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Little Voice 1998
Description: After the death of her father, Tiny Voice or LV becomes a virtual recluse, never going out and hardly ever telling a word. She just sits in her bedroom listening to her father's collection of old records of Shirley Bassey, Marilyn Monroe and different another popular female singers. But at night time, LV sings, imitating these nice singers with surprising accuracy. One night she is overheard by one of her mother's boyfriends, who happens to be a talent agent. He manages to convince her that her talent is unique and arranges for her to perform at the local night club, but few issues arise.
Released: 04 Dec 1998 Director: Mark Herman Writers: Jim Cartwright (play), Mark Herman (screenplay) Actors: Brenda Blethyn, Jane Horrocks, Ewan McGregor, Philip Jackson Genres: Comedy, Drama, Music, Romance
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Little Voice Reviews:

At the risk of sounding overly sentimental, this is perhaps one of the most touching movies I have ever seen, and also one of the most surprising.Jane Horrocks, Michael Caine and Ewan McGregor all turn in magnificent performances, with Brenda Blethyn being a tad melodramatic but remaining within the bounds of believability. It's a true pleasure to see Michael Caine in particular, in a role of a shoddy, second-rate agent who believes he's found his passport to 'the large time' in LV. That boy is such a nice actor.Bypassing Jane Horrocks' astounding ability to mimic people, it's also a pleasure to see her on the large screen again: she does a heck of a lot of voice work, but to be honest I haven't seen her in a major role since 'Life Is Sweet'. She's a true star and can enjoy demented, disordered, deranged or simply various folks with such style...As for 'Little Voice', the storyline is a fairly standard setup: unbearably shy LV has a talent, is discovered by the local agent, the street to riches and stardom opens... but love is in the offing, so which will she choose? That summary, however, is where the similarity to virtually any another 'standard' setup stops: LV does not wish stardom. She doesn't even really know she has her talent, which is fully passive. Her choice is not between stardom or love.Virtually nothing beyond the primary story is 'standard' here. There's no "*gasp* Wow!" surprises, but happenings turn in quite unexpected directions at all times. Many people even complain at the end because "it isn't an end" or "it isn't what we want". That's other reason to love the film: it doesn't give the viewer a Hollywood (yawn) ending. It doesn't tie up all the loose strings.It's like life: there's no tidy endings. Look past the obvious photos and look at what's underneath. See the movie for what it is, and enjoy.


Summary:This is the storyline of a painfully shy woman who takes comfort escaping the harsh globe of her overbearing mother by enclosing herself in a globe of music. The peace she finds while testing her late father's records is the only globe she's at home in. She sings the songs to her father's memory with an wonderful ability to capture not just the voices of artists such as Judy Garland, Shirley Bassey, and Marilyn Monroe but also the tone, the passion and the quality that made them legends. This ability is overheard by a talent agent who sees fortune in her voice. He tries to rip her out of her personal globe and force her into the terrifying spot light.My Opinion:I watched this movie and was amazed. The characters of LV (Jane Horrocks) and Billy (Ewan McGregor) are just so adorable that you love them from the moment they are on screen. The performances of all the helping users are nice but the performance of Jane Horrocks is amazing. It's the type of performance awards were created to celebrate, but got no where near the type of recognition it deserved. Hardly telling anything throughout the first part of the movie she communicates so much through her eyes and expressions. Then when she sings she does not just 'mimic' the voices of legends but proves she is a legend in her own right.


This is a unbelievable movie that showcases not only the music, but also a full roster of strong performances. Each one is excellent, but it's the two most subtle of them all that steal the show.Jane Horrocks has proven that she can be so much more than Bubbles, the airheaded secretary from AbFab. She's more than a match for each another strong actor on the screen, and considering her co-stars that's quite an accomplishment. Her chemistry with the unbelievable Ewan McGregor is remarkable; the storyline of their characters should have made a gentle, pretty love storyline on its own, but as it is, their attraction gives hope for both of these gentle, quiet characters. I would've liked to see more attention paid to McGregor's character, but that should simply be because where McGregor is concerned, there can't really ever be enough.Michael Caine is deserving of his Golden Globe. Showy as his role undeniably is, he never pushes it too far. This performance is other example of his versatility and his formidable onstage presence.Brenda Blethyn has become one of my favorite actors since I saw Secrets & Lies; here again, she's a wrecked mother who lives in a dream world, but with added layers of violence and neglect toward her only child. She can speak volumes with her thickly-shadowed black eyes and an omnipresent cigarette. We never receive the full storyline on her relationship with her late husband, LV's beloved father, but the tension and the words unsaid are brought to a boil in a key stage between Blethyn and Horrocks.Come Oscar time, it would be unbelievable to see Tiny Voice receive some recognition.



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