See Marius et Fanny - Bande-annonc on youtube.
See Marius - extrait on youtube.
See Marius 1931 contre Marius 2013 on youtube.
See MARIUS AND FANNY - Official UK on youtube.
See La Trilogie Marseillaise - Mar on youtube.
See Marius / Fanny - Bande annonce on youtube.
See Marius 2013 on youtube.
See Marius Babanu - Esti departe [ on youtube.
See Marius Babanu - Adio - 2013 on youtube.
See Marius Neset Quartet - Golden on youtube.
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Description: As Josh struggles with the death of his wife Sam, his grief starts to manifest itself in haunting and strange ways. When Josh comes face to face with his dead wife who is somehow alive and well, he slowly realizes that his globe consists of two divergent realities. As he adventures between the two realms, hopeful of recreating the life he shared with Sam, tragedy ensues.
Description: A quiet young man struggling with the loss of his parents and the broken relationship with his older sister, finds comfort in the friendship of a giant that lives in the forest near his home.
Description: Set eight months after the death of writer Cass Horsely following a series of intrusive articles in the press, Vitality says the storyline of six of his closest mates attending an happening to celebrate his life.
Description: In an impoverished Castilian village live Juan, his wife Acacia, their son and Juan's blind father. The harsh weather conditions force the peasants to emigrate to a better land. Acacia goes to the town instead. Time goes by and they will meet again.
Description: Julie, a simpleton, follows through with her dream of becoming an actress and rises to stardom. However, she is later introduced to the murky waters of the entertainment industry. She starts to compromise on her choices and seeks love from the boys in her life. Just as she decides to change paths, she is offered a political biopic that further complicates her life.
Description: Budhia Singh – Born To Run is an upcoming 2016 Indian biographical sports movie directed by Soumendra Padhi. It is based on Budhia Singh, who ran 48 marathons — one of which was from Bhubaneshwar to Puri, when he was a five-year-old.
Description: Recreates aspects of the life of Abelardo Díaz Alfaro as a rural teacher in Puerto Rico during 1940's, integrating three of his stories "El josco", "Santa Cló va a la cuchilla", and "Don Fruto Torres".
Description: The two Cheng sisters leave war-torn Shanghai for Hong Kong. They take on other guest along the way, and transport in with their cousin in Hong Kong, actually a close unit of four friends. Through highs and lows, they all learn to live with every other.
Description: On his method to a concert, Marco, a young jazz trumpet player, pays a visit to an old mate of his and says his storyline in a flashback. When he was the young child of a alcoholic and brutal father, his life was saved by the meeting with Luca, an old jazz musician who gave him the Music.
Description: The movie takes us back in time, to a relatively newest yet forgotten period in history, when many girls like Lina were forced to fold in the face of unfair and blinkered authorities. The victim of an administrative internment aimed at re-educating her after her so-called "depraved behaviour", Lina finds herself fully abandoned, confused and humiliated. In show day, when she is 60 years old, for the first time in her life, our brave protagonist can finally "spill the beans", thus freeing herself of a burden that has threatened to destroy her all these years.
Description: When large news comes in for the constant bachelor Shawn, he makes it a point to visit everyone who has shunned him for years. This contains his old mate Greg - a children's musician living in the cozy, domestic confines of Brooklyn. After the two old mates hit some hilarious re-acquainting pains, they later hit the American street for a trip that will present them the bonuses and the costs of true friendship.
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I've watched this film twice now. It's really a very nice movie - but it is not at all the movie with Raimu and Pierre Fresnay.Nor, I suspect, was Auteuil trying to replicate the earlier version. In the 1930s masterpiece, directed by Alexander Korda, the characters, though all very real, often border on caricature, at least the men. They are all very much bigger than life, starting with César, and including Panisse, Escartefigure, etc.That's not the take Auteuil took here. His characters aren't exaggerated, though certainly very real. You see that especially in some of the popular set pieces, like the card minigame and the stage where César teaches Marcel how to create a mandarin-citron. The exaggeration that made those scenes so outlandish, and so funny, in the Korda film is absent here here. The scenes are played in a much more realistic manner.Sometimes that's a problem. Escartefigue really doesn't work as a normal human being. He just comes off as dull, nothing like the unforgettable masterpiece in the Korda film.But for the others - César, Panisse, and Marius - this approach shows us Pagnol's plays in a various light, and certainly a valid one. You have to pay more attention to see what's going on, to appreciate the fine acting. But it's worth the effort.This film will certainly never replace the Korda film. But it offers other method of presenting these by actually mythic characters, and for that I tell thank you.
