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This is one of my favourite films of all time and was released in two versions - with La Belle Noiseuse being the longer of the two. I definitely suggest picking a quiet evening - perhaps with a glass of wine in hand - - and enjoying.This is a storyline of an artist (Michel Piccoli) - who after few years of retirement - - is coaxed by his mate to return to his craft to paint his unrealized masterpiece. He chooses - as his model - a pretty temperament full young girl - rather than his wife (Jane Birkin). Several beautifully interwoven themes of human emotions are evident - jealously - frustration - longing - triumph and finally understanding. For those of you who play this movie - I would also suggest the classic: Les Enfants du Paradis (Children of Paradise).
This was a VERY long and unusual movie. For me there were things to like and things to dislike. Despite its length, and at times its boredom, I did search myself compelled to watch the entire thing. It was a fascinating study of an old artist rediscovering his talent, and a young woman opening up to herself through modeling for him. That's the part I enjoyed. The lengthy scenes of the artist plying his trade were clearly done so to communicate the time and tedium involved. And it worked.But you won't search any of the trappings of Hollywood here to support you with understanding the movie. There is no melody - zip, nada, none. No sound effects, no unique results of any kind. No dramatic camera angles or fast cuts, the camera work and the sets were very plain and individual shots lated for mins at a time. And there was even precious tiny dialog. When conversations occurred, they were short, often cryptic, and filled with innuendo, leaving one to figure out what was meant.So what was left? The acting. This movie relied solely on the abilities of the actors to convey everything. As such it should have easy been produced as a enjoy - although the audience would have had to been issued No-Doze on the method in.Did it deliver? Yes and no. As I stated, it portrayed the adventures of the artist and the model quite well. But, where it fell short was the delivery of the main plot. The painting was supposed to be this strong thing that should change people's lives. Folks were warned to be careful. But in the end, what came across to me was that these were a bunch of self- absorbed folks that didn't have any true issues to worry about so they blew all this items about the painting and artist method out of proportion. They were selling it, but I wasn't purchasing it. Maybe I'm jaded and need more of the Hollywood "support" system" of music, lighting, etc., but the intensity of the central plot just didn't come across for me.After investing all that time, at the end I was left thinking, "Is that it?" I don't think it was a finished waste of time, but I couldn't really suggest it to anyone.
Well that's two hours of my life I wish back. Two hours of watching rich French folks saying every another their lives are unbearable in incomplete sentences. The subtitles for this film had more ellipses (that's the three dot thing when folks suddenly stop...) than any another film I have seen. I am so glad I didn't suffer the four hour version.There is a primary screen-writing adage that tells receive into the stage as late as you can and then receive out as later as you can. Most of this film is a direct inversion of that rule of thumb. Characters arrive in the scene, transport randomly around the set so the director can follow them a bit with his camera, stand about, don't tell much, look past every other, then decide there isn't a stage after all and wander off somewhere else to stand around being cryptically insulting to every another and smoking aggressively for a bit.I had a choice tonight. I should have watched Jesse James Meets Frankenstein's Daughter instead of this. I want I had.
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