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La Chatte à deux têtes 2002
Description: In a Parisian porn theater, a cashier, a 50-year-old boy and a young projectionist are drawn into a complex love affair.
Released: 20 Nov 2002 Director: Jacques Nolot Writers: Jacques Nolot Actors: Vittoria Scognamiglio, Jacques Nolot, Sébastien Viala, Olivier Torres Genres: Drama
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La Chatte à deux têtes Reviews:

'La Chatte à deux têtes' (PORN THEATER) is a somber study of a sector of life several know, an aspect of human sexuality that didn't create it into the Kinsey Report, a part of the underbelly of town life most would rather not agree existed. Does that mean it could not be examined, could not deliever the impetus for an art film? Writer/director and actor Jacques Nolot thinks otherwise. In this dark tiny movie we are invited into the inner sanctum of a dirty old film house in Paris that shows only straight pornography for a clientele of boys of different types: military men, straight boys look for gay sex, married boys in need of exploration of their senses, transvestites, old boys for whom such territories deliever the only sexual outlet, and the regulars who spend their evenings in the dingy darkened atmosphere for anonymous sex.The theater is a theater of life for these people, and the 'stage manager' is the sole female Italian ticket cashier (Vittoria Scognamiglio) who has seen each aspect of sexuality, embraced it, and therefore is wholly non-judgmental. She converses with her straight projectionist (Sébastien Viala) who is attracted to her on few levels, and with one of her regulars (Jacques Nolot), a boy of fifty who is living with AIDS in a responsible way, but finds his only sexual outlet to be this theater scene. During the course of the movie the cashier manages to discuss her launch views of sexuality with these two boys and the three of them seem headed for a communal experience.This launch view of human behavior is set with the background of the different acts within the theater. We watch transsexuals ply their wares, group encounters in bathrooms, and different odd approaches and rejections for gratification that in the end represent a group of boys who search connection to every another as human beings far more hard (?impossible?) than fast satisfaction in the dark. There is considerable frank acting out of encounters that are usually not seen on movie and that may be more than the regular viewer can tolerate. But at least one director has the courage of Genet and Gide and Burroughs et al to tackle this topics matter in a wholly realistic way. The effect is a movie of social significance, even though it may not be for everyone. It is an art film, very well made, with a brave cast and an even braver writer and director. To not see it is to miss some necessary messages about human sexuality and about human needs too frequently dismissed as non-existent. In French with English subtitles. Grady Harp


I accept with the above comments that this film is not for the faint of heart. Even having visited theaters like that myself, to see it on movie is still something that'll raise your pulse.I think what's more necessary here than the content or 'weakness' or 'unwatchability' of some of the characters, is the fact that we as an audience member have suddenly become voyeurs into an ordinary day in these people's lives. We see them pursuing friendships, searching for affirmation, seeking pleasure from an addiction, the joy of anonymity, etc.I think one example we can test is when you're out in the woods and you lift an old log, or a rock and look underneath. You don't disturb, you don't change anything, you simply observe and place the rock back down. Whatever life is event under the rock was there before your arrival, and will certainly hold moving after you place the rock back.The characters that exist in this film certainly exist in our everyday lives; gay, bi, jocks, trannies, married men, whether you're in Paris, Fresh York, Akron, St. Louis, Houston, wherever. I think it's an interesting glimpse into lives that we might not receive to see otherwise. The topics matter may be a bit edgy, but we have semi-comparable movies (not necessarily content-wise) here in the U.S that are simply glimpes into lives.I play French movies. I think the French are more willing to challenge themselves through their cinema. If you can stomach it, take a look at any of Gaspar Noe's movies, especially "Irreversible," or "I Stand Alone." Or even, "In My Skin," directed by Marina de Van. Eye-openers for our American sensitivities.


This movie follows the goings on of porn theater attendees in Paris. While the interaction between the characters is touching, and their openness with one other seems genuine, the viewer cannot support but feel unnerved by the lack of sexual scruples of the audience members.Simultaneously, the director puts us in the position of voyeurs, but occasionally switches perspectives to create us think we are in the audience with the actors. This poking at the fourth wall supports create one wonder about what is going on in the theater in which we are sitting. Seeing this film in your living room may spoil the effect.Overall, this film was very human, very touching, but very sad. There is a bit of male nudity/male on male sex, so this film is not for the stodgy, prudish, repressed, or homophobic.



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