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Description: Abandoned as a baby, journalist Yue has only resent for the parents she never knew. While covering a tragic storyline about a girl and her unborn child, Yue receives news that her foster mother is dying. Her final want is for Yue to meet her birth mother. With only a train ticket as clue, Yue embarks on a sweeping adventure through China to search her mother and the truth behind her abandonment.
Description: When a fatal kidnapping ignites a firestorm of suspicion and rage in idyllic 1933 San Jose, California, a hard-nosed young reporter takes on the powers-that-be to prevent the lynching of two boys he believes are innocent.
Description: Paul is married, a successful engineer, and a conservative candidate in an upcoming local election. He falls in love with Adriana, a café waitress from Italy. Paul's party is very critical of foreign labour and wants to hold Switzerland to the Swiss. Where Paul falls deeper and deeper into the relationship and is ready to leave his wife, Adriana feels the social pressure growing and has to create her own decision.
Description: Aurelio Rodríguez is released from jail, and tries to begin a fresh life marrying Paloma and working his land. But the local landowners, the brothers González, interfere with his plans.
Description: Movie ver of the Royal Shakespeare Company's 2012 production of Shakespeare's fast-moving thriller. A vivid storyline about a struggle for democracy, Julius Caesar is also a love storyline between two boys united by an explosive act of political violence. The setting is a modern African state in which the tyrant Caesar is about to seize power. Cassius persuades Brutus to join the conspirators plotting an assassination. Featuring a distinguished cast of black actors, the movie is shot on zone and in the RSC's theatre at Stratford-upon-Avon
Description: As a capacity crowd holds their breath, sophomore sensation DELROY LINKS falls dead during the largest minigame of his career. Simultaneously, Delroy's death effectively ends the career of brand-named college basketball coaching legend, PHIL NEVERS. Rumors allege Nevers chose to withhold reports of Urls condition in an effort to safe the symposium championship. Two years later, and after a five-year hiatus from competitive athletics, MT. CHRISTOPHER UNIVERSITY reinstates their athletic program. And like most universities looking to jumpstart a newly awakened sports program, they need an influential personality to not only safe a winning team, but to validate the existence of that program.
Description: Here's an interesting Italian/German co-production, full of topics from 1968 protest, recalling the two infamous "bikini thrillers","Interrabang" and "Top sensation", in which three young beauties (Rosemarie Dexter, Doris Kunstmann and Laura Troschel), alluring their male mate (Bernard De Vries), embark on a adventure in a luxury yacht around the coast of Yugoslavia, plenty of bedhopping, nudity and the usual hijinks occur before things take a sinister turn when they decide to lock themselves in a cabin and dose up on LSD
Description: A group of folks gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one mission or other years before; every trying to cope with the tragic consequences of the fight and their own actions.
Description: Edwige Feuillère and Pierre Richard-Willm star in director Jacques de Baroncelli's adaptation of the Balzac novella The Duchesse de Langeais, which says the tale of a Parisian socialite who is romantically pursued by a Napoleonic fight hero. With a screenplay by Jean Giraudoux.
Description: When a desperate fashion photographer bets his rival he can turn an ordinary woman into a super-model, he has no concept of the consequences -- especially when he falls for her.
Description: On the back of the Wall Road ruin of 1929, a young business boy is looking to commit suicide. With the note to his wife scribbled down and his gun in his hand, he notice a thick envelope addressed to him at the desk, marked "personal, urgent!". As he start to read, we're taken back to the days of WW1 and his meeting with a young girl called Mary Lane (Margaret Sullavan, in her film debut).
Description: It started as a friendly meeting between 4 old buddies with their basketball coach and ended up in revealing the truth about their relationship. The meeting forces the five boys to reveal their real identity, to be honest with every another for the first time in their lives. When the night comes to an end they decide to go back to the old glorious days and reunite into the squad which won that championship season, back in 1957.
Description: Director Julien Duvivier's 1943 anthology movie says three tales of the supernatural. The first storyline is set at the Mardi Gras in Fresh Orleans, the second involves a psychic who predicts murder, and the third is about a boy who literally meets the woman of his dreams.
Description: The Spanish missionary reaches Kattinga Santiago Hernandez, India, to succeed Father Daniel, seriously ill and died few days later. Sandem, dealer and usurer lends cash to the Indians, who are forced to work as slaves in a mine when they can not pay their debts. To end this situation, Father James is responsible for the debts of the entire tribe. But when due on promissory note signed, Sandem demands money. In these circumstances, start to reach the Indian village suffering from plague.
