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Martin and Lewis 2002
Description: The storyline of the 10-year rocky relationship between Dean Martin and Jerry Lewis.
Released: 24 Nov 2002 Director: John Gray Writers: John Gray, Arthur Marx (book) Actors: Sean Hayes, Jeremy Northam, Paula Cale, Sarah Manninen Genres: Biography, Comedy, Drama
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See Martin and Lewis (2002) on youtube.

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See The End of Martin & Lewis on youtube.

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See Martin & Lewis Part 8 of 1 on youtube.

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See Martin & Lewis (2002) clip on youtube.

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See Jerry Lewis CBS interview &#39 on youtube.

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See Jerry Lewis and Dean Martin Re on youtube.

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See You're Never Too Young 195 on youtube.

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See Jerry Lewis & Dean Martin on youtube.

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See 90-Year-Old Jerry Lewis Breaks on youtube.

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See Jerry Lewis surprises Dean Mar on youtube.

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Martin and Lewis Reviews:

I was riveted by the storyline and the acting. Perfect procuction values. Sean Hayes was fantastic, delivering a real breakthrough performance. Jeremy Northam and Paula Cale exhibited a sense of the period and volatility of the case without venturing into cliche. Bravo!! Beautifully directed and produced.


Save for a slight alteration of a fact in the genesis of the Dean Martin and Jerry Lewis saga, this made-for-television bio-pic is excellent in its storyline and depictions. The alteration concerns how the duo got together for what would be the triggering of their memorable 10-year partnership. The movie shows Lewis, about to bomb himself out of his engagement at the 500 Club in Atlantic City, phoning Martin's (first) agent, Lou Perry. Lewis specifically asks him to send Dean to reprise their earlier-shown, spur-of-the-moment, scene collaboration (at the Havana-Madrid Club). In reality, it was the compassionate Perry who, upon receiving a frantic call from a sobbing Jerry Lewis asking for help, decides to send Dean Martin to the rescue. The effect correctly is shown to be alchemic, and, for at first better-then-worse, the Martin and Lewis squad is truly born. In 1973, Arthur Marx penned an outstanding bio-novel about the duo, "Everybody Loves Somebody Sometime." As Marx, the writers/producers of this movie are admirably unafraid to show full hero profiles of Martin and Lewis. As human beings, the performers sometimes glaringly left much to be desired. Jeremy Northam and Sean Hayes, as Dean and Jerry, give perfect performances, as do Paula Gale and Kate Levering as Martin's first and second wives, Betty and Jeanne. This is a first-rate production, not the least of its values is its capturing of the post-war cultural flavor of the period in which the Martin and Lewis tandem flourished.


More and more, as the evolution of tv leaps forward with such groundbreaking shows as 24, Band of Brothers and 6 Feet Under, we are taught how antiquated and limited your primary TV Film has become. No better example here in MARTIN AND LEWIS which in years past would shine as your primary movie-of-the-week. But now, with those shining comparisons, it seems like a low-budget, commercial-laden highlight reel of a much longer and complex tale. That being said, the one thing that does rise above it's medium here is the talents of both Northam and Hayes. Jeremy Northam has a twinkle in his eye as he dances around the murmuring voice cadences of Dean Martin (who seems to be positing that Martin sounded drunk even when he wasn't...if that is possible). I don't know other actor who should so effortlessly enjoy Martin's playful masculinity. Unfortunately the actor is forced to go from 0-60 because he gotta portray divorce, conflict and then playful boozer in scenes back-to-back. The same can be told of Hayes ,who has the unenviable job of homaging an actor still alive and is under that scrutiny (with the apparent well-wishing Lewis on-hand). Both actors live up to their spot-on casting but the production seems bogged down by it's limited time-length and by the length of ground it needs to cover (which it wearily tries to compensate for by unlimited scrolls of posters portraying the countless movies these two did together). All in all, a nice effort but, once again, it leaves one asking..."Why didn't they do this on HBO?" which is less a criticism of the film than of network programming altogether.



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