See Mozart Le Nozze di Figaro Salz.
See Mozart Le Nozze di Figaro Sa.
See MOZART - "Le Nozze di Fig.
See MOZART - LE NOZZE DI FIGARO 17.
See Teodor Currentzis records Moza.
See W.A.Mozart: Le nozze di Figaro.
See W.A.Mozart: Le nozze di Figaro.
See Le Nozze di Figaro: "Cinq.
See Le Nozze di Figaro: "Veni.
See Mozart, Le Nozze di Figaro (Gl.
Description: Brian Wilson and the men of summer add a pinch of down-home twang to their classic harmonies with the support of country music's finest. In this 1996 recording session for the album "Stars and Stripes," The Beach Men rework 12 of their songs, including "409" (with Junior Brown), "The Warmth of the Sun" (with Willie Nelson), "In My Room" (with Tammy Wynette), "Don't Worry Baby" (with Lorrie Morgan), and "I Receive Around" (with Sawyer Brown).
Description: Acclaimed soprano Edita Gruberova stars as the game hero in this 1996 production of Gaetano Donizetti's "Linda di Chamounix," featuring the Orchestra and Chorus of the Zurich Opera House under the direction of conductor Adam Fischer. Secretly in love with Viscount Carlo (Deon van der Walt), Linda goes angry when she learns a marriage to other girl has been arranged for him. Jacob Will and László Polgár also star.
Description: Hip-shaking heartthrob Ricky Martin was a prime architect of the "Latin explosion" that blindsided pop melody in the late 1990s. In this concert at Fresh York City's Liberty State Park, Martin tears through his hits, including "La Vida Loca" and "La Copa de la Vida," and melody icons Carlos Santana and José Feliciano join Martin onstage. In behind-the-scenes footage, the singer discusses his meteoric rise to fame and expectations for the future.
Description: Grammy-winning composer Michael Kamen delights fanatics with his Concerto for Saxophone featuring David Sanborn and the National Philharmonic Orchestra. Unique guests contain Eric Clapton, George Harrison, David Gilmour and Ray Cooper. The late Kamen was popular for his collaborations with bands Pink Floyd, Aerosmith and Metalica as well as for his work on songs for the movies Mr. Holland's Opus and Robin Hood: Prince of Thieves.
Description: Released in 2004, I'm Only Looking is a two-disc compilation DVD by INXS. The set comprises Disc One which includes a number of official videos with commentaries for their most popular hits, and Disc Two which details a number of remastered live and studio rarities.
Description: The singer-songwriter performs acoustic versions of his best hits alongside long-time collaborator Richard Tandy at his studio in Los Angeles. Featuring Electric Light Orchestra tunes including Evil Woman, Telephone Line and Showdown.
Description: Near excellent quality proshot footage of Jethro Tull, From the Hippodrome, in London England, on February 10th, 1977. Total running time is 57 minutes, quality is about 9/10, and details the following tracks: Skating away on the thin ice of a fresh day Jack in the green Thick as a brick Songs from the wood Velvet green Hunting woman Aqualung Guitar solo Wind up Locomotive breath
Description: Scotty Moore is joined by some of the world's best guitarists in this concert honoring Elvis Presley. Moore, the King's first guitarist, leads this stellar tribute featuring jams by Eric Clapton, David Gilmour, Tag Knopfler, Bill Wyman, Ron Wood, Steve Gibbons, Mike Sanchez, Albert Lee and Paul Ansell. Held in 2004 at London's Abbey Street Studios, the concert showcases 27 Elvis classics. Extras contain interviews and rehearsal footage.
