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Description: An old Chinese boy rides into the city of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.
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Description: Jaane Tu... Ya Jaane Na (translation: Whether you know... or not) is a 2008 Indian romantic comedy film, written and directed by Abbas Tyrewala. The movie stars Imran Khan and Genelia D'Souza in pivotal roles. Produced by Mansoor Khan, Aamir Khan, it marks the directional debut of Abbas Tyrewala, the debut of Imran Khan (Aamir Khan's nephew) and Prateik Babbar as actors, and the re-appearance of D'Souza in Hindi cinema. Released on 4 July 2008, the movie received positive reviews, and went on to become a Super Hit at the box office. The melody is by A. R. Rahman.
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**Some Spoilers**Having lead a very organized life since she suffered a string of emotional and private disasters in trying to establish a relationship with the opposite sex English proof reader Sarah Winston, Jennifer Beals, has built an imaginary Berlin-like wall between herself and the rest of humanity.Tuning out her emotions for those she's in contact with Sarah has became a cold and unfeeling person not only towards those she deals with but even her only companion a pretty tiny mutt whom she called Shakespeare. The dog not being as excellent as she expects him to be, he does his business on the carpet and chews up the upholstery, is sent back to the pound to either be readopted or place to sleep.Looking out her window Sarah spots a number of folks assembling to attend a local AA, Alcoholic Anonymous, meeting next door. Spotting this sensitively handsome-looking young boy among those attending the meeting Sarah is instantly attracted to him. It takes a while but Sarah finally gets up enough nerve to meet her dreamboat and attends a AA meeting where she ends up sitting next to him. It turns out that the guy that Sarah is in love with, from afar, is Charlie Patterson, Peter Overbridge. Charlie is a recovering alcoholic who's there at the meeting with his teenage son Kit, Gerald Funk, who's also in the process of kicking his alcoholism.Having no problem at all striking up a conversation with the very friendly Charlie Sarah quickly becomes part of his crowd of AA members even though, unknown to Charlie & Co., she has no drinking problem. Concerned about her "alchoholism" Charlie as well as his son Kit, who's mom left him and Charlie when he was two, test to receive Sarah off the sauce not knowing that she probably may have an even more acute disease then drinking; Trying to strike up a relationship with Charlie and his mates by using their sickness, alcoholism, as cover in her being a fellow alcoholic.Toching and effective film about a lost soul in the wilderness who finds her method back to society by becoming involved with folks who have, for the most part, bigger issues then she has. Seeing what recovering alcoholics go through turns Sarah into the type feeling and giving human being that she abandoned years ago. Everytime there for her mates when they required her, in one situation preventing a distraught AA member from blowing his brains out, Sarah's secret in not really being an alcoholic in the end became her own undoing. Charlie who fell madly in love with Sarah and wanted to support her recover is flabbergasted when he finds out the truth and is almost driven back to the bottle because of it! It takes as much, maybe even more, courage for Sarah to stand up in front of a room full of recovering alcoholics, including her friends, as an alcoholic confronting, in public, his or her alcoholism in Sarah admitting her duplicity in using their addictions to improve her social life.In the end it, by coming clean, turned out to be the greatest thing that Sarah even did. It not only made her a better person with those that she came to know and love at AA but those, including her tiny dog Shakespeare and estranged younger sister Olivia (Sarah Edmondson), that she so mistreated and was cold to before she ever go involved with Alcoholics Anonymous.
Ordinarily there's a certain expectation from 'made-for-TV' movies. This one, with the always-lovely Jennifer Beals, was marvelous. Her beauty and range of emotion...sometimes carrying scenes with a glance or a facial expression...tipped the scales for me. The interplay between Sarah and her 'love' was sweet throughout, and it was pretty to see a couple's relationship grow slowly rather than race to a fast end. The final scene, without giving anything away, was just as you'd like the film to end.'Sarah's' surrounding cast was fabulous, but Jennifer's starring role was even more so. Three cheers for the movie, and unlimited cheers for Jennifer.
I watched the film tonight and truly loved it. So much so, that when it was over, I looked to see who the creator was so I should say her how much I enjoyed the movie. It was so different, yet so real, and so beautiful. Thank you Julie Brazier for writing this storyline and whoever made it into a film for television, thank you too. Also the actors did a unbelievable job. The only face I recognized was "Sarah"...but all did an perfect job, including the tiny parts. As I wrote that sentence I recalled something I was said when I was in my 1st play. There are no tiny parts, only tiny actors. This film had a host of unbelievable actors doing a marvelous job portraying a storyline that really reached out to the viewer. I just wanted to tell thanks again. I went on the internet to see if she had written any another films or maybe a book. I found this site, so I hope word gets to her to allow her know how much I enjoyed her movie.
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