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L'uomo dai calzoni corti 1958
Description: A child runs away from a children's home to search his mother.
Released: 10 Jul 1959 Director: Glauco Pellegrini Writers: Glauco Pellegrini (story), Ugo Pirro (screenplay), Liana Ferri (screenplay), Glauco Pellegrini (screenplay), José Gutiérrez Maesso (screenplay), Ricardo Muñoz Suay (screenplay), Alfonso Sastre (spanish version) Actors: Edoardo Nevola, Francisco Rabal, Eduardo De Filippo, Memmo Carotenuto Genres: Comedy, Drama
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L'uomo dai calzoni corti Reviews:

There is hardly a moment in the duration of this movie where its young star, Edoardo Nevola, is not seen. He was the kid performer that had become greatest known to the Italian public in Pietro Germi's "Il ferroviere" ("The Railroad Man") and "L'uomo di paglia" and he carries this movie with pluck and aplomb.He is Salvatore, nicknamed Pagnotella or "Little Bread-loaf," He flees an orphanage in Caltanisetta, Sicily, in order to test to search his mother, who he thinks is living in Naples. She had left him as an infant. There are echoes from the begin of the childhood classic storyline from De Amicis' "Cuore" entitled "From the Appenines to the Andes." There, similarly, a young man travels even father and wider to regain his mamma. That another storyline has been filmed few times. In the course of his picaresque journeys to search his mother, the man encounters a huge number of people not unwilling to support him transport on or even stay with them if he chooses. This all provides occasions for cameo roles by different performers. Before even leaving Sicily, Salvatore befriends Stella, the daughter of a fisherman, who wants to marry Pasquale. Salvatore acts as a go-between for the two lovers. Her parents have other arranged marriage in mind for the girl, but the woman is able to run away and her storyline is probably a reflection of what Salvatore's own mother once did, only abandoning her child as well. Our character stows away on a ferry to the mainland, hops a train, hitches another rides, avoids the police who may be looking for him. A truck driver, Mario (Francisco Rabal), takes him to Naples. There he spends some time with marionette-theatre operator Gennaro, played to amusing perfection by veteran actor Eduardo De Filippo. He is forever arguing with his wife about the saltiness or lack of salt in the ragù she makes. He enlists Salvatore to deliever a marionette-voice for a mother pining for her lost son. The man gets so carried away by his home-hitting dramaturgy that he upsets the present and decides its time to transport on in his quest.American tourists deliever the next lap plus a gift of a jacket and hat which receive robbed by a thief, Nando (Mario Carotenuto), who ultimately takes the man to heart and tries to teach the man his craft, Fagin-style, and then winds up in jail. Other possibility encounter with truck-driver Mario gives the man his means to receive to Milan, where he believes his mother actually is. But she's not. She's in Venice. And so it's on to Venice. Finally he finds a girl who claims to be a mate of Carolina, his mom. After waiting an whole film to see the top-billed star, Alida Valli, we finally receive to see her in the movie's last twenty minutes. Surprise! She is, in fact, the boy's mother, living with a boy and his ailing daughter. She can no longer hide the fact. Salvatore realizes who she is, and the couple ultimately decide to hold him, much to the boy's tearful delight. By movie's end it occurred to me that the mother could have been traversing Italy to be re-united with her son and not the another method around! And, furthermore, as a shameful mother who has abandoned her kid for a decade, she has a lot of explaining to do to the kid! Yet the movie engages one as a pleasant enough sentimental yarn, and the type of film that Italian mothers might have been delighted in taking their children to see in order to teach them that tender proverb, "Di mamme ce n'è una sola"...we have but one mother.



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