Description: Formed in Scotland in 1968, Nazareth became an international sensation in the mid 70s with the release of their difficult rock revamp of "Love Hurts", a ballad originally performed by the Everly Brothers. "Nazareth: From The Beginning" is a collection of rare and unreleased performances, hit melody video compilations and a memorabilia gallery narrated by the band's original guitarist Manny Charlton. BBC Sight & Sound Concert 1. Introduction By Manny Charlton 2. Telegram 3. Razamanaz 4. I Wish To Do Everything For You 5. Night Woman 6. Born To Love 7. Love Hurts 8. Kentucky Fried Blues 9. Expect No Mercy 10. This Flight Tonight 11. Whiskey Drinkin' Woman 12. Hair Of The Dog 13. Encore: Teenage Nervous Breakdown Premium Features: Videos 14. Zone In Your Heart (1977) 15. Shot Me Down (1977) 16. Whatever You Wish (1977) 17. May The Sun Shine (1978) 18. Vacation (1980) 19. Dream On (1980) 20. Animals (1980)
Description: Concert Recorded In 1992 (released 1999). Tracklist 1 Bye Bye Blackbird 2 Makin' Whoopee 3 It Gotta Be Love 4 The Last Possibility Texaco 5 Up From The Skies 6 Dat Dere 7 I Won't Grow Up 8 Don't Like Goodbye 9 We Belong Together 10 Coolsville 11 Easy Cash 12 Moon Is Made Of Gold 13 Love Is Gonna Bring Us Back Alive
Description: Although he only had three Top 10 hits, Jerry Lee Lewis is considered one of the most influential artists of the early days of rock 'n' roll. Experience the talent and energy of this rock pioneer with this mix of 1969 concert footage and clips of his frenzied, acrobatic performances from the 1950s. Headlines and footage say of Lewis's rise to fame and subsequent plummet into scandal (with his marriage to his 13-year-old cousin).
Description: Relive the 1980s with hair metal band Nice White through this hard-rocking melody video collection, which contains such creature hits as "Once Bitten, Twice Shy," "Rock Me," "Mista Bone," "House of Broken Love," "Babe, I'm Gonna Leave You" and more. This thoroughly entertaining set of videos, which details some of the hottest babes and coolest vehicles of the era, is a must-see for real Nice White fans.
Description: LIVE AT THE WHISKY is a Live CD/DVD pack from Stryper, recorded by the original line up at a SOLD OUT present in November 2013 at the globe popular Whisky A Go Go in LA. The present was captured during a run of dates in help of the release of the band's recent studio album, NO MORE HELL TO PAY, the album that marked Stryper's highest Billboard chart entry since their landmark 1986 album, To Hell With the Devil and which was universally considered a return to form by the band by both fanatics and critics alike.
Description: DVD ONE 01. Large Barn Bed, 02. Blackbird/Bluebird/Michelle/Heart Of The Country, 03. Mary Had A Tiny Lamb, 04. Tiny Girl Love/C Moon, 05. My Love, 06. Uncle Albert, 07. Pub Sequence, 08. Must Sing, Must Dance, 09. Live And Allow Die, 10. A Beatles Medley, 11. The Mess, 12. Maybe I'm Amazed, 13. Long Tall Sally, 14. Yesterday, 15. Blackbird/Bluebird/Michelle/Heart Of The Country 2006 remaster, 16. Hi, Hi, Hi - from UK TV Broadcast
Description: Witty, new and immediately successful, Vampire Weekend has “streamlined ska, post-punk, chamber melody and Afropop into a glorious ultramodern groove” (Paste). This March evening, the band made its Austin Town Limits debut with songs from their recent album Modern Vampires in the City.
Description: Perfect quality FAN-PRODUCED audience recording of Ringo Starr, recorded live at Radio Town Melody Hall, in Fresh York Town on July 7th, 2010. DVD has a total running time of 112 minutes, and quality is about 8/10. Track listing is as follows: It Don't Come Simple -RINGO Honey Don't - RINGO Select Love - RINGO Hang On Sloopy (Rick Derringer / The McCoys) Gratis Ride (Edgar Winter) Talking In Your Sleep (Wally Palmar / The Romantics) I Wanna Be Your Boy - RINGO Dream Weaver (Gary Wright) Kyrie (Richard Page / Mr. Mister) The Another Side Of Liverpool - RINGO Yellow Submarine - RINGO Frankenstein (Edgar Winter) Peace Dream - RINGO Back Off Boogaloo - RINGO What I Like About You (Wally Palmar / The Romantics) Rock and Roll, Hoochie Koo (Rick Derringer) Men - RINGO Love Is Alive (Gary Wright) Photograph - RINGO Act Naturally - RINGO With A Tiny Support From My Mates - RINGO / ensemble Give Peace A Possibility - ensemble Birthday - Ringo & Paul McCartney
Description: It’d be a tough task to search a festival with a bigger 24 hour stretch than day 2 at Ultra 2013. One of the many large artists to grace the main scene was the everytime electrifying Knife Party, who quite literally destroyed us all with lazers on their method to dropping one of the most energetic sets at Ultra.
