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Mea Culpa 1981
Description: In his first collaboration with David Byrne and Brian Eno, Conner used footage from educational movies to make a rhythmically austere image-track for melody from their pioneering “sampling” album “My Life in the Bush of Ghosts” (1981).
Released: 01 Dec 2005 Director: Bruce Conner Writers: N/A Actors: N/A Genres: Short, Music
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Mea Culpa Reviews:

MEA CULPA is a suitably abstract exercise by the late underground master Bruce Conner, but lacks the vitality and originality of his seminal '60s works. I was an early fanatic of his, watching the movies circa 1968/69 at our weekly "Underground" 16mm movie screenings in Cleveland, shown locally at midnight on Fridays and Saturdays at the Heights, Continental and Westwood Art Theatres.The star of this present turns out to be synthesizer specialist Patrick Gleeson, whose work as a sideman on different jazz LPs by Joe Henderson in the '70s first attracted my attention. Here his eerie sounds dominate Conner's visuals.Using a sepia monochrome tint, Conner has shots of mountains, a canal, a rabbit awakening, cloud formations, floral arrangements and another random objects to make the mood. Much of his imagery is merely cryptic, such as a woman "number 12" and the familiar extreme slo-mo shot of a milk droplet "exploding" in closeup.Of course, in the '60s it was the borderline between underground/ experimental (Conner, Warhol, Emshwiller) and soft porn (McDowell, the Kuchars, the Findlays) that made us "go underground and see the light", to quote the advertising mark line of the time. Conner's effective '60s nudes were titillating, and his soon work lacks their provocative presence, because pornography had surfaced in the '70s, making what was once underground passe.



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