See En cine nos vemos - La edad de.
See (PROMO) La edad de la peseta.
See LA EDAD DE LA PESETA (Trailer).
See LA EDAD DE LA PESETA.
See Confesiones entre actrices (19.
See Perfect Fit (2001).
See CINE TAINIA FULL MOVIE.
See La empresa perdona un momento .
See Entrevista con Pavel Giroud pa.
Description: In Globe Fight II veteran Lolo Melo enjoys regaling his grandson Jobert with fight stories, one of which contains Lolo's participation in burying the famed Yamashita treasure. When Jobert heads to Manila to unearth the cache, tiny does he know that he has competition: A shadowy G-man and a soldier of fortune are also in pursuit of the loot.
Description: Prequel to the 2013 Charles A. Christman III short movie "Masks" that shows the origins of how the boy became "The Mask" and the internal struggle that soon leads to murder. When Tim comes home from work, he finds his greatest mate waiting for him in a disoriented state. While trying to inquire and remedy the situation, he comes to search out that his childhood mate is no longer there and a darker, dormant presence is taking shape.
Description: The movie around the intelligence officer Captain Smith plays in the headquarters of a British tank regiment shortly after the beginning of the invasion of 1944, where Le Havre waws to be overrun by allied units and forced to surrender. Smith refuses to continue the war as he is convinced that the fight has become meaningless, he came to that conclusion due to the denial of the request of a German general to evacuate the French civilian population.
Description: Krishnasamy (Arjun Sarja), a respected man, and Samiyappan (Thilakan) are in a feud for few years. Amudha (Nikitha), Krishnasamy's daughter, hates her father because she thinks that he is a killer. A several years before, Krishnasamy was a tea master with his mate Kandhasamy (Goundamani). After his father's death, Krishnasamy had a lot of responsibility. He fell in love with Sindhamani (Roja). In the meantime, Samiyappan, a local don, canceled his engagement because Sindhamani's father promised Sindhamani to his son (Raja). One day, Krishnasamy ridiculed Samiyappan in a politic function. This humilition irks Samiyappan, so his henchmen burnt Krishnasamy's house and Krishnasamy's brother who was in the house died. In anger, Krishnasamy entered Samiyappan's house and fought vs his henchmen but an honest police officer (Nagesh) arrested him before he committed murder. The police officer gave him a point : stopping Samiyappan's illegal activities.
Description: 1227, the last night of dying Genghis Khan. With promises and threats tyrant tries to persuade captive Otrar physician Akerke, the widow of the scientist, who was killed by Mongol soldiers, to save his life. But patriotic girl does not wish to deliver the oppressor of his folks and severely exposes his bloody tyranny of power.
Description: The storyline follows the sporadic reunions of six mates during the seven year period of their integration into society. The reunions take zone on their ancestral island, the setting of their common past. Each time they return "home" they carry with them the effects of their private choices. They also carry with them the results of modern Greek society, a society the slowly but surely changes them, weathering their relationships, until they gradually lose contact with every other. The end of this epoch, will search them dispersed, confronting the dawn of an era where the pursuit of individual ambitions reigns.
Description: Nilufar, a woman living downtown, is about to marry a boy living uptown. But one day, troops come and plant barbed wire to separate the two towns. The life of the people, who have thus far enjoyed peace, actually falls into severe chaos. Students gotta take classes with barbed wire in the middle of the classroom, and it becomes hard to go to the hospital. However, the largest trouble is Nilufar's wedding. Kirill, the chief of the climate observatory, tries his greatest to support her wedding, but then a poor tragedy occurs.
Description: A perpetual third wheel and awkward outsider, Joanna increasingly inserts herself into the relationship of her more charismatic roommate Isabel. The two girls use every other's sexual and emotional boundaries in this surreal manifestation of jealous rivalry.
Description: Werther was one of the last detail movies that Jean-Pierre Lajournade made for television. The Lajournade's ver of Werther makes a critical rereading of Goethe's work through a challenge to bourgeois society.