Description: Dylanesque is a 2007 album by Bryan Ferry, the former lead vocalist for Roxy Music. The album consists covers of Bob Dylan songs. As of 11 July 2007 it has sold 11,985 copies in the US and has reached the Top 10 on both United Kingdom and Swedish album charts.
Description: Bête Noire (French for "black beast" meaning pet peeve) is the seventh solo studio album by Bryan Ferry, the former lead vocalist for Roxy Music. The album was released in November 1987 on Virgin Records in the United Kingdom and E.G. in the United States, two years after Ferry's successful album, Men and Girls. This was Ferry's second solo album since the second demise of Roxy Melody in 1983, four years earlier. The album was a commercial and critical success, peaking at No. 9 in the UK.
Description: DVD 1 - Brixton Academy, London - Thursday, 11 November 2004 "Hiding All Away" "Messiah Ward" "Easy Money" "Supernaturally" "The Lyre of Orpheus" "Babe, You Turn Me On" "Nature Boy" "Get Ready for Love" "Carry Me" "There She Goes, My Pretty World" "God Is in the House" "Red Right Hand" "The Ship Song" "Stagger Lee" DVD 2 - Hammersmith Apollo, London - Saturday, 7 June 2003 "Wonderful Life" "Nobody's Baby Now" "Bring It On" "Sad Waters" "Watching Alice" "Christina the Astonishing" "Wild World" Premium Materials, Promotional Videos on DVD 2 "Bring it On" "Babe, I'm on Fire" "Nature Boy" "Breathless" "Get Ready for Love" "Abattoir Blues/The Lyre of Orpheus", a short movie
Description: In this musical set in swingin' Manhattan, an heiress plans a ballet in the popular Moonbeam ballroom located atop a 100-story skyscraper. Unfortunately, the attending audience is quite bored until someone begins the zone swinging. Musical numbers include: "Blame It on the Rhumba," "Where Are You?" "Jamboree," "Top of the Town," "I Feel That Foolish Feeling Coming On," "There's No Two Methods About It," "Fireman Save My Child"
Description: The Metropolitan Opera's performance of "Hansel and Gretel" details melody by Engelbert Humperdinck and is conducted by Thomas Fulton. The Met's storybook production cheerfully evokes a magic globe of woodland sprites and candy dreams and yet brings as well the whole apparatus of Wagnerian melody and drama to bear on a German fairy tale. This production is sung in English, and details the Metropolitan Opera, Chorus, and Ballet.
Description: In May 1998, Johnny Mathis -- who ranks as one of the most cherished singers in America -- filmed an installment of the Emmy-winning series "Live by Request" in Fresh York City. Throughout the evening, fanatics named in to hear the legendary songs he's turned into hits over his long and illustrious career. Tracks contain "Wonderful! Wonderful!" "Chances Are," "I'm Coming Home," "Misty," "It's Not for Me to Say," "Stranger In Paradise" and many more.
Description: In the 1960s and 1970s, German tv showcased some of the top musical acts from around the globe on the tool "MusikLaden" (Beat Club). Featured are one of those acts -- the rock group America -- in a full-length concert recorded in 1975. The band plays some of its most famous hits here, including "Horse with No Name," "Ventura Highway," "I Need You," "Lonely People," "Don't Cross the River," "Tin Man" and "Rainbow Song."
Description: Rock legends the Moody Blues have been sharing their melody with listeners for more than 40 years. This definitive documentary says the storyline of one of the world's most successful bands, from their early days as a British R&B group to their show incarnation. Packed with vintage and fresh interviews with band members, rare photographs, previously unreleased archival footage and early promos, this collection will delight fanatics of the enduring band.
