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Description: With her California hometown in the rearview mirror, Belle heads north on business to catalog the sale of a huge mansion. While the job is a dream, the client, Hunter Lowell, is not. But, as the two spend more time together, his icy demeanor starts to melt. Although their relationship is budding, Belle’s long-time suitor, Tony, arrives, sending mixed signals to Hunter while adding chaos to the vacation season.
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Description: In 1919, during the post-revolution Russian Civil War, a naval detachment (made up of communist Reds) defends the strategic town of Petrograd from the White Russian counterrevolutionary forces
Description: As children, Leni and Lazar were greatest friends. When Lazar returns from extensive travels abroad for his father's funeral, Leni yearns to reconnect with her childhood soulmate but still feels the sting of their years of estrangement.
Description: Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland play successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the tip of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the case worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
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Description: Ricardo Monteiro is a successful tv producer specialising in reality shows. He is 45 years old and he has just received an award for the most famous tv present of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. If he does not come home that same evening to celebrate her birthday he will never see her again. Ricardo is distracted by business or another commitments and he is too late for the last flight home. When he returns next day the apartment is empty and Leonor is gone. At first Ricardo thinks that it is only a game, but there are no smartphone calls or messages and after a while he gets worried and begins looking for her. He discovers that she has quit school without saying him and that she has lost all contact with her old friends. She has become a finished stranger.
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Description: A man from a wealthy family is everytime socializing with the wrong group of friends. He is very mischief and everytime involved in gang fights. One day he met a woman and falls in love with her. The girl, Azura, soon changed the boy's hero and he became a nice and well mannered boy. He proposed to Azura but thier marriage was objected by his parents because Azura comes from a terrible family. Despite of his parents objection, he marries Azura and leaves behind all his family's wealth. He works as a laborer to help Azura. Everything was excellent until one day Azura is found to be pregnant. Her husband suspects that the baby she is carrying does'nt belong to him. Misunderstanding then arise between them...
Description: A Raiz do Coração (A Root of the Heart) is a Portuguese movie set in the Lisbon during the festivities of Saint Anthony, the patron saint of lovers and the old town. The storyline is about Cato, a nationalist politician who is charismatic and unscrupulous. He obsessively pursues Silvia, a mystical and mysterious young transvestite whom he meets at the festival. When Silvia runs into Vicente, a policeman who arrests transvestites and threatens them, Silvia gotta look towards blackmail to save herself. Compromising images of Cato begin to emerge among opposition parties and he gotta do all in his power to save his political career.
Description: Ashley was raised in a picture excellent all-American family with two moms, two grandpas, two uncles, and a tiny brother. But Ashley has a problem, she has a crush on a man at school, which is vs everything this globe has ever taught her.
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Description: This ethereal, three-hour biopic is the middle movie in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely famous German author, who set many of his journey novels in an idealized ver of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.
Description: Raju (Skanda or Suraj), Winnie (Vani Kishore), Udhayan (Manikuttan) and Cherry (Ramesh Pisharody) who are close mates forms a melody troupe. In the meantime, Raju begins an affair with a young woman called Jyothi (Ananya). But one day jyothi left hostel without saying anything to Raju. Winne's parents test to receive her married off to a Police Officer called Aniyan (Jayasurya). Even though this marriage doesn't takes place, something drastic happens. They actually has to face Aniyan, who confronts them as a police officer.
Description: First of a Trilogy: In a Fresh York ravaged with acid rains, a boy in his twenties meets a mysterious, yet familiar young girl who disrupts the banality of his day-to-day existence. Together, they will embark on a surreal adventure with a devastating climax.
Description: A boy and a boy, traveling to an unknown destination, search respite in a motel swimming pool. On the surface all seems normal, but nothing is what it seems to be. Short movie not to be confused with the 2017 detail movie with the same name.
