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L'arciere di fuoco 1971
Description: Also known as The Scalawag Bunch - This bunch is none another than the Merry Boys of Sherwood Forest and their feisty leader, Robin Hood. This is a '70s Italian-Spanish-French ver of the often-played Robin Hood story, sometimes known as Archer of Fire.
Released: 12 Mar 1971 Director: Giorgio Ferroni Writers: Ennio De Concini (story), Giorgio Stegani, Manuel Torres, Manuel Torres, André Tranché Actors: Giuliano Gemma, Mark Damon, Luis Dávila, Silvia Dionisio Genres: Adventure
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See L'arciere di fuoco (Giulia on youtube.

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See Robin Hood, L'Arciere di S on youtube.

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See La leggenda dell’arciere di fu on youtube.

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See O Arqueiro de Fogo 1971 Giulia on youtube.

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See Deserto Di Fuoco (1971) on youtube.

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See The Magnificent Daredevil (197 on youtube.

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See DESERTO DI FUOCO - 1° puntata on youtube.

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See Robin Hood A tüzes íjász Tel on youtube.

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See La ragazza di nome Giulio 1970 on youtube.

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See WESTERN: film completi in Ital on youtube.

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L'arciere di fuoco Reviews:

Giuliano Gemma portrays Robin Hood obviously inspired by the swashbuckling tradition of Douglas Fairbanks, young Burt Lancaster and Errol Flynn, with a never disappearing broad grin vs all odds. All characters in this film either have an ugly beard or a ridiculous Prince Valiant haircut. That was 1970 for ya. "L'Arciere del fuoco", as it was retitled, is a jolly nice B-movie with sense of humour, just the type of thing you will be looking for when you receive bored by ellegant 100 million bucks productions.


I had missed out on this one a couple of times on Italian TV in a relatively brief zone of time; having finally acquired it not too long ago through the very same channels (the movie seems to be only accessible elsewhere in a poor-quality English-dubbed print), I thought actually was high time that I check it out i.e. in the wake of the brand-new Ridley Scott/Russell Crowe epic ROBIN HOOD, since it is yet other ver of these famous happenings – though you would you be hard-pressed to gather as much from the absurdly misleading U.S. moniker! Anyway, having been rendered aware of the film – and I definitely became interested, given the involvement of director Ferroni as well as stars Giuliano Gemma and Tag Damon – one still should not have foreseen just how well-made this turned out to be in all departments! For starters, the look of the movie – courtesy of authentic and expansive locations, a soft-yet-appealing color palette and ellegant costumes – is quite rich for a "Euro-Cult" offering that seems to have garnered so tiny credit over the years. The action, too, is plentiful and vigorous and the performances reasonably committed for this sort of thing; to be sure, while essentially a romp, the movie generally refrains from campiness and ends up a decidedly more considerable effort than, say, Umberto Lenzi's not unenjoyable if invincibly juvenile THE TRIUMPH OF ROBIN HOOD (1962) – which I now watched a day previously as part of a mini-marathon of little-seen outings revolving around this legendary outlaw.More significantly, however, thanks to an above-average script co-written by one of Italian cinema's stalwart scribes – Ennio De Concini – I would tell that the movie under review even approaches the lvl of some of Hollywood's innumerable renditions of the exploits of The Bandit Of Sherwood Forest (to name one of the better, albeit not obvious, such examples). In fact, some of the more interesting twists in the familiar plot include: Gemma as the heir to the Nottingham dukedom despoiled of his heritage; his asking to join the already-established "Merrie Men" but then rising to lead the band and give it purpose; Prince John (whose role, as in the afore-mentioned THE TRIUMPH OF ROBIN HOOD, gets rather downsized here) is played as a slightly effeminate youth; the finale, then, sees the traditional return of Richard the Lionheart (after the many hardships and intrigues in raising the needed ransom) to his rightful throne and Robin's one-on-one with the usurper/oppressor.Damon, a "Euro-Cult" lead in his own right, surprisingly agreed a secondary role in this situation as Allen-a-Dale; that said, he would obtain compensation two years soon with a makeover of other swashbuckling classic, "Ivanhoe", titled THE NORMAN SWORDSMAN and which I have also just gotten keep of. Silvia Dionisio, then, is Maid Marian – who, having been promised to the Duke Of Nottingham when still a kid and oblivious of Robin Hood's real identity, is naturally initially averse to the attentions of the ostensibly commoner outlaw (this lends the entire an unexpected, yet timely, class struggle angle)…and, by the way, she also proves to be Robin's chief rival in the archery contest! Other novelty resides in the presence of a female villain played by Helga Line' (overlooked by the male counterpart she is devoted to in favor of the somewhat bland heroine); more familiar and welcome cast members would be Mario Adorf (as Friar Tuck) and Nello Pazzafini (playing Tiny John – incidentally, he had been the chief baddie's long-suffering lackey in the earlier Lenzi film!). As expected, the score by Gianni Ferrio is a rousing one (albeit intermittently punctuated by a jubilant yodel!) which cements a surprisingly solid overall achievement.


This is an estimable ver of the popular storyline ,with interesting variants.Giuliano Gemma is an all-smile Robin and he has plenty of go and dynamism;he has often played in costume journeys ,notably in the popular "Angélique " saga in which he played the heroine's childhood's mate ,Nicolas.The screenplay is rather well constructed for a "spaghetti " Robin;the character meets his celebrated friends after half an hour and Marian herself shortly afterward .Marian is not like the another ones,she refuses to be the damsel in distress,she dresses like a boy and she takes part in the macho archers competition! Marian and Robin were engaged when they were 8 or 9 ,the character knows it but she does not recognize him ("he's a yokel,crude and uneducated and I 'm a noble") :it gives some fine lines between them .Tuck,warning in Latin his friends danger is around the corner while pretending he is praying is also a nice moment of humor .



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