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Marking Time 1978
Description: A very brief history of time, and how it has been measured from the dawn of time to the dawn of digital watches.
Released: N/A Director: Sheila Graber Writers: Sheila Graber Actors: N/A Genres: Animation, Short
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Description: The happenings of War of Gods take zone some years after the war with Majin Buu, which determined the fate of the whole universe. After awakening from a long slumber, Beerus, the God of Destruction is visited by Whis, his attendant and learns that the galactic overlord Frieza has been defeated by a Super Saiyan from the North Quadrant of the universe called Goku, who is also a former student of the North Kai. Ecstatic over the fresh challenge, Goku ignores Lord Kai's tip and wars Beerus, but he is easy overwhelmed and defeated. Beerus leaves, but his eerie remark of "Is there nobody on World more worthy to destroy?" lingers on. Actually it is up to the heroes to stop the God of Destruction before all is lost.
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Very Nice, Very Nice #

Released 12/31/1961

Description: Arthur Lipsett's first movie is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we place on life and shows anxieties we wish to forget. It is made of variety of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." It was critically acclaimed and plays frequently in festivals and movie schools around the world. (NFB)
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Description: After the death and resurrection of Jesus, His followers dedicated themselves to spreading His message throughout the land. Actually you can share this uplifting storyline with your whole family. The Apostles starts with a miracle. Peter, having been filled with the power of the Holy Spirit, heals a boy who has been crippled since birth. The crowd that witnesses the miracle is amazed. But Peter reminds them that he performed this wondrous act for one reason only-to glorify Jesus' name. As the storyline unfolds, it becomes clear that Peter and the another Apostles are in nice danger. The religious authorities see them as a serious threat. And many of them are, indeed, persecuted. At the same time, however, some of the persecutors are themselves converted. Among them is a boy who will eventually become the most necessary Apostle of all.
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Description: Newlyweds, Adelaide and Jonathan leave Fresh York in 1907 in a boat and row, ignorant of globe events, to Europe. The years pass and many things are changing them, love is gradually degrading to hatred, then indifference. Old age is almost here, and with it, in a last swim, a last embrace, husband and wife end up “alone at last.” The boat adrift, will be discovered on the shores of Europe in the year 1957
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Description: The storyline is set 70 million years ago, when dinosaurs ruled the Korean Peninsula the same method they ruled the rest of the earth. Spotty is a curious and playful Tarbosaurus child, and along with his mother and siblings, he lives happily in the forest. One day the cunning One-eye, an older Tyrannosaur looking for a fresh home, attacks Spotty’s herd and separates Spotty from his family. Alone, he befriends other lost woman Tarbosaur who becomes his mate and constant companion for two decades and the mother of his own children. But Spotty’s troubles with One-eye are not over, and revenge, death, fear, and sadness are all in Spotty’s future―as is happiness and hope.
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Begone Dull Care #

Released 1/1/1949

Description: Begone Dull Care shines with his masterful test of scratching and painting on movie stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his android canvas. The movie gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano. (cont. http://sensesofcinema.com/2005/cteq/begone_dull_care/)
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Released 9/24/1953

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Released 1/1/1935

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Released 1/1/1912

Description: A hungry mosquito spots and follows a boy on his method home. The mosquito slips into the room where the boy is sleeping, and gets ready for a meal. His first attempts startle the boy and wake him up, but the mosquito is very persistent.
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La Faim #

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Description: In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving photos make a contrast between abundance and want. One of the first movies to test pc animation, this satire serves as a cautionary tale vs self-indulgence in a globe still plagued by hunger and poverty.
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Description: A boy is taken to the doctor's office, but it's not for an ordinary checkup. A large syringe is thrust into his head. Out of the syringe oozes a sticky yellowish liquid that magically turns into two sinister-looking men. These are the opening photos of this chilling animation film, in which two chimney sweeps clear all the memories out of their victim's brain. Fearsome puppets inhabit a globe of strange objects. What goes on in a man's head?
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The Phantom Ship #

Released 2/24/1936

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Description: Nearly 15 years in the making, Chris Sullivan's Consuming Spirits is a meticulously constructed tour de force of experimental animation. Shooting frame by frame in 16mm, Sullivan seamlessly blends together a range of techniques—cutout animation, pencil drawing, collage, and stop-motion animation—into a distinct, signature visual style. In the process, he constructs a hypnotic, layered narrative, a suspenseful gothic tale that tracks the intertwined lives of three kindred spirits working at a local newspaper in a Midwestern rust belt town. The accumulation of these photos builds to a nice atmospheric effect, achieved through an adroit combination of inventive set design, ever-shifting visual perspectives, fluid camera movements, a vivid color palette, and a haunting melody track. Sullivan succeeds in creating, with nice artistry, a hermetic, self-contained globe emanating from his own special and vivid imagination. (Jon Gartenberg, Tribeca Movie Festival)
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Eternal Gaze #

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Released 6/19/1941

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Released 2/14/2003

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Description: The silent scandal of a utility pole, secretly lighting the outskirts of the city. The storyline is set during the nostalgic time before cellular smartphones in Japan, and says the love storyline of a human and a utility pole. Elemi the power pole becomes infatuated with electrician Mr.Takahashi. Pretending she is human, she decides to ring him. But this contact is forbidden in the law of power poles. Eventually, rumors spread all over city and Elemi is summoned to court.
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Description: Known as the god of manga and the father of anime, Tezuka Osamu's pioneering, unparalleled career is without rival for its extraordinary range of visual styles. Included in this set are some of Osamu s most legendary works, including Pictures at an Exhibition and Legend of the Forest. The former combines 10 individual short vignettes to make stunning visual riffs on classic fine art. But the 30-minute Legend of the Forest is the animator's masterpiece. Kimstim and Kino are proud to release this astonishingly imaginative collection of Osamu s 13 most innovative pieces, many of which are the master s own private favorites.
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Description: When problem strikes at the Blue Mountain Quarry, Thomas is sent to support his Narrow Gauge engine friends. While shunting and hauling, he catches a glimpse of a tiny engine trying to hide, yet no one will deliever any clues to the engine's identity. Thomas is determined to receive to the bottom of the mystery but discovering the truth is harder than he imagined! Will Thomas be able to save his fresh friend? Or will the mysterious engine be sent away from Sodor forever? Travel on an exciting adventure with Thomas and his mates in his largest film ever, tracking down clues, discovering lost engines, and revealing the power of friendship!
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Lmno #

Released 1/1/1978

Description: Conceivably the greatest of all of Breer’s movies to date – has more to do with figuration, according to Breer’s formulation regarding games with letters or numbers. This becomes clear right away as the game letters are intercut with a flurry of fish swimming past the frame lines, which are made all the more literal through the associative chain established by a snippet of Schubert’s Trout Quintet heard on the soundtrack, along with footsteps – which continue over a profusion of another shapes, colors, and objects, including the game letters again. -- Jonathan Rosenbaum
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