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Description: Terrible Rena tries to search cash to pay her lottery partner because she destroyed the wining lottery-ticket.She and her brothers who test to support her end up in harem.
Description: Mr. Müller is not pleased with his fresh work at the Goethe-Gesamtschule. The early getting up and correcting exams annoy him. Director Gerster wants to improve the photo of the Goethe-Gesamtschule because she wants to be a symbol of the fresh company. To achieve this, she wants to take away the partnership from the Schillergymnasium with a Thai school. So, Mr. Müller, Mrs. Schnabelstedt and the 10b gotta go on a school trip to Thailand.
Description: Trevor Moore recorded his first solo one-hour special, High In Church, at The Gramercy Theatre in Fresh York. Accompanied by a live band, dancing women and melody videos, Trevor performs an hour of brand-new sketches and songs spanning all musical genres.
Description: Paris - an American who recently arrived in Brazil - and the Brazilian Thais start a easy friendship sharing feelings and sensations, even if they do not understand a single word every othar says.
Description: Three advertising executives are doomed to perpetually look for the right man. Tates, Katie and Sonia are all are stuck in a rut with love, sex and marriage. Tates will do whatever it takes to just to have the boy she wants even if he is tangled in a messy annulment situation and even if it takes her to shed a lot of cash to have him. Katie found her love storyline with a macho dancer but is afraid to allow her mates know because of his unconventional job. So she tries to give him a more decent look for her mates to see. She also finds bodily insecurities because of her chubby physique. Sonia is the two-timing chick that finds her self pregnant while being with two men. She is in-love with a painter but finds more safety with a rich man. Despite her powerful feelings for the former, she chooses to be with the latter in order to deliever better for her and her child.
Description: The movie revolves around Vihtori's clandestine involvement with an pretty and rather worldly young girl called Ritva, who is planning to marry boxing winner and garage owner Klasu Tullari, son of Vihtori's mate Tomi, and their interactions with daughter Vappu and her fiancé, Peter von Schaslick, a mechanic in Klasu's garage, under the nose of the threatening and suspicious Klaara, with lazy son Nisse acting as a rather sardonic Greek chorus. Teuvo Tulio's only comedy.
Description: Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state could reopen the factory.
Description: A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is everytime predating other being, but is in its turn predated by some another animal, until the circle closes. It starts like this: an old girl is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...
Description: Eve Jacobs (Corrine Bohrer) is 39 years old, and her biological clock is threatening to begin running down at any moment. Eve wants to have a baby, and has decided the time is now; however, she's not having much luck conceiving, and her husband Adam (Johnathan Penner) has more than a several anxieties about the prospect of becoming a father, especially as he approaches middle age. Eve starts consulting a battery of doctors, hoping someone can support her with her issues conceiving; she also attends meetings of a help group, WOMB (Women On a Point to have a Baby), whose leader Rachel (Mo Gaffney) encourages desperate girls to take desperate measures to have the kid they've of which they've been dreaming.
Description: Ramona is fat girl with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really receive any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will later receive better thanks to some magical beetles she finds in a Tarot café.
Description: A rushing river caresses the life of a tiny city in southern Argentina: Choele Choel. Coco is an eleven-year-old child who intensely wishes to be a grown-up, to be a man. A walk along the river with Johana -his fresh Venezuelan neighbor- initiates Coco in the adult world. But his father and life itself slow him down and create him feel tiny and insignificant; just a child. When life gets complicated it is probably greatest to allow oneself go with the flow and float down the river like a drifting log.
Description: A group of eccentric folks gather at a famous bar in Ipanema, Rio de Janeiro, doomed to be closed to give method to the construction of a large building. Intellectuals, artists, night-people in general join forces to test to avoid its demolition. Among its costumers, we search Ana, an actress, her husband Zeca, an intellectual kind in crisis about his work for TV, artists, newspapermen, a female researcher, and a couple who's everytime quarreling, only to be reconciled moments later.
Description: Eduardo discovers he has a split personality: a buttoned-up São Paulo executive and beach-loving weekend playboy in Rio de Janeiro named Duca. Unconsciously, he becomes entangled with a girl although he's already engaged to another.
Description: Set in the year 1720, the storyline is about what happens to 29-year-old Tordenskiold when the Nice Northern Fight ends and he doesn't know what to do with the rest of his life. His trusted valet persuades him to go on a European ‘road trip’ to find for a bride.
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Fanatics of Kingsley Amis's brilliant novel might with justification hate this adaptation, but taken on its own terms, it is an enjoyable slice of 'fifties British comedy. While the novel's bite may have been lost, the movie's troubled production history (a several weeks into the filming, the original director, Ealing's Charles Crichton, was replaced) fails to present on the complete film.Ian Charmichael is at his greatest in this movie. The combination of a (realistic) Northern accent, plus a slightly harder edged characterisation, supports distance him from his usual 'silly ass' image. Perhaps he isn't the Dixon of the book, but it is a fair attempt. A first rate cast adds to the fun, in particular a tiny but perfectly formed cameo by Terry-Thomas steals the movie.The final chase is, as been noted, the movie's weakest url (it seems to come out of nowhere and does not fit in with the rest of the film) and is it fair from being the greatest Amiss adaptation (that honour belongs to the unbelievable 'Only Two Can Play'). But despite these flaws, it remains a watch able enough movie.
It's difficult for me to be objective about this film, as it is adapted from my favourite novel--which I've read eight or nine times. Also, I waited so long to see it that it may have been inevitable that I would ultimately be disappointed. Ironically, I first heard about the movie some years before I read the book, and it was only after I read the ebook that I made the connection between it and the description my brother had once given me. It would be about 20 years (no kidding!) before I finally saw the movie myself. I've actually seen it twice and mostly hated it both times.Kingsley Amis's LUCKY JIM was obligatory reading among history students when I was in grad school 30 years ago. The storyline about an unhappy history instructor in a crummy British provincial university expressed a lot of the angst that we felt as grad students, and it was funnier than heck as well. I loved the ebook then, and still love all these years later. Why, then, was the movie such a disappointment? Mainly because the script muted much of the savageness of Amis's humor, and because it tacked on an idiotic chase stage at the end that has nothing whatever to do with the original story--or even with what goes before it in the film. (Even Ian Carmichael--who played Jim--hated that ending. He said me that the folks making the movie didn't seem to have any concept of what they were doing--and it shows.)The producers also added a very unsatisfactory and irrelevant academic procession in them middle of the film--evidently for the sole purpose of making Carmichael look like a klutz by having him tripping over flowerpots and dropping things in the middle of the solemn affair.Nevertheless, the movie does have its virtues, chief among them is perfect casting. Ian Carmichael was born to enjoy Jim. Terry-Thomas was properly unctuous as Bertrand; Hugh Griffith certainly looked the part as Professor Neddy; Maureen Connell looked like I imagined the neurotic Margaret Peel; and Sharon Acker made a fine-looking Christine Callaghan.
This is an outstanding film whose meticulously-crafted set pieces frequently had me in stitches. Superbly cast, Ian Carmichael, Hugh Griffiths and Terry-Thomas were in exceptional form, and the luminous beauty of Sharon Acker lights up the film. If you don't search this funny, charming and uplifting, all I can tell is that I feel sorry for you! The pompous, stiff and class-deferential era of the 1950s is marvellously evoked in this movie. Everytime the sign of a classic, even the minor characters - Mrs Welch, the taxi driver, the waiter and the university porter, for instance - all keep their own and come across as true people. The appalling persona of Bertrand Welch (Terry-Thomas) with his self-obsessed sense of his own importance is excellently drawn. One to see and quite possibly one to keep.
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