Description: Swati Azad and Mridula are two inseparable mates in college. After successfully completing their college, they receive married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, other former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was now killed by the Lal family. Mridula gets keep of Swati’s diary, reads it, and concludes that the Lal family did slay Swati. She has the situation reopened, files different documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will search out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none another than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and says her that she is losing her sanity.
Description: Alice is a girl in her late thirties. Her life is in a rut. Every day at her work at a supermarket looks the same. Testing the piano is the only highpoint in her life. Then one day a mysterious stranger comes into her life.
Description: Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him immediate acclaim and immediate censorship. He fled Croatia and lived in Germany; he died there in 2004. Terrible People, a “collective scream” of Cold Fight fear, was produced just after he left his country.
Description: "Wild monsters flee in terror as a strange missile flies overhead. As it passes over the sleeping city, the world's leaders and wise boys look upwards. The missile explodes, destroying humans, wild monsters and the World itself. A Short Vision became one of the most influential British animated movies ever made when it was screened on US tv as part of the famous Ed Sullivan Show. Although kids were advised to leave the room while it played, it still caused outrage and alarm with its graphic representation of the horrors of nuclear war. But it also caught the mood of the times, since the mid-1950s was the height of both the Cold Fight and nuclear paranoia, as depicted (sometimes allegorically) in such American movies as Invasion of the Body Snatchers (1956) and The Wonderful Shrinking Boy (1957)."
Description: After a life of richness, a conservative industrialist blames himself for abandoning his youth's left values. In existential misery, he keeps looking for a possible private redemption after a foreign company buys his business. His life breaks into pieces.
Description: Ankica is the proud owner of a legitimate massage salon, which she runs with her greatest mate Ljilja. She dreams of keeping her out-of-work husband and adult daughter in comfort while supporting Ljilja pay for her son's recurring rehab programs. But in reality, Ankica’s debts are mounting, and she refuses to add satisfied endings (sexual favors) at the salon to increase revenues. When a loan shark threatens to take her apartment if she does not repay her debt, in desperation, she turns to crime.
Description: 17, rue Bleue is an autobiographical drama about an Algerian immigrant's self-destruction in Paris. In it, director Chad Chenouga recounts how his mother, Adda, came to France as an illegal alien, hoping to escape the haunting secrets of her native land, and seeking a fresh life of wealth. When Adda falls in love with her employer, a wealthy Parisian called Merlin, she believes her fortune is within reach. But troubles start when Merlin suddenly dies, leaving behind no clear will. Adda, believing in the Algerian superstition that a beauty tag on her son's hand signifies nice wealth to come, throws herself into a losing court war to victory Merlin's estate. As legal defeats mount up, Adda turns to drugs, driving away mates and family members, until she's left with only her son, Chad. When he turns 16, his mother dies from her many years of drug abuse.
Description: While trying to push away a tiny man who keeps coming near his cottage at the river, a whimsical mayor meets boy's mother. These folks search difficult to create contacts because of their own troublemarks from the past, even though they know that the common effort is required for the future and survival.
Description: In Milan, an unwed mother, forced to flee from her city because of the scandal, meets a doctor who falls in love with her and marries her. But the couple's relationship breaks down almost immediately: the husband is unable to leave behind the woman's past and can not stand a son not his. So Dina, in an attempt to readjust the rapport, entrusts the kid to the care of the mother of her seducer (meanwhile deceased). But the sacrifice is beyond her strength, and she's later taken by the irresistible desire to receive her kid back: in damp and foggy night, on her method to the station...