Description: San Sebastian, Spain, 1984 Video Source: This DVD includes the TV footage from the Mike Oldfield concert in San Sebastian (Spain) in 1984, with a spectacular photo quality, since it comes for the first time ever from the original master recording, transferred to DVD. Tracklist: 01 - Platinum III-IV 02 - Tubular Bells Part II 03 - In High Places 04 - Foreign Affair 05 - Mount Teide 06 - The Lake 07 - Five Miles Out 08 - Crystal Gazing 09 - Tricks Of The Light 10 - Discovery 11 - Saved By A Bell 12 - Moonlight Shadow
Description: Slayer at Nürburgring, Nürburg, Germany Disciple Stain of Mind Chemical Warfare Hell Awaits Mandatory Suicide Fight Ensemble Blood Red Dead Skin Mask Present No Mercy Raining Blood South of Heaven Angel of Death
Description: Live In São Paulo is the second live album by Brazilian massive metal band Sepultura. All the tracks were recorded on April 3, 2005, at a concert in São Paulo, Brazil. A DVD was also filmed at the show. The performance of "Refuse/Resist" was released as the single for the album. Both were released on November 8, through SPV Records. The album and DVD are the second time that fanatics can hear singer Derrick Green perform Maximum Cavalera-era Sepultura songs on an official release. A live ver of "Roots Bloody Roots" featuring Green was released as a premium track on Nation.
Description: Tony Bennett and Lady Gaga: Cheek to Cheek Live! is an American concert tv unique featuring live performances by Tony Bennett and Lady Gaga in help of their collaborative studio album, Cheek to Cheek, released in September 2014. It was held at the Rose Theater of Lincoln Center for the Performing Arts in July following the announcement of the album's release, and was aired on PBS on October 24, 2014, as part of the network's Nice Performances series. The concert was watched by an audience consisting of invited guests and students from Fresh York schools. Bennett and Gaga were joined on scene by 39-piece orchestra and jazz musicians associated with both artists.
Description: Conrad In Dreams Tiny Things I Forget Where We Were Rivers In Your Mouth Time is Dancing Evergreen She Treats Me Well End of the Affair Oats in the Water The Fear All Is Actually Harmed Encore: Everything
Description: Charlotte spends the night with her ex-boyfriend, philanderer Kristof, while having an affair with her French lit professor Frederik. The resulting chaos might interfere with a life-altering happening for Charlotte.
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This Met production had much going for it- that the opera is not only one of Mozart's greatest but also one of to me the best operas; that it was directed by Richard Eyre who did such a nice job with Werther last season; that it had an immensely talented cast(including Ildar Abdrazakov, Marlis Petersen and Peter Mattei) and that James Levine was conducting. And the production lived up to each bit of potential it promised and more, it is one of the greatest Figaros I've seen and one of the greatest opera productions seen recently. It's also better than any of the productions from last season, which was a consistent in quality season overall and in a nice way.So what was it about this Le Nozze Di Figaro that made it as wonderful as it was? Well that it was hugely entertaining and involving the whole time was a large factor. The comedy- some of it broad, some of it subtle- is just hilarious and in a method that never loses the spirit of the opera while making it relevant now. This is especially real in Act 2, which is from private view has everytime been the funniest and most eventful of the four acts, even the subtitles are a riot as well as the sparkling interplay between the performers(one of Eyre's strengths in his direction and one of the strengths of the production too). The production also has a surprising amount of depth too, the final ensemble is as tender and emotional as you can get, and the count should have just been an arrogant bully but the production strongly gives the notion that he is that but also a conflicted hero who is not entirely sure what he wants.The staging is very witty and inventive(without being overly so), maintaining all the opera's themes while also succeeding in making them and the humour actual within the setting and today's standards. The staging of the Overture was clever, it should easy not have worked but nice test is made of the revolving sets and it sets up the storyline really well. The large ensemble at the Act 2 is hilarious and Dove Sono is affectingly intimate, how I felt the Countess's pain in this aria. Only one touch didn't quite come off as well as it should have done, and that was right at the end of Act 2 with the singers' "fourth wall" moment that felt out of zone and makes