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When you hear "superhero movie," its almost a given you think larger than life characters with over the top action scenes and massive unique effects. Sadly what I imagine will be lost on many potential viewers is that Mirageman is supposed to be what would happen if someone in the true globe decided to become a superhero.Sure, there have been popular superheroes before whose only "power" has been knowing karate, but Mirageman does a nice job setting up the realistic consequences of someone putting on a mask to war crime. His martial arts are impressive but they're very real, with no camera tricks or unique results to create them look cooler. He doesn't have a police scanner or anything, so he has to rely on folks mailing him their issues to search out where to be (which some folks abuse, naturally).Mirageman is no god among boys either; he gets surprised, beaten within an inch of his life and wonders what the hell made him think he should do this after a disastrous setback. But in the end, he realizes in a cynical globe like ours one ordinary person can create a difference if they've got the courage to try.Mirageman isn't your average blockbuster superhero movie, but if you're willing to agree it for it differences, you won't be disappointed.
Zaror's last movie, Kiltro, and this one, are incredibly fun to watch; the greatest time I've ever have in the cinema was watching them. Mirageman, in any case, is not only fun (the comical depictions of "typical" Chilean items are great!), but the social and psychological part of it is moving. Zaror's hero is lovable, you can't support to feel the rightness of his cause, in a much deeper method than another superheroes films like Spiderman, cause he is real! The TV's abuse on Miragamen is also a nice metaphor on how the Chilean media is. The only thing I hope is that they don't create a second part... Anyways, watching this film is cash well spent, super suggested :)
Here comes a fresh superhero film from Chile? Why not? This is not a typical superhero story. In fact 'super' is downright inaccurate while 'hero' just barely applies – at first.Marko Zaror, a stuntman and reputed martial artist, stars as Maco, a quiet and respectful bouncer working at a local strip club. When not working, Maco is a fitness and workout nut. The seemingly gratuitous scenes showing Maco working out, charting calories, and taking amino acids seem like filler at first, but what the movie is doing is introducing the hero and showing his solitary life that includes tiny meaning outside of fitness and his institutionalized brother.Maco's family was brutally attacked three years earlier. In the attack, the father and mother were murdered, the youngest brother beaten and sodomized, and Maco was beaten to near death. Since that time Maco has been training, working out, fanatically practicing martial arts for something. Maco's brother is in a mental hospital due to the severe trauma of the murder and rape.One night while jogging Maco stumbles across a robbery in progress outside of a suburban house. After instinctively disabling one terrible guy, Maco hears screams coming from inside the house. Maco grabs the terrible guy's mask and enters, surprising the terrible guys and saving the day. One of the rescued victims is ambitions tabloid tv reporter Carol V (María Elena Swett).Carol V broadcasts a commentary piece the next night on her tv present in which she calls the boy that rescued her a "hero" without a Batmobile or cape. Maco is stunned by the reaction and the gears in his head begin clicking. The gears become unstoppable when Maco visits his brother at the institution. For the first time since the attack, Maco's brother is responsive. It seems he was inspired by the report of the regular guy superhero. Maco then becomes convinced that he can stop the kind of evil that happened to his parents, inspire his brother to receive better, and perhaps earn the adoration of such public as Carol V."Mirageman" is a hard and ultimately rewarding movie. In it's short 87 minute running time, "Mirageman" changes tone three various times. By far the most amusing scenes come early in Maco's career as Mirageman. Mirageman has to war what would be the first true life challenge of any superhero: Practicality. Mirageman has to overcome cumbersome costume difficulties which contain time needed to change into the costume and where to stash his non-hero clothes. And of course transportation. Although Maco's "origin story" is related to Bruce Wayne, Maco is no billionaire. His costume is pieced together from a sporting goods shop and he owns no car. At first he takes the bus when battling villainy. "Mirageman" also revels in the belly-bouncing glee of how a superhero gotta keep himself while walking around. "The Dark Knight" and "Spider-Man" never shows the viewer what it's like when the Caped Crusader or the Web-Slinger has to, say, simply walk up stairs or down a hallway. How would they act while doing the mundane? Marco deals with that as Mirageman. The extended sequences showing the costumed Mirageman 'creeping' in bright sunlight with his arms held to ready like an arcade minigame are both funny and uncomfortably awkward.The second tone of "Mirageman" deals with the life of a character after he's sorta figured it out. This contains the surprising public reaction to their very own superhero and the methods that a easy masked boy trying to do nice can be exploited and become something of which he never wished. Maco also has to deal with what fanatics he has and hopefully deal with that embarrassing transportation issue. Maybe a sidekick would be just the thing? Maco goes through many transformations during the movie. I honestly can't remember more than one or two lines that Zaror has as Maco. Most of the hero building is deftly conveyed using what the viewer already knows about 'superheros' and situational drama. Although he never tells it, we feel Maco's pain, inadequacies, and sense of justice. The third tone is set as Maco has to deal with these problems and the very true likelihood that, in order the create a true difference, he may have to risk it all.The last act is brutal and realistic – a sharp contrast when compared to the relative camp of the opening act. One gets the feeling that this is what it would be like to take that mantel of responsibility.Mirageman is left exploring a final question. Does he truly wish to be a Hero? from www.PopBunker.net @popbunker
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