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Description: Spa owner Aya accidentally bumps into a distraught Taryn, who turns out to be a sorority sister. When Aya learns that Taryn has been dumped by the very guy she just moved to LA to be with, Aya welcomes her into her home and life as any sister would. But Taryn is not really her sister. She is a former foster kid who will do anything, even kill, to make the family bond she has desperately wanted her whole life.
Description: Single mom Sarah moves into the suburbs and begins dating a firefighter, only to search herself the goal of an obsessive neighborhood watchman who aims to prove he's the greatest boy to protect her, even if he has to make the danger himself.
Description: Two students (Audrey Rocard, Joris Masson) are apprehended following the enforcement of a college take over by three overly zealous school inspectors (Claude Madelon, Jean-Claude Eygreteau, Yannick Moreau).
Description: The three main characters of “Stepney” are the manic hipsters of the future, the golden youth. In order to catch the crowd, they decide to slash the method through dysfunctional neighborhoods - and receive into wonderful Gopnik. “God is out of the car” in the guise of a busted Moscow taxi driver of the old school saves the heroes and their taxi.
Description: When Catalina finds VHS tapes with footage of depravity, tortures and true rapes, she will start to remember her own rape years ago, which will trigger her to face all the demons from her past, in a find full of revenge, along with two victims of the same psychopath.
Description: In the detail movie "Seed of Terror", a German secret service agent during her assignment abroad in Pakistan recognizes that attacks on civilians in Mumbai are imminent. It does everything in its power to thwart the attacks, but it gotta experience that their test is counteracted on various levels. Their war becomes a race vs time and different intelligence services.
Description: Silver-tongued Jimmy Skinford is on the run with the only person he can trust, Zo-phia, a girl hunted by each underworld crook in city for her coveted curse of immortality. To stop the relentless onslaught of violence and receive their lives back they gotta find through Zophia’s past to fnd a cure. But what future can you have when your survival depends on losing the one thing keeping you alive?
Description: Tokyo, 2018. A tiny laundromat at night. Three young girls are making fun of Anna for caring too much about her love life. But they will later regret it as Anna's revenge plot will haunt them all night long. What follows is a pursuit through the roads of Tokyo during which fear and attraction collide. Danger is never far in this movie borrowing codes from both Hitchcock movies and independent Japanese thrillers.
Description: The social thriller starring a two year-old baby girl. She is living in a home where the adults are going through a complicated phase. Being a toddler, she is occasionally trapped in the accidental situations.
Description: Successful businessman Jake takes his pregnant girlfriend Lindsey on a babymoon trip to an upscale desert resort. When they receive there, Lindsey discovers thatJake’s meddlesome later to be ex-wife, Gwen is there too. In a dream holiday gone wrong, it becomes apparent that someone is determined that Lindsey will never test her return ticket.
Description: An ex-RUC Unique Branch Detective serves the remainder of his career in an English coastal city hoping to heal wounds from a violent past, until the murder of his only daughter shatters his faith and sends him on a headlong hunt for the killer.
Description: Never corner a baker... Jens (Mikkel Vadsholdt) has agreed far too much for too long. Being the shy night-owl he is, he keeps to himself, but the globe will not allow him be. The fresh master baker's quality begins slackening, and when a bunch of yobs one day smash the window of Jens's car, he takes one of them out. Intoxicated by his own fresh unexpressed vigour, Jens comes out of his shell, but the destructive driving force leads him towards a gratis fall. Headed by the everytime solid Mikkel Vadsholdt (The Sunfish), who here manages to arouse our empathy in a role of a reserved boy who has difficulty coping with the light of day.
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"You're a very lucky man. You step on a mine and it doesn't explode. You spend the night in the desert and the animals leave you alone. You're a very lucky man, Mike and Michael!"Guess it wasn't that easy to do this. Making a movie that focuses solely on an American marine called Mike (Armie Hammer) who stepped on a landmine and who doesn't dare to take any further steps. For 90 minutes, there's nothing else to see than this soldier who has to wait 52 hours for a patrol to support him. Support that comes too late for his partner Tommy (Tom Cullen). He won't be able to break the record on the 100 meter sprint, as both his legs are spread over a several square meters after walking on a landmine himself. And, in my opinion, the thought of a leg-less existence was too much for him as well. And actually Mike is standing, kneeling and balancing there in the middle of the desert on an unexploded landmine, exposed to the elements of nature and from time to time deep in thought. The ultimate survival test.So, don't expect true action-packed scenes in this movie. Only the delusions and flashbacks as Mike gets more and more tired, are presented in multitudes. And an odd, funny looking Berber shows up occasionally to bring water and have philosophical conversations with Mike. And afterwards he disappears again over the next dune. Whether this Berber is true or just a figment of his imagination, is difficult to say. Certainly, he gives Mike something to keep onto so he won't go insane because of dehydration, the heat and lack of sleep.Hammer's performance is solid and convincing. A boy who tries to survive in dire circumstances and at the same time tries to come to terms with his past. A childhood filled with domestic violence from an aggressive, alcoholic father. To be honest, it's not difficult to be the star of a film when you're now delivering some type of solo performance and there's no another role that has a decisive impact on the movie. In this case, Hammer has the scene fully for himself and he can demonstrate the talent he has as an actor. And that is the most commendable of this film. Despite the intriguing concept, the content is too limited.You can also interpret this film in a metaphorical way. Everybody tend to end up in a so-called mine field once in his lifetime. A hard period in which making a thoughtful decision is necessary. But because of the fear of taking risks, one freezes and is afraid of taking that next, crucial step. Sometimes it may be advisable to take a next step, although there are consequences, instead of standing still. A tremendous dilemma Mike is facing and something the enigmatic Gerber tries to explain to him all the time. Due to the topics and the total lack of action, you may call this a boring movie. At one point, one hopes that this bloody landmine would explodes. Just to stir up the tension. And yet, this film managed to keep my attention and curiosity. Never thought that a non-exploding landmine should be so intriguing. And again, praise for Armie Hammer and his commendable performance.More reviews here : http://bit.ly/2qtGQoc
I was really looking forward to seeing this film but as an ex serviceman myself I couldn't trust that there were so many mistakes in the first 15 minutes. So many that I just had to turn the movie off. Trained sniper won't fire because it's a wedding, Trained sniper given away by lense flare, Walking through the desert no hats, Going on desert op with next to no water, Buddy steps on mine, first priority... not stabilising the patient to stop him bleeding out...but getting on the radio back to base.If you wish to see a nice film of a related style and story-line then watch Kajaki. It's a real storyline and perfectly executed. Give this one a miss!