Description: In this French drama, a teenager falls into a life of crime, tiny realizing the consequences. S. is a moody young boy who loses his job at a bakery, and decides to throw in his lot with a group of thieves about the same age as himself. S. and his cronies are strictly small-timers, pulling off second-rate break-ins for an older crime boss, but his willingness to do what he's said supports him rise up the ladder to bigger and more lucrative jobs. However, S. lacks the maturity or experience to deal with the risks, and after a several disastrous mistakes, he finds his fortunes sinking far faster than they rose.
Description: The movie is an adaptation of the dystopian novel by Jean-Pierre Andrevon; Set in a futuristic and overpopulated Paris, where the population gotta be limited to Six millions citizens. The Ferret is a unique unit that "reduces" the population. The character is one of them, and does this work without any state of mind. Until one day when he begins to think and then gets into troubles. The term ferret is a reference to the game of the novel "The job of the ferret inside the chicken coop"
Description: With freshly rechristened characters and brand-new dialogue, this British TV production of Othello is a "rethinking" of Shakespeare's play, albeit still retaining the original's power and potency. The storyline is set in the London of the near future, a crime-ridden metropolis virtually torn apart by racial hostilities. By order of the Prime Minister, black police officer John Othello (Eamonn Walker) is promoted to Commissioner, a post dearly coveted by Othello's friend, mentor and fellow officer Ben Jago (Christopher Eccleston). Seething with jealousy, Jago contrives to discredit Othello in the eyes of the public, and to destroy John's interracial marriage to the lily-white Dessie (Keeley Hawes). Among those used as unwitting dupes to gain Jago's ends are Othello's trusted lieutenant, Michael Cass (Richard Coyle), scrupulously honest police constable Alan Roderick (Del Synnott), and Jago's own wife, Lulu (Rachael Stirling).
Description: At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he purchased drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his kid - as they talk about their lives at the meeting
Description: At the center of one of Hollywood's most notorious burglary rings in 2009 was a group of average, middle-class teens from a quiet suburb. This is the behind-the-scenes storyline of how Nick, a shy, awkward boy, lured by the promise of popularity and acceptance, found himself following his glamorous, charismatic greatest mate Rachel into breaking into celebrities' houses and robbing them of millions of dollars in clothes and jewelry.
Description: High school chums Herman and Shelly navigate the odd transition from much-hyped youthful art prodigies to overlooked adult artists. Ambitions are pitted vs lifelong bonds, with the zany mess of the art globe acting as an ever-changing backdrop.
Description: Robert MacGregor and Gladys MacGregor is a marriage that is dedicated to hunting outlaws wanted by the justice. But instead of delivering them alive, slay them in order to steal from them and also accumulate the reward. She deceives them and he kills treason, winning the love of nice gunslinger. But ambition leads them to face a cruel and cunning murderer who kills for Donna. However, a mysterious stranger appears, Ross Stewart which initially appears to be from Robert. However, when the latter's wife dies, he unveiled plans stranger ...
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First off, I can see why this movie is going to be a box-office flop and why critics and audiences alike will not like it. I, who usually disagrees with most audiences, at least, thoroughly enjoyed this film. The story itself is rather ridiculous, I gotta say. Some woman shows up in a pool? She's a what-a narf? I went into the film thinking I would hate it, but I came out knowing that I had seen a work of art. That's right. It was art.First of all, it's a nice family film, with enough tense moments to hold you watching, and enough laugh-out-loud moments to calm you down. It was refreshing for once to see a movie with good, clean humour. The dialogue was not necessarily hilarious, but the actors, especially Paul Giamatti (Cleveland) delivered the lines extremely well.The acting was tremendously well done also. Paul Giamatti is everytime fantastic, and while Bryce Dallas Howard seemed to act in the same manner as she did in The Village, she was still convincing. The ensemble cast worked well together. Some might bash M. Night for casting himself in a not-so-cameo role, but he proved that he can now act! No, his performance will not victory him an Oscar, nor could it, but I think there is definite talent there. I hope to see him in bigger roles, in movies not his own.The plot had many twists, maybe too many, but no matter. I kept trying to guess what was going to happen, but it I was everytime wrong. It was quite interesting.What most made this movie a work of art was the directing. M. Night has a rare talent that will go fully under the radar for this movie because no one will see it. The camera angles were inventive-that's right, inventive. I may be one of the several who now cares about camera angles and how a stage looks, but it looked great. The final product was polished.I truly trust this movie is M. Night's greatest work. He made the storyline up himself, wrote a screenplay that made us laugh, smile, cringe, and jump just a little, and directed a nice ensemble cast including himself. Quite a feat. So before everyone begins ranting about how stupid the story is or how "so-not-scary" the movie is, just appreciate the uniqueness of the film, and remember what makes this movie good. Forget the crazy story. It's everything else!
