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Description: Internationally acclaimed Chinese film-maker Chen Kaige delivers an opulent staging of the fairy-tale storyline of Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. With sumptuous costumes and palace sets designed in China, Kaige's production adds a compellingly authentic accent to Puccini's exotic orchestral palette. Zubin Metha and his brilliant Orquestra de la Comunitet Valenciana offer "genuine foreworks of sound" (Wiener Zeitung), Maria Guleghina triumphs as Turandot. Recorded in 2008 at the Palau de les Arts in Valencia. Zubin Mehta (conductor).
Description: Anna Netrebko as the pretty and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the terrible but good-hearted country man who wins her love—with the support of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.
Description: 1.Crash and Burn, 2.For You, 3.Please You , 4.Main Road , 5.Big Jet Plane , 6.Private Lawns , 7.Other Things / Women Just , 8.Want to Have Fun , 9.You're the One That I Wish (John Travolta & Olivia Newton-John cover) , 10.Draw Your Swords , 11.Heart Beats Slow , 12.And the Men , 13. Bloodbuzz Ohio (The National cover)
Description: The Olivier-nominated Royal Opera production featuring a trio of one-act Puccini operas was first performed together on the same bill at Covent Garden in September 2011, and was acclaimed by the Telegraph as "an operatic treat... three hours of superb melody that allows large voices to allow emotion rip" and by the Evening Standard as "a triumphant vindication of the social awareness and dramatic power of Puccini's triptych". The trio of operas offers a panorama of emotions, with the dark and foreboding Il tabarro and comic Gianni Schicchi bookending a heart-wrenching Suor Angelica.
Description: Crush.Fukk.Create: Requiem for Generation Armageddon is the first live DVD by Polish extreme metal band Behemoth Live Pandemonium - Live At Party San Festival 2003 1. Antichristian Phenomenon 2. From the Pagan Vastlands 3. Heru Ra Ha (Let There Be Might) 4. Christians to the Lions 5. Hekau 718 6. No Sympathy for Fools 7. Decade ov Therion 8. As Above So Below 9. Chant for Eskhaton 2000 10. Pure Evil and Hate Mother Khaoz On Scene - Live At Mystic Festival 2001 1. Christians to the Lions 2. Decade ov Therion 3. From the Pagan Vastlands 4. Antichristian Phenomenon 5. LAM 6. Satan's Sword 7. Chant for Eskhaton
Description: This historic present was recorded in Paris in 1981 during an exclusive, all-night concert. Punctuated by the exotic and suggestive tribal dances and rituals performed on scene by 15 of Fela's wives, this exceptional happening was captured by multiple cameras, enhancing this unique DVD presentation. Fela was a musician, a politician, a spiritual chief, and an agitator all at once, but however one views the man, he was undeniably a symbolic icon of struggle & revolution, as well as one of the most beloved boys in Africa. In Nigeria, Fela claimed that he was better known than the President. It was probably true.
Description: La traviata says the moving storyline of the pretty but fragile courtesan Violetta who is coerced into sacrificing her one hope of private happiness for the sake of her lover’s reputation. Verdi’s masterpiece combines compelling characters with hugely strong and immediately recognisable melodies. This celebrated production cuts to the very heart of the opera’s themes of passionate love and tragic death with a modern staging, and a running time of less than two hours.
Description: This concert from the Jazz legend was recorded in 1973 with a very related line-up to the soon releases Dark Magus, Agharta, and Pangaea, featuring Al Foster on drums, Michael Henderson on bass, Mtume on percussion, Dave Liebman on sax, and, most importantly, Reggie Lucas and Pete Cosey on guitar. It includes some material from the previously listed albums, and plenty that is not, at least in any recognizable form. Jazz VIP. 2009.
Description: Fronted by former Nirvana drummer Dave Grohl, the American rock band Foo Warriors will perform live at Rio de Janeiro’s famed soccer (football) stadium, Estádio do Maracanã tonight, Sunday January 25th. The present is part of the Sonic Highways Globe Tour, in help of the band’s eighth studio album of the same name.
Description: In the mid-1960s a fresh twist on contemporary rock melody emerged out of San Francisco. Known as 'psychedelia', it was pioneered by a close-knit community of local bands who merged traditional American forms such as folk, country, blues and rock & roll with fresh sounds often developed under the influence of psychedelic drugs. Bound up with the social and cultural changes for which San Francisco was also the focal point, it was a combination that made for a radical re-imaging of youth culture. This movie traces the movements, happenings and sounds of those heady days, and traces the storyline of the definitive band of the psychedelic age, The Grateful Dead. Giving time too for the involvement of Frisco's another lead users such as Large Brother & The Holding Company, Jefferson Airplane, The Charlatans and Quicksilver Messenger Service.
