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Description: Set vs Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this movie is a love storyline between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the roads because of a failed relationship and an affliction which is slowly turning her blind.
Description: Jerry Mulligan is an exuberant American expatriate in Paris trying to create a reputation as a painter. His mate Adam is a struggling concert pianist who's a long time associate of a popular French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and helps him, but is interested in more than his art.
Description: Leading up to their 500th match, the late twenty-something members of a Dutch amateur soccer squad have their intimate bond place to the use as they every search themselves facing increasing responsibilities off the pitch.
Description: Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a woman chased by hit-men from Algeria. They lead an unorthodox life, everytime on the run.
Description: Two drag-queens and a transsexual contract to perform a drag present at a resort in Alice Springs, a resort city in the remote Australian desert. They head west from Sydney aboard their lavender bus, Priscilla. En route, it is discovered that the girl they've contracted with is the wife of one of the drag queens. Their bus breaks down, and is repaired by Bob, who travels on with them.
Description: A tiny circle of mates suffering from post-collegiate blues gotta confront the difficult truth about life, love and the pursuit of gainful employment. As they struggle to map out survival tutorials for the future, the Gen-X quartet later starts to realize that reality isn't all it's cracked up to be.
Description: Odile is a business executive looking for a new, bigger apartment. Her younger sister Camille has just finished her doctoral thesis in history and is a Paris tour guide. Simon is a regular on Camille's tours because he's attracted to her. Camille has fallen for Marc, and they start an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.
Description: In the spring of 1913, Parisian businessman Gabriel Astruc opens a fresh theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
Description: In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was "killed on the field of battle." It's written in black and white on the official notice. But Mathilde refuses to trust it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant says her in vain that Manech died in the no man's land of a trench called Bingo Crepescule, in the company of four another boys condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate...
Description: Sabine vows to give up married lovers, and is determined to search a nice husband. Her greatest mate Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues Edmond, with the encouragement of Clarisse, but Edmond does not seem very interested.
Description: On the eve of his wedding, on vacation on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire's knee.
Description: When astronaut Spencer Armacost returns to World after a point that nearly cost him his life, he decides to take a desk job in order to see his pretty wife, Jillian, more often. Gradually, Jillian notices that Spencer's personality seems to have changed, but her concerns fade when she discovers that she's pregnant. As Jillian grows closer to becoming a mother, her suspicions about Spencer return. Why does it seem as if he's a various person?
Description: Based on the autobiographical work of Fresh Zealand writer Janet Frame, this production depicts the creator at different scene of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success supports her transport on with her life.
Description: Hippolyte, the chef at the tiny Paris restaurant of the title, is losing his sense of smell - and without that, you can’t cook. Not in France. The restaurant has to close. Guests and customers of the ailing master chef gather for one last fabulous meal. Between courses, private conflicts are explored and flashbacks flesh out incidents from the lives of the restaurant owners.
Description: Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this ver was assembled in 1928. In other of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The effect is a pretty young girl called Alraune (Brigitte Helm), who is incapable of feeling any true emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy each male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.
Description: An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's supporting a property developer build a village in the Los Angeles desert) and dropout Tag (who's wanted by the authorities for allegedly killing a policeman during a student riot)...
Description: At fictional Harrad College students learn about sexuality and experiment with every other. Based on the 1962 ebook of the same name by Robert Rimmer, this film deals with the idea of gratis love during the height of the sexual revolution which took zone in the United States.
Description: Intercutting dramatic vignettes with newsreel footage, the storyline follows the characters from an infantry team as they create their method from Sicily to Germany during the end of Globe Fight II.