one question what purpose it had for being there. The revolving sets are smoothly transitioned(no overlong stage changes thank goodness) and look beautiful, even if the Act 4 garden setting doesn't really look like a garden the visuals are still attractive. They evoke the early 30s setting(where the production is set) most evocatively, and the same can be told with the costumes that fitted the characters and their personalities very well, especially with the Countess and the Count.Musically it's even better, with near-faultless orchestral testing that shows perfect style, continuous energy and the textures and phrasing sound great. The chorus' role here is not large but they sounded well-rehearsed and balanced and looked committed. James Levine's conducting is one of the production's many highlights, he takes nice care accommodating the needs of the performers/singers but his mostly quite brisk tempos give the unbelievable melody a true verve that was maintained from begin to finish. This is mentioned a lot by me but only because it's necessary for a conductor to do that. That said, the slow tempo for the ending forgiveness stage is perfect, it is a sublime passage(one of Mozart's most sublime in fact) that needs plenty of line and space. And line and zone this stage had that most likely would not have been achieved faster.Performances here are exceptional especially from Marlis Petersen, whose Susanna is essentially the glue of the story, she plays with a nice deal of charm and shrewishness(more so than most Susannas) and her singing has an appealing plushness. Loved her sly vocal expression which provided a lot of the production's humour too. Peter Mattei is also a standout, his voice is rich in an incredibly warm method and his Count is menacing but also, as seen in some of his saying facial expressions- like at the begin of Act 3-, conflicted as well. Ildar Abdrazakov is dashing and hearty as Figaro and sings sonorously and flexibly, a voice that is capable of roles like this and heavier roles(like his outstanding Prince Igor last season). Isobel Leonard proves herself to be a velvety-voiced and musical singer and she captures the boyish teenage angst of Cherubino brilliantly, like with the awkward walking in heels in Act 2. Amanda Majeski is a deeply moving Countess while showing some moments of steel, her voice is of an appealing timbre if more in her full middle register than her occasionally wiry top.Suzanne Mentzer is delicious in all senses as Marcellina, showing that Susanna's insults(including a witty dig at her age) really do sting. John Del Carlo's has seen better days vocally(though this only shows on opportunities rather than on a whole) as Bartolo but he more than makes up for that with the robustness of his interpretation and crisp diction. Greg Fedderly as Basilio is incredibly funny with vocal expression even more sly than Petersen's, Ying Fang's Barbarina is charming and pretty as a button and Phillip Cokorinos is an entertainingly indignant Antonio. Scott Scully is okay as Curzio if not as memorable as the rest- then again Curzio is type of a forgettable role- and his voice while great carries least in ensembles. The HD as ever looks splendid with some of the camera work having a easy cinematic approach in places, the sound allows us to play the melody totally and Renee Fleming's hosting is engaging. All in all, a wonderful production. 9.5/10 Bethany Cox
Cannot trust Bethany Cox hasn't written a review of this opera. It is so well done, but I everytime expect to see her reviews after I watch one of the Nice Performances series. Modernized to the 1930s by the film's director, in his interview after the production, he stated that like the original 1780s time setting of Mozart's work, the 1930s was one of impending political and globe chaos. During such times, the sexual shenanigans which are so much a part of this opera are supposedly especially pronounced. The only trouble I had was the costume designed for Susanna - it was of relatively dour colors, and failed to bring out the obvious attraction that her hero was eliciting in virtually all the male leads. Isobel Leonard took my breath away on more than one opportunity with her pretty singing in the role of Cherubino, while Peter Mattei was also impressive as the Count who is so frustrated again and again by the machinations of those around him. Honestly, it is most unusual for an opera to create me laugh out loud as I did during this performance on more than one occasion. I only write reviews when none exist previously, so I hope this will satisfy those who, like me, had a thoroughly enjoyable time watching this production of one of Mozart's most delightfully diverting compositions.
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