Who does not know the trilogy of Marcel Pagnol? Who does not know Marius and Fanny as well the novels as film of the same creator for Marius and d Allégret for Fanny? In a decadent time, full of films of gratis violence, full of empty movies, a zone which expresses the vain hero of our century, the help on sure values is also on the agenda because it establishes an existential relief and a nice suggestion for our culture. Daniel Auteuil, a Large actor of the French cinema is the director of a proofreading of Marcel Pagnol, a success of the French cinema. He thus made two films Marius and Fanny, two masterpieces. These fresh versions reach the lvl of the film of Pagnol and overtake well the film of Allégret while respecting hero of these novels. Fanny is clearly better than Marius. We feel an evolution at the actors who reaches the excellence. We here is thus in Marseille of between two fights a town which has its charm and heroes who have a easy and often pure character. The dialogs are dense but thanks to their simplicity are available to everybody; nevertheless the lvl is raised brought up well and their contents carry solid values, even if sometimes they seem to us outmoded. In the fact which is happier? The boy of our days or the person who corresponds to the characters of Marcel Pagnol? This is not a part of our critic, but the film can remind us these questions. All the actors very well played in this movie, but we have to underline the presence of Daniel Auteuil and Jean-Pierre Daroussin who understood well the universe of Pagnol. A tiny defect: in spite of the efforts, even if the actors knew how to speak with the accent of Provence, is missing the intonation or the prosody to speak it. It is about a method of speaking melodious such as we search in Marcel's film with pretty images. The film Marius constitutes a fresh proofreading of this work which corresponds to all that the warned spectator or not can expect from this work. Even if the proofreading of an older masterpiece is difficult, this realization is made a success well; because Daniel Auteuil respects Pagnol by recognizing his genius and he also respects his spectators
I bow to no one in my admiration and respect for Daniel Auteuil as an actor and I'd be difficult pushed to name a terrible performance I've seen him deliver but with the greatest will in the globe he is not Raimu but having told that no actor living or dead is/was withing at least three light years of Raimu so employing that criteria Auteuil is as nice as any bargain-basement Raimu out there. Auteuil's remaking - writing/directing of the nice Pagnol Marseilles trilogy is clearly a labor of love. Although born in Algeria he was brought up in the Midi, Pagnol's old stamping ground and his breakout role was as Ugolin in the makeover of Pgnol's autobiographical Jean de Florette and Manon de source. He dipped his toe in the water a couple of years back when he took on other nice Raimu role in a makeover of Pagnol's Le Fille de puisatier, which he again directed and which was well received. Once again the resident tame critic at filmsdefraance proves he doesn't know his ass from third base when he speaks of Pagnol's three STAGE plays when in fact only Marius and Fanny were adapted from plays, the third part, Cesar, was written directly for the screen in the wake of the success of the first two parts. Auteuil has opted to give the role of Marius to a cute man rather than an actor as Pagnol did and Raphael Personnaz is a sort of Gallic John Derek and acts about as well as Derek. Her fares better with debutant Victoire Belezt as Fanny but the revelation of the movie is Marie-Anne Chazal as Honorine, the mother of Fanny who delivers arguably the greatest performance in the film. Jean-Pierre Darroussin whilst no Charpin was an inspired choice for Panisse inasmuch as he is a regular in the repertory company of Robert Guideguian, who inherited the mantle of Pagnol and makes perfect movies with a Marseilles setting. Clearly if the original - directed by Alexander Korda - were shown alongside this makeover the original would victory hands down but younger viewers who have not seen - and maybe not even heard of - the original will search lots to like here.
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