Movies Like The Master: A Lego Ninjago Short 2016
Movies Like DIY Country 1980
Movies Like The Master Builder 1988
Movies Like The Winslow Boy 1989
Movies Like Alkarısı: Cinnet 2015
Movies Like Dirk Scheele: op de boerderij en andere afleveringen 2013
Movies Like Eva und Adam 1973
Movies Like Descendants 2 2017
Movies Like Beyond 2016
Movies Like Surga yang ke 2 2016
Movies Like Nirgendland 2015
Movies Like Yola Geldik 2016
Movies Like Silver Skies 2016
Movies Like Cocks & Crosses - Musikken som ikke ville dø 2016
Edad dela Peseta or "silly age" is the term used in Cuba for the pre-adolescent period from the age of seven to the age of eleven. Giroud's stylish, assured period study of this awkward time takes him back to the very moment of the revolution of Fidel Castro, to 1958. The entire movie is a bit tongue in cheek. Samuel (Iván Carreira) is ten. He's so sophisticated and handsome-looking it's a bit difficult to trust that, but everything is heightened. Samuel is the Rudolf Valentino of tiny boys. Except that sometimes he still wets his bed. This is Havana as Hollywood. The movie is brightly-colored, as tasty as a box of fine candies, but its elegance is tinged with the acid of irony. The writing never pushes its points too hard, and the effect is pure pleasure. Coming of age may be a well-worn theme, but there is everytime room for fresh variations. Samuel's utter self-possession, defiance, and nice looks deliever a new mix.Samuel is brought to Havana by his mother Alicia (Susana Tejera), newly divorced--but not for the first time--to live with her long-ignored mother Violeta (Spanish actress Mercedes Sampietro). Violeta is a piece of work. She teases and commands Samuel, tries to intimidate him a little, threatens him with being sent away to school. (He's everytime in a the white shirt and tie he wears at his Catholic school.) Then rather suddenly he becomes Violeta's protégé. They hit it off. He's as strong-headed as she. She's a portrait photographer; he becomes her assistant. She threatens him to create him work for her, but she needn't; he likes it. Gradually a "nice" relationship between Violeta and Samuel develops. One wouldn't call it "warm," but they're close allies, two of a kind. For him she's a bridge toward nice things to come. He's probably at least as grown up as she is.Samuel also gets to watch "television" of a very unique sort that a girl of ill fame shows his classmates--a stage out of Fellini's Amarcord, but like everything in this film, tidier and more elegant. Alicia meets Ramon (Jose Angel Egido), the plump and proper owner of a shoe store, in a weepy movie. They look over at every other, both with tears streaming down their faces, and they know they're a match. She goes to work at Ramon's shop, and eventually they are to marry. Meanwhile Samuel gets increasingly advanced kissing lessons from the tv lady's very foxy daughter (Claudia Valdes). (In one of Giroud's more daring conceits, he continues at home in bed with a ceramic head of the Virgin.) He is madly in love with a true girl he meets delivering image portraits, Violeta's most pretty model, a film star called movie star Nuria (Carla Paneca), a superb lady who lives in a great house and soon turns out to be the girlfriend of one of the most popular heroes of the Cuban Revolution.Samuel isn't particularly enthusiastic about Ramon, but Ramon makes a successful effort to woo him. Ramon is the one who first alludes darkly to the "big things event in this country," at the time news to Alicia. He's plainly not at all satisfied about these "big things," so it seems likely he's going to be among those who will flee when the Revolution happens, as it does, finally, with a burst, jump-starting The Silly Age's last section. But we see nothing of it but some historical footage, and a glimpse at Nuria's boyfriend. The movie works on its own tiny scale, with an eye for the absurd--implying its "big things" only appear so to the participants--though perhaps hinting that as Samuel slips out of his silly age, Cuba slips out of hers.Everybody knows Havana has an unsurpassed collection of Fifties cars, and some of the most immaculate of them are seen to nice advantage in this film. Everything else is likewise perfectly in period. Giroud's touch is deft. He never lets a stage run too long. He's a surprisingly smart and mature filmmaker. Credit is also due to the cinematographer, Luis Najimias Jr.; the creator of the screenplay, Arturo Infante; and the production designer, Maya Segura.The Silly Age was shown at the Toronto festival last September and was a SKYY Prize contender (for first time directors) when shown as part of the San Francisco International Movie Festival 2007. It won the fresh SFIFF Chris Holter Award for Humor in Film.
New York, NY 10013
Similar Film Search Engine
+44 20 7336 8898
Mon - Sun 09:30 am - 05:30 pm