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Description: Brass Tacks was a actual affairs programme shown on BBC2 between 1977 and 1988. On this episode named Punk Rock, broadcast on 3rd August 1977, it focuses on the Manchester Punk scene, bands and its iconic club, The Electric Circus.
Description: Live From The Rock ’n’ Roll Fun House offers fanatics everything they love about The Knack—stellar songs and a rocking performance. While this would be the last album released by the group before the passing of Doug Fieger, it represents why they maintained a rabid fanatic base. They were an wonderful live band.
Description: To celebrate Andrew Lloyd Webber's 70th birthday, NBC presents Andrew Lloyd Webber Tribute to a Superstar March 28 at 10 PM ET. The evening contains conversation and reflection with Lloyd Webber along with Sunset Boulevard Tony champion Glenn Close; John Legend, who will enjoy the game role in Jesus Christ Superstar Live in Concert April 1 on NBC; Hamilton author Lin-Manuel Miranda; and the Young People’s Chorus of Fresh York City. Read: JOHN LEGEND, SARA BAREILLES, AND MORE ON WHAT TO EXPECT FROM JESUS CHRIST SUPERSTAR LIVE IN CONCERT Lloyd Webber, who is currently represented on Broadway with The Phantom of the Opera and School of Rock, is also the composer of Joseph and the Nice Technicolor Dreamcoat, Evita, and Cats. SEE WHAT IS COMING TO BROADWAY IN THE NEAR FUTURE
Description: In this musical, an enigmatic masked girl catches the roving eye of a wily playboy gambler at a masquerade ball. If he knew that she was using her wiles as bait and was planning to reform him of his gambling womanizing methods after catching him, he may have head for various waters.
Description: The Silver Clef fundraising committee was founded in 1976 by musicians and managers from across the British melody industry, who wanted to honour and award melody artists whilst raising funds for Nordoff Robbins. The happening went on to become the annual Silver Clef Awards and Lunch, an necessary date in the social and business calendar of the melody industry, with even members of the Royal Family attending as guests of honour. The lunch is also the flagship happening in the highly respected and well-known diary of fundraising happenings place on by Nordoff Robbins. The Silver Clef initiative eventually expanded to the USA, where members of the melody community there arranged the first American Silver Clef Award Dinner and Auction in 1989. The funds from that happening benefited the Nordoff Robbins Centre for Melody Therapy based at Fresh York University. In 1990 a concert was devised to raise cash for the Nordorff Robbins melody therapy centre, it was held at Knebworth park on the 30th June 1990.
Description: In celebration of the 50th anniversary of Grateful Dead, the "core four" original members - Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir - reunited at Chicago's Soldier Field on July 3rd, 4th and 5th for the most anticipated concerts in newest history. Joined by Trey Anastasio, Jeff Chimenti, and Bruce Hornsby. Fare Thee Well: Celebrating 50 Years Of Grateful Dead is the original members' last-ever performance together nearly 20 years to the day of the last ever Grateful Dead concert with Jerry Garcia, which took zone at the same historic venue.
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Macbeth for me is while not in my top 7 of Verdi's operas one of his better early ones along with Luisa Miller. The melody is wonderful, grippingly intense, and the storyline likewise. This is an outstanding production. The greatest Macbeth I've seen? No, not quite, the 1976 La Scala production with Cappuccilli, Verrett, Ghiaurov and Luchetti holds the crown for that title. The 1987 Nucci/Verrett, 1987 Bruson/Zampieri, 1972 Glyndebourne and 2004 Alvarez/Guleghina(which is also directed by Phyllida Lloyd) performances are also worth noting. The production is not quite perfect, I did think the symbolism with the blood, beds, washing hands and cages was overdone at times, though I can definitely see why they were used and they were effective with the atmosphere(the huge cage at the end to signify entrapment did work remarkably I felt), just towards the end it felt too much. The costumes and sets though are very evocative, and helped by perfect video directing and picture quality. The orchestral testing is suitably forceful when it needs to be with a lot of thrust and no holding back in crucial scenes. Antonio Pappano's conducting is commanding and suitably Italianate while never too heavy-handed or "polite". The chorus are magnificent as well, they have a lot to do and they are especially haunting in Act 3. The witches are genuinely scary, while the refugees blend beautifully with one another. The performances are great, with the standout being the bloodcurdling Lady Macbeth of Liudmyla Monastyrska, finished with a commanding yet flexible voice important for the Sleepwalking aria. Simon Keenlyside does remarkably as her husband, his voice is virile as ever and he acts with much conviction, intense yet with swagger and his aria before the assault on Birnham Woods is very moving. Raymond Aceta is a nobly sung Banco and Dmitri Pittas is a poignant Macduff. The cameo of the doctor and lady-in-waiting is beautifully done as well. So overall, despite some of the symbolism the production is outstanding. 9/10 Bethany Cox
New York, NY 10013
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