Bottom line: Phili gotta be a crazy zone to live.I walk into each M. Night movie knowing, nice or bad, I am going to see a picture that is imaginative, original, and full of hope. This is one of very several writer/directors who now strive to bring something fresh to the cinema on every various outing.So, how was the film? Good. Dare I say, great? If you like his films, this one will definitely hit you deep. You'll place it at the top of your "M. Night List", and be glad to have it in your DVD collection soon this year.First, the acting. We all know Night has a habit of picking actors from the same pool. Folks he knows, trusts, and has worked with before. Willis has helmed two of his films, while Joaquin other two. This will be Bryce Dallas Howards second as well. We are used to Night writing his lead characters as more of a shadow of a boy that once was. A tragic figure; this is no various in "Lady In The Water".Giamatti plays Heep very, very well. But, because of Giamatti's inclusion into Nights' world, we see things much lighter. Willis, Gibson, and Phoenix had a habit of turning everything dark and dreary. And while Giamatti is still a tragic figure, he is eager to trust and more than willing to take the word of a half naked woman in his home. I, personally, trust that he is the best actor Night has worked with. And the result? A much lighter film. Thank God.This is a fantasy. Not a horror, not a movie with a twist (spoiler: there is none), which is good, because a twist would have place Night into an early grave. As a fantasy, a bed time story, Night treats us like children. Characters speak their inner dialogues, monsters with interesting names plague us at each turn, and the residents of this apartment complex are as interesting and comic as they are important.There is still the necessary Night message: Purpose. We all have one. We all are meant to be somebody. Now, all we have to do is figure that out.Even the intro reads like a children's' book; illustrations dance about in order to make a younger element to this tale.The plot is simple. Nymphs, beasts, guilds, healers, etc. Almost like a role-playing video minigame in a sense.The melody and cinematography? Night kept his all-star team, and the project was helmed and sculpted beautifully.The faults? I dare tell Night should have done with less characters. They all seemed important, but it crowded the screen, and left us with a question: Is this that persons' only purpose? That's sad.But, have fun with this film. It's a treat, as rare as Nights' movies are.Night brings a globe of reality into a globe of dreams, and the saddest mission of the film, was when we had to wake up.
I can't rate this film.When I go to see a Shyamalan film, I expect to be entertained and stimulated, but I never know exactly how this will be accomplished. Shyamalan's movies test ambiguity aesthetically and he draws his audience through the seduction of interpretive participation. Of all of his films, perhaps Lady in the Water does this most profoundly. Although I understood the whole movie - the plot, the themes, the way - I walked away asking "what the hell did I just see?" It's simple enough to categorize the film. Lady in the Water is an absurdist comedy. But it makes you ask yourself why you are laughing. With Shyamalan's talent as it is, it is impossible for me to trust that any aspect of the humor of this movie was unintentional. Yet the another side of LITW is dark fantasy, in the tradition of Michael Cohn's Snow White.With a cast David Lynch would have been satisfied with, Shyamalan says a fable from East Asia as it is experienced by a superintendent (Giamatti) at an apartment complex full of mundanely odd characters. A strange and pretty young girl (Howard) has emerged from the complex's pool, apparently seeking contact with the surface globe so she can search folkloric archetypes who can protect her from the evil monsters that hunt her and return her to her globe beneath the waves.Giamatti, Howard, and Shyamalan himself are all very entertaining. Howard - a very unusual looking and uniquely cute girl - is shot so beautifully that it is very hard to take your eyes off of her. M. Night's performance is so bizarre, it is difficult to say whether or not he is acting.LITW is definitely the strangest movie I have seen from Shyamalan. I have been up and down with him since the beginning of his career, enjoying his early films, very much disliking Signs, and being impressed with the Village. I trust that with the Village and LITW, M. Night is establishing a fresh and special direction for himself. And if he keeps going this way, I will gladly follow.
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