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"Love Letters" is a remarkable and enthralling piece for many reasons. It resists plot contrivance and category strait-jacketing to concentrate on hero nuance, freshness of observation, and originality of milieu. It presents it's material with clarity, intelligence, and a refreshing lack of stylistic tropes.Jaimie Lee plays a classical melody DJ at a small, under-funded local radio station. One of her colleagues, a type of hip nerd typical of the early 1980's time-frame, is played by 'Harold and Maude' star Bud Cort. He was, amazingly, 35 at the time but looks all of 20. During an in-studio performance by a home-made synth sorcerer (a delicious tiny sequence) she meets married photographer James Keach and almost instantly starts an affair. The movie then follows the course of their different assignations until the inevitably messy conclusion, and it's ambiguous correlation with a cache of her dead mothers secret love letters.The movie captivates with it's perceptivity. The characters seem fully 'real', in the sense that they are quirky and human, and not merely constructs needed to advance the plot. Their actions and motivations are often recondite, but everytime believable. Particularly intriguing are Jaimie Lee's relationships with her greatest friend, played by the delicious Amy Madigan, and her father (Western veteran Matt Clark). Amy and Jaimie make a unbelievable rapport: we instantly agree that these gals are old buddies. And Clark's father is a superbly unsettling creation. We never know for sure whether his strange outbursts and creeping, leering presence are merely a combination of his boozing and grief over his wife's death or something more sinisterly incestuous.The handling of the central sexual relationship avoids cliché and exploitation from the first meeting. The trysts are sketched with deftness and economy. Both leads are excellent. Keach plays it nicely low-key as an 'artistic' photographer turned advertising boy who is, in truth, a rather selfish pseudo-intellectual bore. Curtis has never been better than here, as a tormented, passionate, almost schizophrenic hero (just check her wardrobe changes from sensuous and ellegant to bizarrely homely). Appearing just after her reign as the 'scream queen' of early 80's horror films, she evinces a startling, original presence, mixing controlled physicality and strength with numerous subtle hero shadings. She's mesmerising, but somehow too special to recommend a conventional 'star' presence. It's a true shame that she has not been granted such freedom since.Written and directed by former Scorsese associate Amy Jones, who also, as yet, has done nothing as captivating, 'Love Letters' is a most interesting one-off. Eschewing trite corollaries and crowd pleasing expedience, it remains a quietly forceful achievement.
After her mother dies, Jamie Lee Curtis discovers love letters from a boy her mom had been having an affair with for few years and starts an affair all her own. Jamie Lee Curtis is heartbreakingly displayed at her absolute greatest in her first non-horror movie ( not Trading Territories ).Acting is also nice all around and this is a very well done, very adult, motion picture. Roger Corman was shockingly the producer of this movie ( his very greatest movie). A sad and often moving film about how everybody longs to be loved.Also Known As: Passion Enjoy and My Love Letters. Rating: 9 and a 1/2 out of 10. Also details the memorable tagline: Sometimes it's right, to do the wrong thing.
This damn movie still makes me cry.There are elements of it that seem schmaltzy and trite at times, but the overall power of the storyline never lets up. Curtis has probably what are her finest moments in this tiny, almost never-seen movie debut from Amy Jones (who did "Slumber Party Massacre" the year before to receive the money to create this Labor Of).It's probably the most honest and gut-wrenching depiction of obsessional love I've seen, or maybe it's just obsession. Whatever it is, it's lacerating and not to be missed. There are times when, watching Curtis' performance, it's difficult for your body not to ache at the anguish she seems to be feeling.Back to Jones' script for a second... it's full of dark, moody moments that in other movie would be over-the-top and pretentious, yet work beautifully here. The photographic portrait session comes instantly to mind...an nice stage and the two actors testing it are never shown once. The entire affair is filled with tiny one-offs like this, all of which are presented with a late-autumn chill.Add to the mix Amy Madigan and Bud Cort's usually fine work (and don't forget the underrated James Keach, whose seemingly at-first overly clinical readings are awkward, then fully fit the hero once he's fleshed out). Oh yeah, and Ralph Jones' score is one of the most haunting and pretty I've ever heard.Gets me each time.
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