Description: José José was born in a Mexican family of talented musicians. His father was an alcoholic operatic tenor and his mother was a pianist. Growing up in the tough neighborhoods of Mexico City, José began his career as a singer in serenades, and soon in a jazz trio. His father died and his career took off due to his enormous talent. José started a relationship with Anel (Bach), a pretty young actress, but because of his alcoholism and infidelities, she leaves him. José marries Kiki Herrera (Gina Romand), a pretty socialite twenty years older than he is. After few wars and irreconcilable differences, José leaves her. After suffering a poor pneumonia that nearly ended his career, Anel returns to be by his side and he recovers. After a couple of years without success, José signed a contract with a major record label and returns to the pinnacle of success to stay there for the rest of his career.
Description: All The Method Home says the finished storyline of the Corrs' rise to fame, in the words of the band and their long-term manager. Contains demo material, their first gig and rare snapshots of the band plus interviews and promotion videos
Description: Join Squad StarKid as they blast off on the SPACE (StarKid Precarious Auditory Concert Experience) Tour! Featuring some of your favourite StarKids, see what happens when they attempt fresh arrangements of classic StarKid songs like "Days of Summer", "Status Quo", "Stutter" and "Liam's Got A Smartphone Call" in a live concert extravaganza. But hitting the street for the first time presents fresh challenges as they learn to avoid rehearsal, brick wall destroying missiles, and the cops. Will the StarKids be able to band together and explore the real power of music?
Description: Between 1964 and 1966, Andy Warhol shot nearly 500 Screen Tests, pretty and revealing portraits of hundreds of various individuals, from Warhol superstars and celebrities to mates or anyone he thought had "star potential". All visitors to his studio, the Factory. Topics were captured in stark relief by a powerful keylight, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film. The resulting two-and-a-half-minute movie reels were then screened in slow motion, resulting in a fascinating collection of four-minute masterpieces that startle and entrance, mesmerizing in the purest sense of the word. Songwriters Dean Wareham and Britta Phillips, formerly of the band Luna and currently recording as Dean & Britta, incorporated original compositions as well as cover songs to make fresh soundtracks for the 13 films.
Description: After »The Living Infinite« came out on March 01, 2013, SOILWORK saw an international march of triumph, gaining world-wide chart recognition, entering the Top 20 in Finland, Germany, Switzerland and their native Sweden! The career spanning live set was recorded in Helsinki 2014 and details guest appearances by Floor Jansen (NIGHTWISH) and Nathan J. Biggs (SONIC SYNDICATE)!
Description: 'A Pretty Fucking Experience,' is a detail length documentary that celebrates music, in particular the live melody experience, as said through the adventure of The Flaming Lips on their Guinness globe record breaking 24 hour tour through the Mississippi Delta.
Description: Genesis - Two Night Stand - First Night - 6th May 1980 - Lyceum Ballroom, London, England. Tracks are: Deep In The Motherlode / Dancing With The Moonlit Knight / Carpet Crawlers / Squonk / One For The Vine / Behind The Lines / Duchess / Tutorial Vocal / Turn It On Again / Duke's Travels / Duke's End / Tell It's Alright Joe / The Lady Lies / Ripples (Last Part) / In The Cage / Slippermen / Afterglow / Follow You Follow Me / Dance On A Volcano / Drum Duet / Los Endos / I Know What I Like Total Running Time : 2:20:34
Description: In an explosive evening of entertainment captured on this live DVD, The Red Hot Chilli Pipers recorded their most adventurous project to date, bringing 16 musicians and dancers across the Atlantic to perform at Milwaukee Irish Fest, the US spiritual home of the band. The hottest present on world captured in one unforgettable evening by the shores of Lake Michigan at the Milwaukee Irish Fest, 2014.
Description: Live Blu-ray release for the first day of "Animelo Summer Live 2009" on August 22, 2009 at Saitama Super Arena. Performers are; Ayane, ALI PROJECT, angela, Chiaki Ishikawa, and many more.
