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Kiss the Boys Goodbye 1941
Description: Fresh York chorus woman Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen says Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent find for a classic Southern belle kind to star in the show, although their shows usually detail Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to receive Lloyd and Rayburn to audition her.
Released: 01 Aug 1941 Director: Victor Schertzinger Writers: Clare Boothe Luce (play), Dwight Taylor, Harry Tugend Actors: Don Ameche, Mary Martin, Oscar Levant, Virginia Dale Genres: Musical
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Kiss the Boys Goodbye Reviews:

No really. I was expecting it to be watchable but tepid. In fact, it's funny and charming and surprising. The stage in which Cindy Lou 'performs' in front of the Fresh York crowd for the first time should be told to have influenced the stage in Pal Joey where Kim Novak agrees to strip for Sinatra. It has a lot of jokes that have been stolen by soon movies, and the entire cast is terrific.The storyline is about the find for an unknown Scarlett O'Hara-ish authentic southern belle to replace a leading diva in a musical. Cindy Lou arranges for Lloyd Lloyd, the producer, to see her perform before he gets to the true auditions. Everyone else who works for the present loves her, but Lloyd Lloyd has promised the popular diva that the role will still be hers after the farce of the auditioning. She has to victory him round too. I also screwed up my VCR timer and didn't receive the last 2 minutes. I can hardly wait until it's on again.


Copyright 1 August 1941 by Paramount Pictures Inc. Fresh York opening at the Paramount: 13 August 1941. U.S. release: 1 August 1941. Australian release: 6 November 1941. 9 reels. 7,603 feet. 84 minutes. SYNOPSIS: Theatre producer searches the South for an authentic Southern belle. NOTES: The scene enjoy opened at the Henry Miller and ran a quite satisfactory 286 performances. The cast included Helen Claire, Philip Ober, Sheldon Leonard, Benay Venuta, Hugh Marlowe, Millard Mitchell and John Alexander. The director was none another than Antoinette Perry, the producer Brock Pemberton. The enjoy was a "satire on Hollywood's frantic find for an actress to enjoy Scarlett O'Hara in Gone With the Wind." - Edwin Bronner in The Encyclopedia of the American Theatre (Barnes/Tantivy 1980), a fine reference book.VIEWER'S GUIDE: Aside from a striptease number near the end, suitable for all.COMMENT: Paramount attempted to money in on the success of M-G-M's The Girls with other Clare Boothe Luce enjoy that was just as brittle and caustic. Unfortunately the satire this time was directed not at high society but at Hollywood itself. By a easy stroke of the pen the characters were easy changed from Hollywood to Broadway and just about all Mrs Luce's sharply witty lines were dropped. To fill in the gap, Paramount decided to turn the enjoy into a musical. A wise decision. The principal hero is actually something of an irritating bore, whilst her leading man, played here by the hapless Don Ameche (borrowed from Fox for the occasion) seems positively weak-headed. Fortunately the another characters are much more colorful, but the musical numbers are still the greatest detail of the movie, especially "Sand in My Shoes" which is given class-A treatment by singer Connee Boswell and singer/soft-shoe shuffler Eddie Anderson.


Mary Martin, like her contemporary Ethel Merman, was one of the nice enduring stars of the Broadway musical theater. Both girls made their share of films early in their careers but neither achieved the same success in movie that they had on stage, particularly strange in the situation of Martin who seemed to have everything it took for stardom--not only should she act and sing but she photographed beautifully. The 1941 movie based on a Broadway enjoy by Clare Booth Luce details a number of songs by the director Victor Schertzinger with lyrics only by Frank Loesser before his Guys and Dolls success, including one of Mary's nice hits, the game song. Oscar Levant does his usual acerbic role as Oscar Levant, everytime sounding as if he is advertisement libbing his greatest lines, perhaps he did. He even gets to enjoy some harpsichord. Connie Boswell and Eddie "Rochester" Anderson do speciality numbers, and there are some funny moments. Watch for Elizabeth Patterson down south as Aunt Lily Lou and her shotgun.



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