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Description: An abstract storyline of a butterfly who dares to distract mechanized workers as they worship their machines. The supervisor is a robot who does not let any distractions or feelings of individuality. He captures the butterfly and makes it No. 00173 in his collection.
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Description: A deal on assigning for property reveals more fresh guidelines and laws of the society in the nearest future. The rates haven’t been so high. Status is everything. Love is nothing.
Description: Under a black sky a stretch of highway cuts deep into the forest. Bobby's vehicle careens out of control and comes to a stop on the shoulder. He gets out to replace a tire when he hears the desperate cry of a woman out in the woods. Despite the shivering cold and the encroaching darkness, Bobby treks into the forest following the girl's voice who keeps crying when his legs go out from underneath him, something drags him quick deeper into the forest even as he screams and claws at the ground. He disappears into the foliage with the sound of crunching bones and flesh. Thus starts ALL THINGS. The mystery of the forest brings Claire, a college student, where she makes a chilling discovery about the real nature of Bobby's disappearance which will demand of her the ultimate sacrifice to save us all.
Description: World has been abandoned for a long time and humanity has found refuge in outer space. Three archaeologists return to World to investigate the origin of a mysterious five tone signal…
Description: When Felipe’s ex-girlfriend breaks his heart, it feels like it’s the end of the globe – and he’s not wrong. A strange zombie plague is unleashed on the paradise beach his mates have taken him to receive his head in the right place. This is how the hectic pursuit for survival begins, where saying apart the living from the dead becomes the hardest part. Felipe will do whatever it takes to save his life, his friends’ lives and Ana’s life, a pretty and problematic girl. Who would’ve guessed a zombie apocalypse would be the beginning of a fresh life and fresh love?
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Description: Despite all measures focusing on the AI, Terri created tool that became conscious and escaped its virtual prison. On that day the globe changed forever and no one should predict what followed.
Description: A cold fight that's turning hot between the Empire and the Republic is the background vs which we witness the acts of characters who are at the mercy of their leaders' whims, and interwoven among these happenings are hallucinations--some served up in nice trips and some in bad--produced by an electromagnetic radiation device named Sensorama. Together these elements spin out a tale of high drama. It's finally here! A stunning non-stop, full-CG film that blows away preconceptions.
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MAGGOTS is an example of the type of trashy nonsense filling up the American indie scene. Directed by Bobby Bragg on the fly and with tiny enthusiasm, it has a bunch of woodland folk being terrorised by large zone maggots with a penchant for human flesh. The attempts at comedic acting really grate while the SFX are quite laughable. The entire thing is long-winded and dull, below the entertainment lvl of even a sub-par detail from The Asylum.
** The storyline of the microbudgeted film "Maggots" begins off with a non-verbal narrative that states that in 1920 World fought a fight with these scientifically created maggots, and after a vicious fight that almost ended mankind, the folks of World finally won. The surviving maggots were then shop housed, and then soon shot into zone by the C. I. A. (?) to war otherworldly lifeforms. Huh? We are said that the "false news networks" of ours then rewrote history and hid this vital historical fact from the public. Okay, but I guess that the almost extinction of mankind would seem to be a difficult thing to hide, or forget.** But our zone fight has backfired on us, and so, hitching a ride on a meteorite, the maggots are back, and they're not fooling around, and they're hungry. Oh yeah, and they're ugly. They initially look like big, segmented, and cackling penii with a headful of teeth. And the more that they eat, the more that they grow, and the more that they grow, the more that they eat, until they are the size of houses. Of course, we never search out what they eat as there aren't enough folks to feed the horde of maggots that are running amok.** Into this mess comes, amongst others, four method over-age jds and their sponsor, who looks like Henry Rollins' tiny brother, who have turned up for a camping trip, two scientists there to study the meteorite, a waitress, a moonshiner, and a bunch of assorted redshirts. The fight of attrition begins instantly as all are there to continuously bite the dust. The story, such as it is, is pure drive-in fare, with the acting ranging from god-awful to fairly professional, with the greatest actors Catherine B. Johnson and Sarah Stringer, with Stringer being method too old to enjoy a gothic teenager. By-the-way Catherine, I'm still single, give me a call sometime. Anyway, the dubbing looks and sounds terrible, and it's fully out of sync, the unique results are even worse, the green screening is mind-numbingly laughable, and let's not even mention the soundtrack, the visual and sound effects, and the god-awful editing, all of which equals a film whose technical aspects are such, that Ed Wood would have blushed with embarrassment. But really, what else can you expect from Fred Olan Ray? **Oh, and forget the review by firstaidflame on this movie. It seems that this person is a pseudonym of director Bob Bragg and his reviews consist of giving all of his films tens. However, if released in the early seventies this film would have been passible drive-in fare, but with today's tech there's just no call for this lvl of laziness. This is a film only for Ray and micro-budget movie fans. I've seen worse, but that's like stating that I've worse situations of dysentery.
So terrible it's good! I couldn't stop watching! Just when you think it can't receive any worse it does!
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