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Love Letters 1983
Description: A storyline of love and obsession. A young radio personality who, after her mother dies, discovers she had been having a love affair for 15 years. Actually she finds herself recreating her mother's romance by getting involved with a married man.
Released: 27 Apr 1984 Director: Amy Holden Jones Writers: Amy Holden Jones Actors: Jamie Lee Curtis, Bonnie Bartlett, Matt Clark, James Keach Genres: Drama, Romance
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Love Letters Reviews:

"Love Letters" is a remarkable and enthralling piece for many reasons. It resists plot contrivance and category strait-jacketing to concentrate on hero nuance, freshness of observation, and originality of milieu. It presents it's material with clarity, intelligence, and a refreshing lack of stylistic tropes.Jaimie Lee plays a classical melody DJ at a small, under-funded local radio station. One of her colleagues, a type of hip nerd typical of the early 1980's time-frame, is played by 'Harold and Maude' star Bud Cort. He was, amazingly, 35 at the time but looks all of 20. During an in-studio performance by a home-made synth sorcerer (a delicious tiny sequence) she meets married photographer James Keach and almost instantly starts an affair. The movie then follows the course of their different assignations until the inevitably messy conclusion, and it's ambiguous correlation with a cache of her dead mothers secret love letters.The movie captivates with it's perceptivity. The characters seem fully 'real', in the sense that they are quirky and human, and not merely constructs needed to advance the plot. Their actions and motivations are often recondite, but everytime believable. Particularly intriguing are Jaimie Lee's relationships with her greatest friend, played by the delicious Amy Madigan, and her father (Western veteran Matt Clark). Amy and Jaimie make a unbelievable rapport: we instantly agree that these gals are old buddies. And Clark's father is a superbly unsettling creation. We never know for sure whether his strange outbursts and creeping, leering presence are merely a combination of his boozing and grief over his wife's death or something more sinisterly incestuous.The handling of the central sexual relationship avoids cliché and exploitation from the first meeting. The trysts are sketched with deftness and economy. Both leads are excellent. Keach plays it nicely low-key as an 'artistic' photographer turned advertising boy who is, in truth, a rather selfish pseudo-intellectual bore. Curtis has never been better than here, as a tormented, passionate, almost schizophrenic hero (just check her wardrobe changes from sensuous and ellegant to bizarrely homely). Appearing just after her reign as the 'scream queen' of early 80's horror films, she evinces a startling, original presence, mixing controlled physicality and strength with numerous subtle hero shadings. She's mesmerising, but somehow too special to recommend a conventional 'star' presence. It's a true shame that she has not been granted such freedom since.Written and directed by former Scorsese associate Amy Jones, who also, as yet, has done nothing as captivating, 'Love Letters' is a most interesting one-off. Eschewing trite corollaries and crowd pleasing expedience, it remains a quietly forceful achievement.


After her mother dies, Jamie Lee Curtis discovers love letters from a boy her mom had been having an affair with for few years and starts an affair all her own. Jamie Lee Curtis is heartbreakingly displayed at her absolute greatest in her first non-horror movie ( not Trading Territories ).Acting is also nice all around and this is a very well done, very adult, motion picture. Roger Corman was shockingly the producer of this movie ( his very greatest movie). A sad and often moving film about how everybody longs to be loved.Also Known As: Passion Enjoy and My Love Letters. Rating: 9 and a 1/2 out of 10. Also details the memorable tagline: Sometimes it's right, to do the wrong thing.


This damn movie still makes me cry.There are elements of it that seem schmaltzy and trite at times, but the overall power of the storyline never lets up. Curtis has probably what are her finest moments in this tiny, almost never-seen movie debut from Amy Jones (who did "Slumber Party Massacre" the year before to receive the money to create this Labor Of).It's probably the most honest and gut-wrenching depiction of obsessional love I've seen, or maybe it's just obsession. Whatever it is, it's lacerating and not to be missed. There are times when, watching Curtis' performance, it's difficult for your body not to ache at the anguish she seems to be feeling.Back to Jones' script for a second... it's full of dark, moody moments that in other movie would be over-the-top and pretentious, yet work beautifully here. The photographic portrait session comes instantly to mind...an nice stage and the two actors testing it are never shown once. The entire affair is filled with tiny one-offs like this, all of which are presented with a late-autumn chill.Add to the mix Amy Madigan and Bud Cort's usually fine work (and don't forget the underrated James Keach, whose seemingly at-first overly clinical readings are awkward, then fully fit the hero once he's fleshed out). Oh yeah, and Ralph Jones' score is one of the most haunting and pretty I've ever heard.Gets me each time.



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