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Mördaren ljuger inte ensam 2013
Description: Puck has been invited by her tutor at the university to celebrate midsummer at his secluded cottage on an island together with a group of friends, among them Einar Bure. Puck and Einar are having a secret relationship, and he is the reason she tells yes to the invitation. Having been out on a romantic spree with Einar, Puck finds one of the female guests murdered. Einar contacts his mate Christer Wijk, but upon Christer's arrival, the dead body has disappeared. The contact with the outside globe is broken when the island's only boat goes missing. They are trapped on the island - and someone among them is a killer...
Released: 08 Mar 2013 Director: Birger Larsen Writers: Maria Lang (novel), Jonna Bolin-Cullberg (screenplay), Charlotte Orwin (screenplay) Actors: Tuva Novotny, Linus Wahlgren, Ola Rapace, Suzanna Dilber Genres: Crime
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Mördaren ljuger inte ensam Reviews:

This, the first of six stories featuring amateur detective Puck Ekstedt, opens with a colleague inviting her to join him and a group of mates to celebrate midsummer at his house on a remote island. Everybody seems to be having fun until two more girls turn up uninvited. Tempers raise, threats are made and then Puck finds one of them dead in the woods. She says one of the Eji, who she is apparently in a relationship with, and they return to the mainland and he contacts a mate who is a policeman. The three of them return to the island but when they receive there, there is no sign of the dead woman! The others trust that she left the island but every seems to think somebody else took her. When the boat breaks down there is no method to contact the mainland and other member of the group is killed, Puck and policeman Christer Wijk will have to solve the crimes alone.After Scandinavian mysteries like 'Wallander', 'The Bridge' and 'The Killing' this fifties-set series seems surprisingly bright in comparison. It also feels lighter in town; one of the characters even remarks that it is getting like Agatha Christie's 'Ten Tiny Indians'… and I'm sure many viewers will have though the same when the group headed off to a remote island with no telephone contact to the mainland. As is the method with such mysteries there were plenty of suspects and every of them seems to have a motive. I was a tiny surprised at just how much the policeman figured out; it made a change from a storyline where he is just there to deliever theories that can be proved wrong by the heroine… although in the final stage where the assassin is revealed that did happen. The acting was fairly solid although I did have to rely on the English subtitles to understand what was being said. Overall this was a decent first storyline in the series; it will be interesting to see how the rest of the series goes.


Set on a remote island in the late Fifties, DEATH OF A LOVED ONE has powerful echoes of Agatha Christie: at one mission a hero likens the case to that of TEN LITTLE INDIANS. A group of folks are isolated on the island, with no means of communication with the mainland except by boat - and the boat has been place out of action. Hence they have to stay together in a pressure-cooker case where one of them is a murderer.Unlike Christie, however, Birger Larsen's production has at least two investigators - Police Inspector Christer (Ola Rapace), a thirtysomething boy with a yen for young women; and Puck (Tuva Novotny), a university lecturer writing her thesis on murderers in literature. Her boyfriend Eje (Linus Wahlgren) is likewise an academic, only his topics is medieval architecture. Together they solve the mystery of the serial killer: Christer does all the spade-work, but it is Puck who unearths the final piece of the jigsaw so that the murderer can be identified.The atmosphere on the island is like a pressure-cooker, with each hero having a motive for murder. Most of them have either been in love with one another; some are conducting affairs clandestinely; others are more launch in their sexualities. Rutger (Gustaf Hammarsten) is especially nervous, as he realizes to his cost that his complicated love life has been brought out into the open. His actual wife Ann (Suzanna Dilber) tries to blot out the truth through housework, but finds the mental effort too much for her. Lil (Ida Engvoll) bears more than a passing resemblance to Marilyn Monroe; she adopts a more liberal approach to her relationships. Such characterizations support to contribute to an episode that keeps us guessing right until the end.The Fifties recreations are historically exact - finished with large cars, flowing skirts and perpetual smoking - but they seem almost too perfect, creating a chocolate-box globe whose inhabitants' behavior is morally doubtful, to tell the least. Perhaps director Larsen wanted to emphasize this contrast, in a manner related to that of the British Miss Marple adaptations. DEATH OF A LOVED ONE unfolds at a slow pace, the action kept deliberately low-key until the denouements. In terms of content and form, it seems especially familiar for a televised whodunit, but I am convinced that the series has potential for further development. I look forward to the next episode.


Kicking off a fresh Swedish crime series based on Maria Lang's crime novels," Mördaren Ljuger inte ensam" was released in cinemas this spring. The main hero Puck, played by Tuva Novotny, is invited to celebrate midsummer on a remote island. While initially reluctant, upon hearing that good-looking charmer Einar (Linus Wahlgren) will be show she agrees. The party guests all seem to be emotionally involved with one other and before long a assassin begins to pick them off one by one.Personally I couldn't trust other Swedish "killer on a remote island" would be released so later after last year's Maria Wern thriller "Inte ens det förflutna". Both films are about folks traveling to remote islands to celebrate an occasion, but their boats break down and therefore there is no escape from the assassin picking them off one by one. Even more strangely, actor Fanny Risberg stars in both movies, so I really wonder about the tiny globe of Swedish cinema and its obvious lack of creativity and fresh ideas.On the brighter side, the film looks really good, the 50s settings look realistic and the camera-work and directing are of some quality. The actors are experienced well-known names who know how to do a nice job, and I really liked watching relative unknown Ida Engvoll outshining many more experienced actors with her impressive performance as Lil. On the another hand, I found Tuva Novotny's Puck rather bland as a character, she doesn't really tell or do much and therefore is more of an observer than a lead character, unfortunately. The plot keeps you guessing most of the method through the movie, and I found myself thinking I had solved the mystery quite a several times before (of course) being proved wrong. I was quite disappointed at the anticlimactic ending though, which of course solves the mystery, but without any excitement or action. Overall, a decent first movie of the series, but not on par with the likes of Wallander or Johan Falk just yet.



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