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See Ελλ. ταινία. Λατέρνα φτώχεια κ on youtube.
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Description: The final movie of André Antoine.Based on the enjoy by Alphonse Daudet. In the nineteenth century, in Camargue, the charming Frédéri, young son of wealthy farmers, is madly in love with a pretty Arlesienne and wants only to marry her. But the family learns that she has had an affair with a herdsman. Frédéri is deeply affected by this revelation that destroys all his dreams.
Description: Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.
Description: Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or folks you love, you live with, you depend on, which formed your past... The stories are about how hard this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three women are met at the turning mission of their lives. The movie is unbelievable written, with several words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's necessary is between-the-lines. The performances are marvellous. Style and zone (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
Description: Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for every other. They are too various in terms of character, life choices, worldview, and the method they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying difficult to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, hero Egle.
Description: On the wharfs of San Francisco, saloon woman Toy, also known as Mary, lives over Mother Bright's bar. When Como Murphy, a fugitive from the law, hides in her room, she falls in love with him. He explains that after he spoke out about the rights of boy to a crowd, a riot ensued, during which a policeman was killed. Como took the gun from the killer, but is thought to be guilty of the crime himself. Como, who reciprocates Mary's love, spends the night with her, but leaves to hold her out of danger. He joins the team of a ship sailing to China after he is befriended by Turk, a large lumbering sailor who is also in love with Mary. Every boy is unaware that they love the same woman.
Description: A large Christmas tree travels across Bulgaria towards the capital passing birthdays, pregnancies, a suicidal boy and gypsies. The countless stories on the method sketch a realistic and poetic photo of this brand fresh member of the European Union.
Description: After the death of her husband, Pat learns that he gambled away all of their savings and that she's actually destitute. She may even have to leave their apartment. Much to the embarrassment of her daughter Tina, who wants to marry a rich snob, she supports the homeless Dollie, who lives in a cardboard box near her building, and they become mates
Description: After a series of catastrophically failed marriages, Apple is single again. Blame on Apple's attachment is in her opinion, her mother Ingrid. Because this Apple has punished not only with her hippie name, but was in each method a raven mother. When Ingrid spends an All Inclusive holiday in Spain, her mother and daughter are confronted with a dramatic happening from their past.
Description: During the First Globe War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young boy discovers that his mistress is none another than the wife of Maury (Charles Vanel), an aviator friend.
Description: Orson Welles reads the poem especially for this movie by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts.
Description: Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some methods of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, fast ideas, visual puns, cartoons, and political statements.
Description: A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.
Description: Archduke Alexander (Clive Brook) is better known for his sexual conquests than his diplomatic triumphs. After a lifetime of loving 'em and leaving 'em, the Archduke finally meets a woman he can't leave, Hungarian lass Judith Peredy (Billie Dove). She resists his advances but can't hide the fact that she's in love with him. The Yellow Lily was the second of four cinematic collaborations between star Billie Dove and director Alexander Korda.
Description: A boy ran into a girl on a street. She was not attractive, but was a excellent woman for him. After missing the possibility to talk to her, he contemplates on how he could have approached her. Based on Haruki Murakami’s short storyline “On Seeing the 100% Excellent Woman One Pretty April Morning”.
Description: Deniz and her friends, who have been apart for the summer, have much to say every other. While adults are busy with their professional lives, Deniz and her mates are still confused about their university plans. Through the worries of their everyday routines, they create plans for the future, yet the challenges of teenage years/adolescence are burdensome. Deniz desires a life that is various than the ideals of her friends. A song nobody has heard of, a hopeless love, solitude. A various world, but where exactly?
Description: Melanoma My Love, smartly and constantly shifting somewhere between documentary and fiction, is a breath-taking drama. The movie is based on the real storyline of the Israeli actor Yigal Adika and his wife Orit, who suffered and died of cancer. Yigal, a private mate of the directors, plays himself in the movie as Uzi and by doing so re-enacts this unique period in his life. His wife is a ballet dancer and teacher. She is thirty and has been diagnosed with melanoma. With the support of her husband and doctors, she is able to trust in a favourable outcome and wars her disease to the end. The movie closely follows this war by concentrating on the two loving people, their tender relationship and the result the case has on the entire family.
Description: Nutsa, a young mother, lives with her two kids in a suburbs of Tblissi in Georgia. Her partner Goga is in prison. They receive married, so she gains the right to talk to him once a month in the visiting room on the another side of the glass. The ceremony is fast with a strange ambiance. Goga in prison, Nutsa with kids outside, a routine sets in.
Description: The storyline of a terrible girl living in the backwoods of Brazil and working as a maid. One day she is unfairly fired from the house where she was working and goes to the large city, facing a cruel and hostile world, working in factories, bars and bordellos.
Description: The movie is about a tiny boy, Hari, as he finds himself neglected and isolated, and his only delight -- his equally uncared-for grandmother -- while being raised in a very conservative Brahman family.
Description: A deep, unfulfilled love within an erotic triangle. A storyline of believe and betrayal. A storyline of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.
Description: Set in the callous roads of L.A., a group of sleep deprived cab drivers are changed forever by the comeback of a mysterious fresh cabbie and the happenings of one wonderful week.
Description: Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the support of their female colleagues, they wish to improve their work conditions.
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This film is the peak of the Greek cinema. It teaches to the entire globe how a film could be made. It has unbelievable melody and songs, perfect dialogues, sophisticated jokes, and a satisfied end, which we all want, don't we? A powerful mission of this film is that it preserves the picture of the purity of the Greek society in early 1900s, a picture that had already started to disappear, and the makers of the movie seem to know that. It is more a laographical- anthropological work than a movie.All the actors are here in the greatest role of their career. Even the young Tzeni Karezi, in her first role! Avlonitis also became legendary for his performance as the old boy with the golden heart. Fotopoulos plays the patient young boy who follows Pavlaras just because he is too old to do it alone. Something that most folks don't know is that Manos Hatzidakis wrote the melody of this film, and I trust this is the greatest work in his life, too. "Garyfallo st' afti" (=carnation to the ear)remains until today one of the most famous Greek songs. The movie very later had had a sequel, "Laterna, ftocheia kai garyfallo", as effect of the wonderful success it had.It is remarkable that the common folks in Greece like this film more than the "I Kalpiki Lira", which was made with the purpose to become the greatest Greek film of all seasons. Truly, in Laterna, ftocheia kai filotimo the philosophical and another concepts come out more naturally, are not "pushed to". I love this film. Is a part of my life.
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