-Spoilers, but it'll support you save almost two hours.-Ughhh...Positives:I give the movie two stars because the berber guy played by Clint Dyer is really likable. I'd rather have seen a movie about him and his storyline by itself. They do some transitions between scenes/hallucinations that involve the main hero Mike the sniper taking a step and then hearing a "click" like stepping on the mine as significant life happenings take place. Those transitions are really, really good. Too terrible they didn't create a better movie for them to be in.Negatives:Lore Sjoberg, professional sarcast, years ago coined what he calls "The Law of Cinematic Inaccuracy". "Movies receive everything wrong. Hacking-based films are laughable to hackers, military-based films are laughable to members of the armed forces, and Indiana Jones films are laughable to archaeologists." File this one in the military category.It's glaringly obvious they either didn't hire any military script adviser or they didn't listen to that adviser. To anyone who's served or even been around anyone who's served in any nation's armed forces, it's terrible.Marines don't call every another soldier, just like troops don't call every another "marine", and lawyers don't call every another "plumbers", and IT professionals don't call every another "deep sea divers".American military missions (by ground force elements, for those rare several who've read about what happened during Red Wings from military sources and not from media) also don't leave folks with no comms, nor stranded in the desert by themselves with no air or ground help for days.They also have contingency plans, fallback points, rally points, recovery points, and so on. Missions (by ground force military elements) are not seat-of-your-pants things, especially as depicted in the film. The 5 Principles of Patrolling starts with "Planning".Desert survival involves wearing something to block the sun. Hats are thrown away for dramatic result to present actors sweating. It's silly. Everyone who's been in any desert knows this.The generic "mid-east" fight setting didn't bother me, but the fluff of folks wandering through the desert to have a "wedding" was cute lame. High value goals don't wander into dunes where air assets can spot them from 30 miles away, they shuffle around settlements.The entire setup for the initial sniping stage is preposterous, especially when they give us specific notification the filmmakers don't understand. They give an exact range for the goal Mike's sniping at well over 1000 yards. I seem to recall it's 1708 - nearly a mile (1.6km). When a glint of light reflecting from his scope is spotted (because his hide sucks and he doesn't run a tenebraex killflash or sunshade tube like everyone else has for decades), ragged terrorists begin dumping rounds on them at 1700 yards... which is a very tough shot for a very nice sniper, and well outside of the effective range of guys with AKs.The breakdown in discipline between the two "friends" and subsequent wandering into a minefield that's marked by a plot device sign landing literally at their feet is something that no one with discipline would ignore. But Mike the sniper and his mate do, and his mate gets his legs blown off for his troubles, which is the only stage I laughed at because the wagging stumps were somewhat limited technically, but mainly because it was so hackneyed and plainly stupid. There was zero subtlety, and the movie failed with its intended point there completely. It could've been a really disturbing moment, but because it was so front-loaded it came as a joke like Dead Meat in Hot Shots.Mike gets his buddy to calm down enough to hit himself up with the morphine that he carries...which ain't exactly standard issue. And then after some more fight hackneyed fight tropes enjoy out, Mike is left in the desert standing on a mine by himself having heard the "click" film mines create that true ones tend not to.From there, we receive all the lazy cheat writer crap you should items into the film, from having to save his girlfriend Jenny from 5 "ranger/delta" guys who apparently are not specialists but instead loud abusive drunks who go to bars in partial uniforms, fighting with his abusive dad/stepdad, watching his mom die, not knowing why he's fighting, yadda yadda.He gets stalked by the wolf from 300, he does a Bear Grylls and drinks his own urine, he has some more hallucinations, and it's just all around the type of items you'd expect to see in this type of film that's trying to be smart but just can't create it.One of the highlights was the berber, but he rather quickly falls into becoming the trope of "magic negro" who supports the white boy learn a valuable life lesson. If it were slightly less blatant, it would've worked better, but frankly I should see Clint Dyer carrying a entire movie as the berber in a fully various type of movie.The group I watched this with started calling out what would happen next, and by the end of the film, we had guessed cute much the whole course of the movie, with the exception being the berber's interaction with mines.The very ending is a mess, but by that mission you won't care anyway.In summary: if you wish to create an intelligent, introspective look at humanity by trapping a hero alone with their thoughts in a desperate situation, watch this first to see what errors to avoid. Otherwise, treat it like UXO and stay far away and call EOD to detonate it in place.
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