Description: 01 Illegal Alien 02 Throwing It All Away 03 Misunderstanding 04 Ripples 05 Hold It Dark 06 A Trick Of The Tail 07 Home By The Sea - Second Home By The Sea 08 Boy On The Corner 09 Turn It On Again 10 Many Too Many 11 Invisible Touch
Description: 01 Mama 02 No Respond At All 03 Land Of Confusion 04 That's All 05 Tonight, Tonight, Tonight 06 Duchess 07 Anything She Does 08 Robbery, Assault & Battery 09 In Too Deep 10 Abacab 11 Follow You Follow Me
Description: Live concert with Hermans Hermits : Im Into Something Good, Henry VIII, Theres a Type of hush, Tommy James & Shondells : Draggin The Line, Crystal Blue persuasion, Crimson & Clover, Mony Mony, Tag Lindsay : Indian Reservation, Kicks, Buckinghams: Type og a Drag, Susan, Dont You Care, Gary Lewis & Playboys : Green Grass, This Diamond Ring, Chad & Jeremy : Yesterdays Gone, Summer Song, Grass Roots : Midnight Confessions, Id Wait a Million Years, Lets Live For Today
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For those who go retching to the bathroom at the very mention of the "M" word, it prol'ly goes without telling I don't how you got this far.I'd stopped paying attention to any fresh items coming from Broadway long ago, the rut they were in being so bad. But I didn't realize how out of touch I'd become until they apparently payed for a one time of it showing in 4 Phoenix zone theaters recently--the notice of which I saw in only one site ad. Turns out it's a high quality HD recording of the Broadway scene production released in 2011, intermission and all. It was like being there in seats right up on the stage.The storyline is centered on a white DJ-to-be in the early '50s who gets black blues cum rock and roll on local Memphis radio. Overall not that original but like all plots, the prize is in the features you hang on the framework, which sparkle here. The DJ's accent is probably somewhat off-putting to those of us from the South, but I realized it's an adaptation of Southern Baptist pulpit, used I think to set off the individuality of the hero (who is decidedly non-religious) from another whites around him with their regular southr'en fried accents. It's not so much an interracial love storyline as it is an interracial love of melody story.The Present was a Broadway hit in 2010, winning 5 Tonys including greatest musical and greatest original score, and with nominations for the two leads. Who knew. For me it was the greatest Broadway style musical to come out in 20 years.
I registered just so I should review this musical. The melody is unbelievable and I love the story which I won't go into as I don't wish to crash the plot for anyone else.However, the male lead's, Chad Kimball, southern accent is fully wrong and even offensive to anyone living in the South. Inflections were on the wrong words and the pronunciation was even worse. I understand he was testing a comic role but the accent was so wrong that it took away from the role. I am still giving this an 8 because I liked the concept of the musical, the rest of the cast, and the storyline.
When you first see Chad Kimball in this, you start to wonder if his hero is a bit off the beam. He spontaneously giggles like some popular movie psychos, and for the only white boy outside a police officer to visit Beale Road in Memphis, he's seemingly out of his element. But once he starts to enjoy the piano and spin around as he sings, it's clear that his soul is closer to Chuck Berry than Perry Como. The moment he sees sultry Montagu Glover, he's in love. But racial tensions on both sides receive out of control, especially as the white children start to love what the square older white people refer condescendingly as "race music".What could have been a star making role for the superb Ms. Glover is one of Broadway's mysteries as she hasn't had a lead role since. She hides her vulnerability between the typical sassiness, but something about Kimball's freaky nature appeals to her as he devotes his time to getting her a radio and record deal. Kimball is funny, but certainly mannerisms of his become a bit creepy after a while. Where this succeeds outside of Glover's winning performance is in the melody and the historical context, paralleling some of the happenings in the smash hit "Dreamgirls" and the entertaining but pointless "Motown" which worked better through the ebook of the disguised fictional version. "Memphis", though, covers an earlier time, a various location, and deals with integration problems that the another shows cute much ignored.If you feel uncomfortable with certain frictions between the whites and blacks, then the present is succeeding in what it set out to do. There's more than a hit of violence as Glover deals with falling in love with a white boy with a horrific turn of events. The fallout from that creates seemingly unfixable conflicts, aided by the racism of Kimball's mother (Cass Morgan), presented as a nice Christian girl using the gospel to hide behind her hate. The upbeat score is thrilling, although there's no true standout. For me, this shows the ridiculousness of racial tensions, because when it comes down to it, all every of us wants is a bit of happiness, a possibility at love, and of course a nice beat so we can reach deeply inside to search our own rock n' roll.
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