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See Kit Kittredge: An American Gir on youtube.
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See Kit Kittredge: An American Gir on youtube.
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Description: After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, similar to the death of a colleague and political character . The task of Atalibar (Sergio Hernandez) is to reveal his secret. But his view clashes with the actual country, godless, far from the old ideologies and where all his old colleagues have changed.
Description: The first of the Amnesty International comedy benefit galas. The game is a enjoy on the phrase at Her Majesty's pleasure (the present was performed at Her Majesty's Theatre, London). This present came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first present in the series by three years. The happening was organized by a squad of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas...
Description: Following the success of the 1979 present and the financial benefits accruing to Amnesty from the spin-off movie, TV unique and record albums – Cleese, Lewis and Walker planned the next present to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty present stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV present Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited another rock musicians to perform at the 1981 present including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
Description: After the criticisms of the 1987 show’s disproportionate focus on melody - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a basic focus on comedy. Pat Duffy was dropped from organising any further benefit happenings for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.
Description: A storyline about two couples, longtime mates in which both husbands engage in long-term affairs and, as the game says, ultimately one remains with his wife and one makes a fresh life with other woman.
Description: Linda and Michael, married for ten years, desperately wish a baby and turn to an adoption agency which introduces them to Lucy, a teenage woman expecting her first baby. The three accept that Linda and Michael will adopt Lucy's baby and that Lucy will sign away custody. Things don't go quite to plan however..
Description: A tribute unique featuring some of the largest names in comedy reminiscing about the late, nice stand-up. It's a nice method to celebrate and remember Greg, but if you wish to do more than just celebrate and remember him, you actually have an occasion to support out his family too.
Description: Claude Duty's feature-length debut Filles Perdues, Cheveux Gras (Hypnotized and Hysterical, (Hairstylist Wanted)) is an offbeat comedy about three women. Elodi (Olivia Bonamy) is a struggling single mother. Natacha (Marina Fois) is an upbeat alcoholic hair stylist whose beloved pet cat has disappeared. Marianne (Amira Casar) is drawn to a roguish, sexually adventurous art dealer. Their lives intertwine in a tons of ways. Song and dance numbers, as well as animated sequences, punctuate the film.
Description: Amnesty decided not to show a benefit present in 1978 in order to consider how to create better test of the performing talent so favourably disposed to support it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's fresh fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the present to raise more cash and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the present could detail some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as Fresh Wave singer-songwriter Tom Robinson.
Description: When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the present format was retooled in an effort to take advantage of the growing number of rock musicians helping Amnesty. Instead of the live present being primarily a comedy present with a several musical cameos, the happening made a mission of giving equal emphasis to the comedy and the music.
Description: The inventor of the condom-- actually God's bounty hunter- is tasked with tracking down and capturing the Devil, who has possessed the body of a high school wallflower in order to feed on human souls via sex.
Description: Mary is a sophisticated pastry chef who's struggling to hold the doors of her bakery open. Facing eviction, she decides to return back home with her fiancé, Brent, to accumulate a sizable engagement gift from her eccentric Texan family. But, when Brent is felled by allergies and unable to travel, Mary bails his identical-twin brother, Jake, out of jail and travels back home passing him off as her fiancé.
Description: Bob Hope is a Fresh York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a enjoy that may or may not be very good. Actually Hope gotta either receive out of reviewing the enjoy or cause the breakup of his marriage. Based on the Broadway enjoy by Ira Levin.
Description: Naina's storyline as she grapples with heartbreak, and a crisis in her advertising career in the face of her 30th birthday. And as she wars her anxiety and fears about being 30 years old, Naina realises there's a lot of growing up to be done. Set in the heart of urban Mumbai, Turning 30!!! is a humorous and heart-warming take on a single young woman's adventure of finding herself, discovering love and blossoming into a girl of substance.
Description: When he suddenly finds himself without his long-standing blue-collar job, Larry Crowne enrolls at his local college to begin over. There, he becomes part of an eclectic community of students and develops a crush on his teacher.
Description: When Emanuelle (Gemser) arrives in the tiny Italian village heads begin turning and eyes begin popping. All males in the city are falling all over themselves trying to receive a look (or a feel) of the fresh doctor. One in particular is the fiancee of the mayor's daughter. A type of "Hatfield's and McCoy's" feud with a political twist has been going on and the young lovers' families are, unfortunately, on opposite sides. Emanuelle's shower becomes the goal of a gang of voyeurs, including the pillars of the community. She uses it as a scene to taunt the watchers to charge into her apartment on the notion that she is showering with the mayor's daughter's fiancee. Instead of what they expected, they search the two young lovers in bed. Can Emanuelle shame them into allowing the marriage that they had been preventing?
