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La Collectionneuse 1967
Description: A bombastic, womanizing art dealer and his painter mate go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.
Released: 02 Mar 1967 Director: Éric Rohmer Writers: Patrick Bauchau (dialogue), Haydée Politoff (dialogue), Daniel Pommereulle (dialogue), Éric Rohmer Actors: Patrick Bauchau, Haydée Politoff, Daniel Pommereulle, Alain Jouffroy Genres: Comedy, Drama, Romance
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La Collectionneuse Reviews:

Art dealer, in need of serenity, finds that the vacation villa is shared by a hedonistic young woman. He becomes obsessed with ignoring her and pretends to himself that she wants to seduce him while he remains unaffected. The vacation thus turns into a love triangle between the indifferent but flirtatious girl, the man's unacknowledged desire, and his incessant, pompous self-rationalizations (the greatest cinematic test of voice-over EVER!). A sunny, witty, and deeply ironic "moral tale" that explores, like most of Rohmer's work, the uneasy vacillation between intellect and eroticism.


The first detail length moral tale, La Collectionneuse is easy better than its predecessors. Offering a realistic look into the lives of three young folks and narrated perfectly by one, La Collectionneuse is a pretty film. This is Eric Rohmer's first color detail and it is absolutely superb to look at. There are few superb beach scenes. The cinematography all around is just glorious. Aside from that, the acting is wonderful. There is so much chemistry between the main characters that it electrifies the film. It also provides a realistic tale of the struggle to hold morality. Translated as "The Collector" in English, La Collectionneuse is an overlooked, underrated movie that could be considered a classic.The storyline starts with three prologues. The first, Haydee's prologue, simply shows the woman on the beach in a skimpy bikini. The second prologue introduces the viewer to Daniel, a painter, who becomes a key character. Adrien's prologue, the third and last, gives us an introduction to Adrien, who becomes our narrator throughout the rest of the film. These three characters are whom the storyline revolves around. Sharing a mutual friend, the three of them come to share a villa during their vacation. Adrien, an art dealer who is played by Patrick Bauchau, has made it his target to do absolutely nothing during his stay. He and Daniel (Daniel Pommereulle) become mates fairly quickly, but both hold their distance from Haydee (Haydee Politoff), the pretty young woman who beds a various guy each night. Adrien is at first disgusted with her behavior, calling her a "collector" of men, but eventually becomes intrigued by her. As he grows more and more attracted to her, Adrien gotta decide whether or not to sleep with her and forget his moral integrity or to abstain and do what he knows is right. Through his narration, Adrien debates this and plays mind minigames with Haydee, although he's not sure if she shares the attraction or if she simply wants to add him to her collection.This movie is simply beautiful. The sexual tension feels very real, which is due to both the performances of the actors and the direction of Eric Rohmer, who is quickly becoming one of my favourite directors. The narration is refreshing, offering a nice look into Adrien's mind. La Collectionneuse is very sharp with its dialogue and themes. Like the another Rohmer movies I've seen, this one ends very abruptly. It reminds us that we're watching these people's lives for only a short time. The 87 mins is fully worth it, though. La Collectionneuse is a nice movie and could be regarded in higher esteem than it seems to be. I can't imagine why this one isn't ranked alongside the greats.10/10


"La Collectionneuse", the third movie in Eric Rohmer's six moral tales, is packed with lacerating observations on life, love, and the nature of man. It is a sensitive conversation piece with elegant folks commenting poetically on their lives and of those around them. Pretty boys and girls who reflect openly about the conflicts of intellect and impulse; inclination and action, solitude and companionship. Rohmer characteristically paces this eloquent tale of sexual temptation with long, fluid takes. "La Collectionneuse(Collector Girl) centers around a young, hedonistic girl(Haydee) who saunters laconically around the provincial environs of a huge holiday home, seemingly indifferent to the two older men's(Adrian and Danele) existence. Haydee exudes a casual independence and an unflappable reserve. Her cursory dealings with her young lovers prompts Danele to cast her as 'the atrocious ingenue'. Though they search her unexpectedly alluring, both boys regard 'the concept of collecting boyfriends opposite of purity'. Rohmer, the director of "Chloe in the Afternoon" and "A Tale of Springtime", enjoys revealing which individual can greatest cast their charm and guile to their greatest advantage. This 'game' between the sexes only leads to unwanted desires for the boys and a resumption of her find by Haydee. Rohmer handles the material with a light touch throughout and concludes his storyline by offering a tenuous solution to the prevailing tension in the film between one's solitude and fraternity. Adrian privately confesses that 'I was overwhelmed by a feeling of delicious independence, of total self-determination. But in the emptiness and silence of the house, I was overcome with anguish'. A universal truth clearly-rendered by one of cinema's most ingenious and graceful filmmakers.



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