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Short stories often create better movies than full novels as is evident in the situation of JD Locke's 'Ladies in Lavender' as adapted for the screen and directed by the multi-talented Charles Dance. Given the barest outline of a quiet tiny concept of a 'fairy tale', LADIES IN LAVENDER becomes an unfolding meditation of quiet lives altered by an incident that awakens sleeping needs and emotions.Ursula (Judi Dench) and Janet (Maggie Smith) are elderly sisters living a quiet life of gardening, strolling the cliffs and beach of Cornwall, knitting, and reading. Their bumpy housekeeper Dorcas (Miriam Margolyes) cooks, cleans, shops, and chatters in a unbelievable Cornish brogue, allowing the sisters to live an otherwise isolated life - isolated from history, private emotions, and vulnerabilities. After a storm Ursula spies a figure on the beach below their home and the two descend to search an unconscious handsome young boy whom they rescue, house, nurture, mend a broken ankle and ultimately become doting adorers. The young boy Andrea (Daniel Brühl) finally awakens, speaks no English as he is Polish, and his charming methods attract inner emotions in both sisters. Janet studies some German and is able to speak with Andreas, while Ursula pastes English words on stuff in his room to teach him English. He mends and it is discovered that he is a concert violinist who was shipwrecked while striving to go to America. A Russian visitor to the town, Olga (Natascha McElhone), the requisite 'evil witch' for a fairy tale, hears Andreas play, informs him she has a cousin who is a popular violinist, and attracts him away from Cornwall to London where he ultimately gives his own concert.Those are the bare facts of the film's story. The magic lies not in the storyline itself but in the submerged feelings of the two sisters. Ursula, having never been in love in her youth, falls in love with Andrea, totally aware that there is no chance of consummation. She feels long desired emotional attachment to the lad and the stirring in her breast is overwhelming to her. Janet, who once loved but lost that love to death, likewise falls for Andrea. It is this sibling rivalry over the passion for Andrea that provides some of the most touching and understated brilliant acting moments ever recorded on film. There is a stage where, resting from a stroll on the cliffs, Andrea rests with his head on Ursula's lap, perhaps the first physical contact with a boy she has ever known, and the gentility of the slow and reticent placement of her hand on Andrea's resting head is a crystal of acting magic. How the sisters cope with this time with Andrea and his eventual leaving for his career is the climax of the film. And touching and understated it is.Judi Dench and Maggie Smith give pitch excellent characterizations, creating two lovely beings we will never forget. Likewise Daniel Brühl is magnificent in a role far various from his usual German repertoire (Goodbye Lenin!, The Edukators, Love in Thoughts) and manages to make the illusion that he is now testing the violin (while the real artist is Joshua Bell in some stunning performances). The atmosphere of Cornwall is magically captured by Dance and his cinematographer Peter Biziou with assistance from Ed Rutherford. Nigel Hess has written a musical score, incorporating well-known classical violin works as well as his own hauntingly pretty melody that adds immeasurably to the film's success.LADIES IN LAVENDER is not a major blockbuster of a success nor does it test to be. It is simply a exquisitely crafted and acted fairy tale that gently reminds us that age does not prevent the heart from responding to that most pretty of emotions, Love. Highly recommended. Grady Harp
This movie bursts into life in a several electrifying scenes - but these scenes are perhaps muted by the general leisurely air of the whole.What can be told is that this movie belongs to Maggie Smith: although Judi Dench has the lovelorn role of the smitten sister, it is Dame Maggie who has the wider tons of emotions, the presence, and the charisma which gives the movie the energy it needs to involve the viewer. A situation in mission is the stage where Dame Judi has her mission of emotional release - and Dame Maggie tops it with just the slightest nuance of phrase. Indeed, hers is a performance of subtlety and delicacy, so understated and insightful, that it recalls the outstanding work that she did in "The Lonely Passion of Judith Hearne". If it was up to me, Dame Maggie would be right up there in contention for the Oscar and BAFTA. She is, of course, perfectly paired with Dame Judi, who creates a portrayal of both pathos and charm. There is such rapport between the two that it wipes away memories of the caricatures of "Tea With Mussolini" and replaces it with genuine truth and humanity. The two dames are underscored by the comic bluster of Miriam Margolyes and the suspicious lusting of David Warner. This is a movie of emotion and elegance. If it lacks narrative drive and dynamic then it is more than made up for by the zone created for the talents of the actors. It is a movie which lives on in the memory - and for that we mainly have to thank the performance of Maggie Smith.
For some reason, I dvr'd this film the another day, because I love the Dames Maggie Smith and Judi Dench. I didn't watch it until last night. I started at 1am and watched the entire thing, even though I was exhausted. I am an old romantic.At the beginning, my mate and I just couldn't figure out what was wrong with Ursula and we figured out she was falling in love with the boy. Wow! It was so obvious after a while, and I reminisced about the time I fell in love with someone so much younger than me. It was a treat to see Maggie Smith, trying to protect and comfort her sister in her obvious agony of the just impossible love she was feeling for the boy. How sad.The end was a poignant and subtle end to a fabulous SHORT story. I now thought they were in the islands off the southern coast.. I trust they are Jersey.. (like "The Others", and didn't realize it was pre-WWII, hence the tip at all of the Britons suspicions of Germans at the time.What a fabulous story. I absolutely loved it!.
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