Description: Two students fall in love with the same guy--one is a model student, and the another is a troublemaker. The troublemaker makes up a lie and says the model student that the guy now likes troublemakers. So, the model student tries to create herself more wild to attract his attention. Meanwhile, and troublemaker tries to become a model student in order to victory over the guy.
Description: After a quayside mix-up with the Italian family of his fiancée, Able Seaman Knocker White finds himself literally left holding the baby. Unable to return it before his ship sails he enlists the support of greatest friend Puncher Roberts to smuggle the kid aboard. But babies are surprisingly demanding and gradually the entire team is drawn into supporting hold it fed and washed - and undiscovered. Even so, the officers above deck begin to puzzle over the increasingly strange events on board.
Description: Famous mailcoach driver Uncle Willie is in fact in league with the town's crooked banker. They plan to have the bank robbed after emptying it, and when Willie's choice for this doesn't present in time, he gets some local men to do it. When his boy does turn up he decides to stick around, as he is pals with the sheriff and also takes a shine to Willie's daughter Allison. This gives the terrible boys few fresh problems.
Description: Four curvy college co-eds head south to Ft. Lauderdale on a spring break fun-seeking trek in this gratis wheeling comedy that's an 80's modernize on the original film! Carole (Lorna Luft, Grease 2), taking a separate holiday from her steady, winds up as a contender in a Hot Bod Contest! Jennie (Lisa Hartman, Knots Landing) is doubly lucky, courted by both a rich, classic pianist as well as a devil-may-care rocker (Russell Todd, Chopping Mall).
Description: Anders Fjelsted udleverer sit liv som "Barnligt voksen" i forrygende sjovt solo-show med premiere den 16. marts. I showet balancerer Anders Fjelsted på kanten mellem det indre barn der bare vil ud og den voksne mand han er i kraft af sine 33 år, gift og familiefar. Det kan ikke andet end give en skæv indgang til tilværelsen boys leverer samtidig materiale til en forrygende omgang stand-up hvor "Fjelle" med sin sædvanlige drengede charme joker sig igennem emner som politik, handicap toiletter, mænd, kvinder og parforhold.
Description: Julian, 25, and Louis, 12, are two brothers who work and live on a barge in the centre of Paris. They move gravel and resort to petty crime to create ends meet. They have grown up alone and actually they are inseparable, wedded to a life on the river. A receiver of stolen goods offers them the occasion of a lifetime, to steal a painting by Manet from the Musée d'Orsay. Louis takes charge of the theft and, vs the odds, he succeeds in removing it from the gallery and taking it aboard his barge. Rosalie, a museum guard, follows Louis to his home and confronts him. After a fight, the two brothers safe Rosalie in the keep of their boat and create a fast getaway. Later, Rosalie emerges from her hidey hole and makes the brothers an unexpected offer...
Description: In Hamburg, an aged wizard is searching for a replacement. Freddie, who's about 12, finds the wizard's ebook of spells and knows enough to read a several lines to his mate Emma. She repeats the lines adding exasperation about Mickey, a man who's often mean to her. The next morning, Mickey finds himself in Emma's body, and Emma finds herself in Mickey's body. The sorcerer tracks down the book, takes it back, and disappears, leaving Freddy with no method to reverse the spell, which becomes permanent in 54 hours. Freddy, Emma, and Mickey gotta work together to find out a solution, while making discoveries about sex roles, courage, friendship, and every another
Description: Investigative reporter Jack Parlabane stumbles across the aftermath of a murder stage in Edinburgh, and when he shows tiny sign of shock at the gruesome killing of a respected doctor, Detective Inspector McGregor suspects that he is the assassin and Parlabane gotta clear his name.
Description: Leonie Koutcharev, a top civil servant at the Ministry of Interior, proposes an ideal solution to the trouble of overpopulated prisons: place model prisoners in the homes of carefully screened families. Jules and Norma Klarh, a childless couple, expect to obtain an inoffensive juvenile delinquent but end up with the psychopath Marcus Steckner in their suburban home. The movie centers on social criticism of the gap between reality and the bureaucratic assumptions of what reality could be.
