflict ... hmmn that's a toughie ... wait, I got it ... they both take the same case, one defends, one prosecutes and this leads to problem at home. Fantastic, they'll be beating a path to Loew's State when it goes on release. And so, between them, Ruth Gordon and husband Garson Kanin, with a tiny input from George Cukor, fashioned a screenplay they named Adam's Rib and they tailored it for Katherine Hepburn and Spencer Tracy and their prediction was right on the money, it cleaned up. Thing is, that was back in 1949 and here's Lea Fazer taking that same primary premise of two married lawyers and putting a tiny spin on it by having them compete for the same higher job within the company. Had she said it in straightforward style she might have had something, after all, it did all right 65 years ago, but she had to receive fancy and begin switching viewpoints. Okay, Alice Taglioni is nice to look at, Thierry Thermitte never turns in a terrible performance but that, alas, is not quite enough.
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