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Lady in the Water 2006
Description: Apartment building superintendent Cleveland Heep rescues what he thinks is a young girl from the pool he maintains. When he discovers that she is now a hero from a bedtime storyline who is trying to create the adventure back to her home, he works with his tenants to protect his fresh mate from the monsters that are determined to hold her in our world.
Released: 21 Jul 2006 Director: M. Night Shyamalan Writers: M. Night Shyamalan Actors: Paul Giamatti, Bryce Dallas Howard, Jeffrey Wright, Bob Balaban Genres: Drama, Fantasy, Mystery, Thriller
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Lady in the Water Reviews:

First off, I can see why this movie is going to be a box-office flop and why critics and audiences alike will not like it. I, who usually disagrees with most audiences, at least, thoroughly enjoyed this film. The story itself is rather ridiculous, I gotta say. Some woman shows up in a pool? She's a what-a narf? I went into the film thinking I would hate it, but I came out knowing that I had seen a work of art. That's right. It was art.First of all, it's a nice family film, with enough tense moments to hold you watching, and enough laugh-out-loud moments to calm you down. It was refreshing for once to see a movie with good, clean humour. The dialogue was not necessarily hilarious, but the actors, especially Paul Giamatti (Cleveland) delivered the lines extremely well.The acting was tremendously well done also. Paul Giamatti is everytime fantastic, and while Bryce Dallas Howard seemed to act in the same manner as she did in The Village, she was still convincing. The ensemble cast worked well together. Some might bash M. Night for casting himself in a not-so-cameo role, but he proved that he can now act! No, his performance will not victory him an Oscar, nor could it, but I think there is definite talent there. I hope to see him in bigger roles, in movies not his own.The plot had many twists, maybe too many, but no matter. I kept trying to guess what was going to happen, but it I was everytime wrong. It was quite interesting.What most made this movie a work of art was the directing. M. Night has a rare talent that will go fully under the radar for this movie because no one will see it. The camera angles were inventive-that's right, inventive. I may be one of the several who now cares about camera angles and how a stage looks, but it looked great. The final product was polished.I truly trust this movie is M. Night's greatest work. He made the storyline up himself, wrote a screenplay that made us laugh, smile, cringe, and jump just a little, and directed a nice ensemble cast including himself. Quite a feat. So before everyone begins ranting about how stupid the story is or how "so-not-scary" the movie is, just appreciate the uniqueness of the film, and remember what makes this movie good. Forget the crazy story. It's everything else!


Bottom line: Phili gotta be a crazy zone to live.I walk into each M. Night movie knowing, nice or bad, I am going to see a picture that is imaginative, original, and full of hope. This is one of very several writer/directors who now strive to bring something fresh to the cinema on every various outing.So, how was the film? Good. Dare I say, great? If you like his films, this one will definitely hit you deep. You'll place it at the top of your "M. Night List", and be glad to have it in your DVD collection soon this year.First, the acting. We all know Night has a habit of picking actors from the same pool. Folks he knows, trusts, and has worked with before. Willis has helmed two of his films, while Joaquin other two. This will be Bryce Dallas Howards second as well. We are used to Night writing his lead characters as more of a shadow of a boy that once was. A tragic figure; this is no various in "Lady In The Water".Giamatti plays Heep very, very well. But, because of Giamatti's inclusion into Nights' world, we see things much lighter. Willis, Gibson, and Phoenix had a habit of turning everything dark and dreary. And while Giamatti is still a tragic figure, he is eager to trust and more than willing to take the word of a half naked woman in his home. I, personally, trust that he is the best actor Night has worked with. And the result? A much lighter film. Thank God.This is a fantasy. Not a horror, not a movie with a twist (spoiler: there is none), which is good, because a twist would have place Night into an early grave. As a fantasy, a bed time story, Night treats us like children. Characters speak their inner dialogues, monsters with interesting names plague us at each turn, and the residents of this apartment complex are as interesting and comic as they are important.There is still the necessary Night message: Purpose. We all have one. We all are meant to be somebody. Now, all we have to do is figure that out.Even the intro reads like a children's' book; illustrations dance about in order to make a younger element to this tale.The plot is simple. Nymphs, beasts, guilds, healers, etc. Almost like a role-playing video minigame in a sense.The melody and cinematography? Night kept his all-star team, and the project was helmed and sculpted beautifully.The faults? I dare tell Night should have done with less characters. They all seemed important, but it crowded the screen, and left us with a question: Is this that persons' only purpose? That's sad.But, have fun with this film. It's a treat, as rare as Nights' movies are.Night brings a globe of reality into a globe of dreams, and the saddest mission of the film, was when we had to wake up.


I can't rate this film.When I go to see a Shyamalan film, I expect to be entertained and stimulated, but I never know exactly how this will be accomplished. Shyamalan's movies test ambiguity aesthetically and he draws his audience through the seduction of interpretive participation. Of all of his films, perhaps Lady in the Water does this most profoundly. Although I understood the whole movie - the plot, the themes, the way - I walked away asking "what the hell did I just see?" It's simple enough to categorize the film. Lady in the Water is an absurdist comedy. But it makes you ask yourself why you are laughing. With Shyamalan's talent as it is, it is impossible for me to trust that any aspect of the humor of this movie was unintentional. Yet the another side of LITW is dark fantasy, in the tradition of Michael Cohn's Snow White.With a cast David Lynch would have been satisfied with, Shyamalan says a fable from East Asia as it is experienced by a superintendent (Giamatti) at an apartment complex full of mundanely odd characters. A strange and pretty young girl (Howard) has emerged from the complex's pool, apparently seeking contact with the surface globe so she can search folkloric archetypes who can protect her from the evil monsters that hunt her and return her to her globe beneath the waves.Giamatti, Howard, and Shyamalan himself are all very entertaining. Howard - a very unusual looking and uniquely cute girl - is shot so beautifully that it is very hard to take your eyes off of her. M. Night's performance is so bizarre, it is difficult to say whether or not he is acting.LITW is definitely the strangest movie I have seen from Shyamalan. I have been up and down with him since the beginning of his career, enjoying his early films, very much disliking Signs, and being impressed with the Village. I trust that with the Village and LITW, M. Night is establishing a fresh and special direction for himself. And if he keeps going this way, I will gladly follow.



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