Description: Ivan, bandit sans envergure, croise le chemin de Sonia, jeune provinciale fraîchement arrivée à Paris. Dès le premier regard, il la déteste. Dès le premier regard, elle s'entiche follement de lui. C'est décidé : cet homme cruel sera son prince charmant, son héros, l'homme de sa vie. Et si Ivan a la haine tenace, Sonia a la patience d'un ange. Ou celle d'un démon.
Description: The grunge woman band "No Exits" is just about to receive a record deal. At this time Jimmy is appearing again, the former boy-friend of the band guitarist Shelly. She had left him because his mate had raped her. But he doesn't know that - up to now. Shelly has fallen in love with the band singer Suzy in the meantime. But she still loves Jimmy, too. So she moves to him again, what Suzy doesn't like that all. Especially because she is becoming a feminist.
Description: Thanks to the law of 1948 and to her grandmother, the nominal tenant who is everytime absent, Francesca Cigalone and all her tribe (thoughtless husband, orphan sister, self-centered movie maker and his mistress of the day, eccentric granny, friends, mates of the friends, daughter...) live on a shoestring in a very large apartment. Which is not to the liking of supercilious bitchy owner Charlotte Falingard, who has been intent for some time on having them evicted for obvious speculative reasons. But suing Francesca is no bed of roses. The lady is tenacious. Moreover she once studied law... Written by Guy Bellinger
Description: In the 1950s, Louise left her husband when their kids were still little. She was never heard from again. Her daughter Martine stayed in the tiny seaside town, where she became a doctor. Martine's daughter, Audrey, a thirty-year-old independent woman, returns to visit her parents. By chance, she finds a notebook that belonged to her grandmother, a diary that may at last explain her departure. Will it reveal the things left unsaid, that have altered the relationships within the heart of the family ever since? In it, will Audrey search answers to the questions that she is asking herself about her own future?
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I took my grandchild to see this film and was truly shocked. How should a film this nice come out of Hollywood? The characters were believable, the plot interesting, there were humans instead of androids in this movie, there was no sex, violence, or terrible language in it, and this old lady LOVED it. So did my 7 year old grandchild. Why haven't they been making films like this for years?Usually when I take a kid to the movies, I am saddened by the experience. Where are all the wonderful, wholesome productions of yesteryear that entertained one and educated at the same time? This film did both. My grandchild knew nothing about the Depression, so I explained the time in very easy terms. She seemed to receive it, and loved the method the storyline had a nice ending where the main hero had a private triumph and a family endured adversity.Take your children to see this movie. You will be proud and not embarrassed.
As a writer of women's history, including Globe Fight II, this is one of the several movies I've seen which really informs. The settings and clothing were accurate. The mix of folks was also real to life. But what surprised me the most was that Kit's family came face to face with the private dilemmas of the Depression. She was not just a kid "voyeur", "do-gooder", or "little careerist" removed from the economic and social pressures which is what I had expected. There were a number of very authentic scenes and interchanges. There were also some very interesting characters such as the android librarian.I spoke to a mother as she came out of the theater with her 5 year old (who liked it). She commented that the film will give youth of today a view of hardship that most don't understand in our actually affluent nation. As a kid of Depression-era parents that's the truth: both of my parents' families lost wealth due to tiny city bank failures. My uncle, instead of going to college, had to join the Civilian Conservation Corps (CCCs).With that said, however, as a film I thought the acting uneven. Some of the dialogue seemed a tiny canned and some words were too contemporary (e.g., Kit: "I was focused on"). But some of that should also just be my first over-reactive impression. I'd have to see it again, to allow it all sink in, for as a total historical pack it was a lot to absorb, because you have to assess it at few various levels.But, whether or not you think this is a nice or terrible movie, in film terms, this is an necessary film for kids to see. It is generally fact-based, has depth, and is as authentic a film as a wholesome, "uplifting" one for 10-year-olds can be. The American Woman phenomenon is real manna from heaven for those of us interested in giving girls a zone in history.
While not being semi-prof. movie critics,we know what we like and what is a nice movie, worth your time and money. This is not a deep psychological study, but is an intriguing look at an era most folks have long forgotten. The storyline is nimble and keeps your interest while being clearly said from a child's perspective. We all loved the cinematography and the period clothes, cars, etc. The storyline had universal appeal and was not so childish that adults couldn't play it. It was a true pleasure to see many senior citizens in attendance (even w/o grandkids) as I suspect that they now lived through the struggles outlined in the movie. There were enough twists and turns and plenty of good, moral messages for old and young alike. Other plus is the 90 min. length! Our family votes yes to taking your children and your senior citizens as well.
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