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Night on Earth 1991
Description: An anthology of 5 various cab drivers in 5 American and European towns and their remarkable fares on the same eventful night.
Released: 12 Dec 1991 Director: Jim Jarmusch Writers: Jim Jarmusch Actors: Gena Rowlands, Winona Ryder, Lisanne Falk, Alan Randolph Scott Genres: Comedy, Drama
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Night on Earth Reviews:

In the early 90's Jarmusch delivered this charmer, a film that unites America and Europe through one single topic, yet shows very various versions of it.At probably the exact same moment folks around the world receive into taxis. A ellegant Hollywood casting agent mounts a cab in L.A., in Fresh York it's a hapless terrible boy trying to receive home, in Paris we encounter a blind woman, in Rome a priest and in Helsinki a bunch of drunks will say their story. Yes, indeed. Stories are told, because every episode is an encounter with the respective cabbie, who all have a life and a past of their own.Wynona Ryder's performance of the 20-year-old, chain-smoking taxi driver does not work very well and also makes for the least interesting story. But Armin Müller-Stahl as an East-German refugee and former clown, who is awe-struck and belittled by the bustling NYC around him makes up for a lot. His helplessness when trying to communicate with his passenger, played by Giancarlo Esposito, almost becomes tangible when it manifests in his finished inability to steer the taxi. Within very several mins the two boys develop an utterly deep and good-humored believe and friendship between them. I'd call it the funniest portion of the movie, but in Rome we encounter Roberto Benigni as an everytime talking, sex-obsessed cabbie. His is the storyline we receive the least emotional or intellectual outcome from, but, hey, welcome to the Benigni Show! If you are open-minded enough to laugh about a several surprises in the field of sexual experimentation (which we don't see but only hear described without too much detail), this one will stay with you as one of the brightest twenty mins in your life. Before Rome we visit Paris with the most mysterious, yet most catching segment, a curious storyline about the afore-mentioned blind girl and a black cab driver, who - we can't be sure - might be going blind himself (he's very short-sighted and therefore has issues with driving his taxi) and has a lot of questions to ask. The woman, however, is not interested in conversation, yet we receive the impression she opens up more than the driver realizes. In Helsinki a group of drunks say the storyline of their sleeping friend's worst day. The cab-driver listens to it. It's a poor storyline about a horrible predicament and the terrible fellow's life basically lies in ruins. And yet the cabbie tops the storyline with one of the saddest things you'll ever have heard.The idea of the film thinks of night as a zone rather than a time, because all of the stories start at the same moment in time but in various time zones. We transport east in the process of the movie and so we experience sunset in Los Angeles and early morning in Helsinki. Every of these times lends a unique atmosphere to the storyline it tells, which becomes the most effective in the Helsinki story, which is utterly sad, however ends with a fresh day starting. Folks leave their territories and go about their lives - the globe moves on, none of the stories has an ending, life for every of the characters (except one) will continue.What's so nice about this film is that it says such various stories with such various characters who all have various pasts and intentions, every accommodating the zone of action (even visually - in L.A. even the buildings appear to be candy-flavored, while in Helsinki the town is cold, drab, yet hopeful) and it all comes together to this large picture, which reminds us that we are all various but all live on the same planet and know related things about life, death and everything in-between. I wonder what this film would have been like, if Jarmusch had also considered taxis in non-western countries.I highly suggest this film to anyone who... Oh, blast! I suggest this film to everyone.


It's not that this film is non stop laughs, but just that it is so smart and such clever humor. It's got a intelligent premise about five short stories involving cab rides in various cities, but it's the specific cases that will crack you up. One after another, they are all hilarious. Roberto Benini's stage had me laughing out loud, and that never happens. The only sketch that wasnt so nice was the opening one with Winona Ryder. Everything that followed it rocked and impressed the hell out of me. A smart comedy. not too many of those.


Jim Jarmusch does an perfect job in creating hero conflict and intriguing, realistic dialogue. But what I admire most in this film are the opening scenes of each segment. He knows how to capture the essence of each town and how to establish mood. National Geographic has nothing over Jarmusch's photographic talent.All segments are well written and tie in with the respective towns that are the back drop of the film: LA, NY, Paris, Rome and Helsinki. The Helsinki segment is the most depressing and it's type of a bummer that the film had to end on that note. The Paris segment steals the show. Wonderful camera work and terrific dialogue.Overall, the film gave me a renewed appreciation for cinema. Thanks Jarmusch.



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